Coming out: najlepsze dyplomy ASP w Warszawie 2013 = Coming out: best degree pieces Academy of Fine Arts in Warsaw 2013
| [red. Katarzyna Olesińska]
Warszawa: Akademia Sztuk Pięknych, 2013
Coming out: najlepsze dyplomy ASP w Warszawie 2014 = Coming out: best degree pieces Academy of Fine Arts in Warsaw 2014
| [red. Katarzyna Olesińska]
Warszawa: Akademia Sztuk Pięknych, 2014
Coming out: najlepsze dyplomy ASP w Warszawie 2015 = Coming out: best degree pieces Academy of Fine Arts in Warsaw 2015
| [projekt graficzny Poważne Studio; opieka art. Lech Majewski]
Warszawa: Akademia Sztuk Pięknych, 2015
Commemorating the Polish Renaissance child: funeral monuments and their European context
| Jeannie Łabno
Farnham, England -- Burlington, VT: Ashgate, 2011
Comment reconnaître les styles du mobilier régional
| par Janine Léris-Laffargue
Paris: Éditions Charles Massin, 1967
Commentaires sur un paysage attribué a David Vinckeboons au Musée de Glasgow
| Arthur Laes
Antwerpen: [Govaerts], 1948
Commentary on the exhibited material: [in honour of the tenth anniversary of the liberation, 1945-1955]
| Marijana Gušić
Zagreb: Ethnographical Museum, 1955
Comments on Rembrandt's passion paintings and Constantijn Huygens's iconography
| Else Kai Sass
Kobenhavn: kommissionor, Munksgaard, 1971
Comments on Rubens' beginnings
| Julius S. Held
Antwerpen: De Sikkel, 1957
Comoedia
| Pismo poświęcone sprawom sztuki i kultury współczesnej wydawane przy współpracy Teatru na Pohulance; redaktor: J. Maśliński
Wilno: [St. Turski], 1938-
Comparativism in art history
| edited by Jaś Elsner
London -- New York: Routledge, 2017
Compass and rule: architecture as mathematical practice in England 1500-1750
| Anthony Gerbino and Stephen Johnston; with a contribution by Gordon Higgott
New Haven, Conn. -- London: Yale University Press -- Oxford: In association with Museum of the History of Science -- New Haven, Conn.: In association with the Yale Center for British Art, 2009
Compendia mundi: Gianlorenzo Berninis Fontana dei Quattro Fiumi (1648-51) und Nicola Salvis Fontana di Trevi (1732-62)
| Frank Fehrenbach
München -- Berlin: Deutscher Kunstverlag, 2008
Complexity and contradiction in architecture
| Robert Venturi
New York: The Museum of Modern Art Papers on Architecture, 1981
Compositie-problemen in Verband met Rembrandt's Schuttersoptocht
| door F. Schmidt-Degener
Amsterdam: Noord-Hollandsche Uitgevers Maatschappij, 1942
Compressed meanings: the donor's model in medieval art to around 1300: origin, spread and significance of an architectural image in the realm of tension between tradition and likeness
| Emanuel S. Klinkenberg
Turnhout: Brepols, 2009
Compression vs. expression: containing and explaining the world's art
| edited by John Onians
Williamstown, Mass.: Sterling and Francine Clark Art Institute -- New Haven, Conn. -- London: Distributed by Yale University Press, 2006
Compte rendu de la cinquante et unieme session annuelle du Comité de l'Union Académique internationale, Athenes du 12 au 18 juin 1977
| Union académique internationale. Bruxelles; Leiden
Bruxelles: Union académique internationale, 1977
Compte rendu de la cinquante-deuxieme session annuelle du Comité de l'Union Académique internationale, Bruxelles, du 11 au 17 juin 1978
| Union académique internationale. Bruxelles; Leiden
Bruxelles: Union académique internationale, 1978
Compte rendu de la cinquante-huitieme session annuelle du Comité de l'Union Académique internationale, Bruxelles, du 17 au 23 juin 1984
| Union académique internationale. Bruxelles; Leiden
Bruxelles: Union académique internationale, 1984
Compte rendu de la cinquante-troisieme session annuelle du Comité de l'Union Académique internationale, Berne, du 17 au 23 juin 1979
| Union académique internationale. Bruxelles; Leiden
Bruxelles: Union académique internationale, 1979
Conceptions of Slavonic origins of European civilisation. In search of the reasons for nationalistic thinking
