The first alphabetical treatises in the Renaissance
| Millard Meiss
[Cleveland]: [Press of Case Western Reserve University], 1969
The first house: myth, paradigm, and the task of architecture
| R. D. Dripps
Cambridge, Mass.: MIT Press, 1997
The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe
| edited by Carole Paul
Los Angeles: The J. Paul Getty Museum, 2012
The first moderns: the architects of the eighteenth century
| Joseph Rykwert
Cambridge, Mass. -- London: MIT Press, 1983
The Flemish tapestries at Wawel Castle in Cracow. Treasures of King Sigismund Augustus Jagiello
| Edited under the direction of Professor Jerzy Szablowski
Antwerp: Fonds Mercator, 1972
The Florentine Academy and the early modern state : the discipline of disegno
| Karen-edis Barzman
Cambridge -- New York: Cambridge University Press, 2000
The Florentine portrait
| Jean Alazard
New York: Schocken Books, [1968]
The Florentine villa: architecture, history, society
| Grazia Gobbi Sica
Abingdon, Oxon -- New York: Routledge, 2007
The flowering of Florence: botanical art for the Medici
| Lucia Tongiorgi Tomasi, Gretchen A. Hirschauer
Washington: National Gallery of Art, 2002
The follies of science at the court of Rudolph II: 1576-1612
| by Henry Carrington Bolton
Milwaukee: Pharmaceutical review publishing co., 1904
The folly of the Cross: the Passion of Christ in theology and the arts-early modernity
| Richard Viladesau
New York: Oxford University Press, 2018
The fools' journey: a myth of obsession in northern Renaissance art
| Yona Pinson
Turnhout, Belgium: Brepols, 2008
The forge and the crucible: the origins and structures of alchemy
| Mircea Eliade; trans. from the French by Stephen Corrin
New York: Harper & Row, 1971
The formation of English Gothic: architecture and identity
| Peter Draper
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006
The fortuna of Leonardo da Vinci`s Lady with an Ermine
| Karolina Wiśniewska
praca na prawach rękopisu
The founding of the Henry E. Huntington Library and Art Gallery: four essays
| [by James Thorpe, Robert R. Wark & Ray Allen Billington]
San Marino, California: Huntington Library,1969
The four modes of seeing: approaches to medieval imagery in honor of Madeline Harrison Caviness
| edited by Evelyn Staudinger Lane, Elizabeth Carson Pastan, and Ellen M. Shortell
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The fourth dimension and non-Euclidean geometry in modern art
| Linda Dalrymple Henderson
Cambridge, Mass. -- London: The MIT Press, 2013
The fragment: an incomplete history
| edited by William Tronzo
Los Angeles: Getty Research Institute, 2009
The framing of sacred space: the canopy and the Byzantine church
| Jelena Bogdanović
New York: Oxford University Press, 2017
The Franciscans and art patronage in late medieval Italy
| Louise Bourdua
Cambridge, U.K. -- New York: Cambridge University Press, 2004
The Frari`s Basilica
| Silvio Bergamo
Venezia: Ardo/Edizioni d`arte, 1983
The Freer Gallery of Art
Washington: [s.n.], [s.d.]
The French academies of the sixteenth century
| Frances A.Yates
[London]: Warburg Institute, University of London, 1947
The French drawings in the collection of his Majesty the King at Windsor Castle
| Anthony Blunt
Oxford, London: Phaidon Press ltd., 1945
The fresco by Giotto in Milan
| Creighton Gilbert
Milano: Edizioni la Rete, 1977
The Frick Collection: paintings
New York: [s.n.], 1954
The functions of the names of the work of art
| Teddy Brunius
Athens: Edition du Comite Hellenique d'Organisation, 1960
The Fuseli circle in Rome: early romantic art of the 1770s
| by Nancy L. Pressly
New Haven: Yale Center for British Art, 1979
The game of courting: the art of the commune of San Gimignano, 1290-1320
| C. Jean Campbell
Princeton, NJ; Chichester: Princeton University Press, 1997
The Garden Library
Washington: [s.n.], [s.d.]
The gargoyles of Notre-Dame: medievalism and the monsters of modernity
| Michael Camille
Chicago -- London: The University of Chicago Press, 2009
The genesis of early Christian art: syncretic juxtaposition in the Roman world
| Yukako Suzawa
Oxford: Archaeopress, 2008
The genius of the future: Diderot, Stendhal, Baudelaire, Zola, The brothers Goncourt, Huysmans. Studies in French art criticism
| Anita Brookner
London, New York: Phaidon -- Praeger, 1971
The geometry of creation: architectural drawing and the dynamics of gothic design
| Robert Bork
Farnham, England -- Burlington, VT: Ashgate, 2011
The German school
| Michael Levey
London: 1959
The Getty Center w Los Angeles w nowej siedzibie
| Jerzy Miziołek
Warszawa: [IS PAN], 1988
The Getty Conservation Institute newsletter
[Marina del Rey, Calif.]: The Getty Conservation Institute, 1986-
The Ghent altarpiece and the art of Jan van Eyck
| Lotte Brand Philip
Princeton, N.J.: Princeton University Press, 1980
The Ghent altarpiece and the art of Jan van Eyck
| Lotte Brand Philip
[S.l]: [s.n.], [s.d.]
The Global Wanderer
| Ewa Lajer-Burcharth
[Hiroshima: Hiroshima City Museum of Contemporary Art, 1999]
The glorification of emperor Leopold I in image, spectacle and text
| by Maria Goloubeva
Mainz am Rhein: Verlag Philipp von Zabern, 2000
The gods made flesh: Metamorphosis & the pursuit of paganism
| Leonard Barkan
New Haven, Conn. -- London: Yale University Press, 1986
The golden age of Dutch painting in historical perspective
| edited by Frans Grijzenhout, Henk van Veen
Cambridge: Cambridge University Press, 1999
The golden flute: Indian painting and poetry
| N. C. Mehta, Moti Chandra
New Delhi: Lalit Kala Akademi, 1962
The golden game: alchemical engravings of the seventeenth century
| Stanislas Klossowski de Rola
[London]: Thames and Hudson, 1997
The gothic cathedral: origins of Gothic architecture and the Medieval concept of order
| Otto von Simson; with an appendix on the proportions of the south tower of Chartres Cathedral by Ernst Levy
[New York]: Pantheon Books, 1956
The gothic idol: ideology and image-making in medieval art
| Michael Camille
Cambridge: Cambridge University Press, 1991
The Gothic image: religious art in France of the thirteenth century
| Émile Mâle; translated by Dora Nussey
New York: Harper & Row, 1958
The gothic revival: an essay in the history of taste
| Kenneth Clark
Harmondsworth, Penguin Books, 1964