The historian and the city
| Ed. by Oscar Handlin, John Burchard
Cambridge: The M.I.T. Press, 1963
The historic photographs of Addison N. Scurlock
Washington: Corcoran Gallery of Art, 1976
The history of art in Hungary
| Antal Kampis; translated [from the Hungarian] by Lili Hálapy
London: Wellingborough, Collets, [1967]
The history of Charles V: complete in one volume
| by W. Robertson, D. D
Francfort o.M.: Broenner, 1828
The history of decorative arts: the renaissance and mannerism in Europe
| preface by Jacques Thuillier; editor Alain Gruber; with the collaboration of Margherita Azzi-Visentini [et al.]
New York: Abbeville Press, 1994
The history of photography from 1839 to the present day
| Beaumont Newhall
New York: Museum of Modern Art, 1964
The history of Polish diplomacy: from the 10th century until 1918 (from the origins of the Polish state to the restitution of indepedence)
| Marek K. Barański, Teresa Chynczewska-Hennel, Andrzej Szwarc
Olszanica: Wydawnictwo "Bosz", 2010
The history of surrealism
| by Maurice Nadeau
New York: Collier Books, 1967
The Holy Apostles: a lost monument, a forgotten project, and the presentness of the past
| edited by Margaret Mullett and Robert G. Ousterhout; with appendixes prepared by Fani Gargova
Washington, DC: Dumbarton Oaks Research Library and Collection, 2020
The holy place: architecture, ideology, and history in Russia
| Konstantin Akinsha and Grigorij Kozlov; with Sylvia Hochfield
New Haven, Conn. -- London: Yale University Press, 2007
The home setting in early Netherlandish paintings: a statistical and iconographical analysis of fifteenth- and early sixteenth-century domestic imagery
| Annette LeZotte; with a foreword by Royce W. Smith
Lewiston, N.Y. -- Queenston -- Lampeter: The Edwin Mellen Press, 2008
The Hudson River and its painters
| by John K. Howat; Pref. by James Biddle; Foreword by Carl Carmer
New York: The Viking Press, 1972
The human animal in Western art and science
| Martin Kemp
Chicago -- London: The University of Chicago Press, 2007
The hundred best pictures: a visit, at home, to the picture galleries of the world: being the gems from the galleries of London, Liverpool, Birmingham, Windsor, Oxford, Paris, Antwerp, Rome, Berlin, Dresden, Venice, Madrid, Milan, and from the leading private collections: compiled from lists suggested by various artists and critics
| arranged and edited by C. Hubert Letts
London: Charles Letts & Co., Diarists and Printers, 1901
The Hungarian National Museum: published for the 175th anniversary of The Museum
| [ed. by Ferenc Fülep]
Budapest: Corvina, 1978
The Huntington art Collection
| [Handbook compiled by Robert R. Wark]
San Marino, Calif.: Huntington Library, 1970
The iconography of a Romanesque chalice from Trzemeszno
| Piotr Skubiszewski
London: The Warburg Institute, 1971
The iconography of Correggio`s Camera di San Paolo
| Erwin Panofsky
London: Warburg Institute, University of London, 1961
The iconography of Islamic art: studies in honour of Robert Hillenbrand
| edited by Bernard O'Kane
Edinburgh: Edinburgh University Press, 2007
The iconography of landscape: essays on the symbolic representation, design and use of past environments
| edited by Denis Cosgrove and Stephen Daniels
Cambridge: Cambridge University Press, 1992
The iconography of the art of Teotihuacan
| George Kubler
Washington, Dumbarton Oaks Trustees for Harvard University, 1967
The iconography of the deposition without St. John
| [Paulina Ratkowska]
[London]: The Warburg and Courtauld Institutes, 1964
The iconography of the Galerie François Ier at Fontainebleau
| Dora and Erwin Panofsky
[Paris: Gazette des beaux-arts],1958
The iconology of abstraction: non-figurative images and the modern world
| edited by Krešimir Purgar
New York -- London: Routledge, Taylor & Francis Group, 2021
The idea of a town: the anthropology of urban form in Rome, Italy and the ancient world
| Joseph Rykwert
Cambridge, Massachusetts: The MIT Press, 1999
The idea of art as propaganda in France, 1750-1799: a study in the history of ideas
| James A. Leith
Toronto: University of Toronto Press, 1965
The ideal of painting: Pietro Testa's Düsseldorf notebook
| Elizabeth Cropper
Princeton: Princeton University Press, 1984
The ideas of progress and their impact on art
| by E. H. Gombrich
[New York]: Cooper Union School of Art and Architecture, [1971]
The ideology of the traitor : art, manner and mannerism
| Achille Bonito Oliva
Milan: Electa, 1998
The idol in the age of art: objects, devotions and the early modern world
| edited by Michael W. Cole and Rebecca Zorach
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The illuminated Blake: all of William Blake's illuminated works with a plate-by-plate commentary
| annotated by David V. Erdman
Garden City, N.Y: Anchor Press/Doubleday, 1974
The illuminators of the Menologium of Basil II
| Ihor Ševčenko
[Washington, D.C.]: Dumbarton Oaks Center for Byzantine Studies, 1962
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 1, Introduction
| John Williams
London: Harvey Miller Publishers, 1994
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 2, The ninth and tenth centuries
| John Williams
London: Harvey Miller Publishers, 1994
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 3, The tenth and eleventh centuries
| John Williams
London: Harvey Miller Publishers, 1998
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 4, The eleventh and twelfth centuries
| John Williams
London -- Turnhout: Harvey Miller Publishers, 2002
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 5, The twelfth and thirteenth centuries
| John Williams
London -- Turnhout: Harvey Miller Publishers, 2003
The illustration of Pliny's "Historia naturalis": Manuscripts before 1430
| Lilian Armstrong
[London]: [The Warburg Institute University of London], 1983
The illustration of Pliny's Historia naturalis in Venetian manuscripts and early printed books
| Lilian Armstrong
London: The Warburg Institute University of London, 1983
The image and the eye: further studies in the psychology of pictorial representation
| E. H. Gombrich
[London]: Phaidon, [1982]
The image of antiquity: ancient Britain and the romantic imagination
| Sam Smiles
New Haven -- London: Yale University Press, 1994
The image of death and funerary art in European tradition
| Jan Białostocki
[Mexico: Universidad Nacional Autonoma de México, 1987]
The image of Europe: visualizing Europe in cartography and iconography throughout the ages
| Michael Wintle
Cambridge: Cambridge University Press, 2009
The image of heritage: changing perception, permanent responsibilities: proceedings of the international conference of the ICOMOS International Scientific Committee for the Theory and the Philosophy of Conservation and Restoration: 6-8 March 2009 Florence, Italy
| edited by Andrzej Tomaszewski, Simone Giometti
Firenze: Edizioni Polistampa, 2011
The image of man in Renaissance art: from Donatello to Michelangelo
| by H. W. Janson
[Columbus]: [Ohio State University Press], [1966]
The image of the defeated leader in Romantic art
| Jan Białostocki
[Canberra]: Humanities Research Centre, Australian National University, 1983
The image of the individual: portraits in the Renaissance
| edited by Nicholas Mann and Luke
London: British Museum Press, 1998
The image of the poet: British poets and their portraits
| David Piper
Oxford: Clarendon Press, 1982
The immortal eight and its influence
New York: The Art Students League of New York, 1983