| Wojciech Bałus
[Oxford]: Pergamon, 1993
Conceptions religieuses dans la peinture de Piero della Francesca
| Charles de Tolnay
Firenze: Sansoni, 1963
Concepts of beauty in Renaissance art
| edited by Francis Ames-Lewis and Mary Rogers
Aldershot: Ashgate, 1998
Concepts of modern art: from fauvism to postmodernism: third edition, expanded and updated
| edited by Nikos Stangos
London: Thames & Hudson, 2006
Conceptual art
| ed. by Peter Osborne
London: Phaidon Press Limited, 2002
Conceptual art and painting: further essays on art & language
| Charles Harrison
Cambridge, Massachusetts: The MIT Press, 2001
Conceptual art and the politics of publicity
| Alexander Alberro
Cambridge, Mass. -- London: MIT Press, 2003
Conceptual art: a critical anthology
| ed. by Alexander Alberro, Blake Stimson
Cambridge, Massachusetts: The MIT Press, 1999
Conceptual revolutions in twentieth-century art
| David W. Galenson
Cambridge: Cambridge University Press, 2009
Concerning architecture: essays on architectural writers and writing presented to Nikolaus Pevsner
| ed. by John Summerson
Baltimore: Penguin Books, 1968
Conclave Consiliorum et Officina Regum. Funkcje i ukształtowanie sal sejmowych na Zamku w Warszawie w XVI i XVII w
| Jerzy Lileyko
[Warszawa: Państwowe Wydawnictwo Naukowe, 1977]
Concordia Novi et Veteris Testamenti: zapowiedzi dzieła odkupienia i jego spełnienie w teologii i sztuce średniowiecza
| Stanisław Kobielus
Poznań: Wydawnictwo Pallottinum, 2013
Conference de M. André Chastel
| André Chastel
Paris: Société d'Édition "Les Belles Lettres", 1975
Conferenze d'arte: [Pienza, Montepulciano, Val d'Orcia]
| a cura di Gianni Mazzoni
Montepulciano: Editori del Grifo, 1994
Conflicting visions: war and visual culture in Britain and France c. 1700-1830
| edited by John Bonehill and Geoff Quilley
Aldershot, U.K. -- Burlington, VT: Ashgate, 2005
Confraternities and the visual arts in Renaissance Italy: ritual, spectacle, image
| edited by Barbara Wisch, Diane Cole Ahl
Cambridge -- New York: Cambridge University Press, 2000
Confronting images: questioning the ends of a certain history of art
| Georges Didi-Huberman
University Park, Pa: Pennsylvania State University Press, 2005
Conimbriga: guide du Musée et des Ruines
[Conimbriga: Musée Monographique]: 1970
Connaissance de Poussin
| Paul Jamot
Paris: Floury, 1948
Connoisseurs and secret agents in eighteenth century Rome
| Lesley Lewis
London: Chatto & Windus, 1961
Conrad Celtes and Kunz von der Rosen: two problems in portrait identification
| Erwin Panofsky
[New York]: College Art Association of America, 1942
Conrad Laib und die beiden Rueland Frueauf
| Ludwig von Baldass
Wien: Schroll, 1946
Conrad Laib: ein spätgotischer Maler aus Schwaben in Salzburg
| Antje-Fee Köllermann
Berlin: Deutscher Verlag für Kunstwissenschaft, 2007
Conrad von Soest: Maler unter fürstlichen Kaufherren
| Brigitte Corley
Berlin: Gebr. Mann, 2000
Conrada Steinbrechta pruskie zamki biskupie i kapitulne = Conrad Steinbrecht - Preußische Bischofs- und Kapitelsburgen
| Piotr Lasek, Wojciech Wółkowski
Warszawa: Instytut Sztuki Polskiej Akademii Nauk: Wydział Architektury Politechnika Warszawska, 2025
Conradus Celtis Prototius (1459-1508)
| Dieter Wuttke
[Würzburg]: [Schöningh], 1986
Conseil international de la philosophie et des sciences humaines: Annuaire = International council for philosophy and humanistic studies: Annuary
[Paris]: [Conseil international de la Philosophie et des Sciences Humaines], 1979
Conseil international de la philosophie et des sciences humaines: Annuaire=International council for philosophy and humanistic studies: Annuary
[Paris]: [Conseil international de la Philosophie et des Sciences Humaines], 1986
Conseil international de la philosophie et des sciences humaines. International council for philosophy and humanistic studies
Paris: Maison de l'U.N.E.S.C.O, [po 1985]