The collector of lives: Giorgio Vasari and the invention of art
| Ingrid Rowland and Noah Charney
New York -- London: W. W. Norton & Company, 2017
The commonwealth of nature: art and poetic community in the age of Dante
| C. Jean Campbell
University Park, Pa.: Pennsylvania State University Press, 2008
The complete book of artist`s techniques
| Kurt Herberts
New York: Frederick A. Praeger, 1969
The complete book of silk screen printing production
| by J. I. Biegeleisen; with an introd. by Carl S. Auerbach
New York: Dover Publications, 1963
The complete oil paintings of Edward Hopper
| Commentary by Gail Levin
New York: Whitney Museum of American Art in association with W. W. Norton & Company, 2001
The complete sculptures of Degas: 18th November - 21st December 1976
| with an introduction by John Rewald
London: Lefevre Gallery, 1976
The complete works of Giotto
| Luciano Bellosi
Firenze: Scala, 1981
The concept of an engravings collection in the year 1565: Quicchelberg, "Inscriptiones vel tituli theatri amplissimi"
| Elizabeth M. Hajós
[New York: College Art Association of America], 1958
The concise encyclopedia of American antiques
| Edited by Helen Comstock
New York: Hawthorn Books, 1966
The Connoisseur
London: National Magazine Co., 1901-1992
The conquest of happiness
| Bertrand Russell
London: Georg Allen & Unwin, 1931
The conspiracy of art: manifestos, interviews, essays
| Jean Baudrillard; edited by Sylvere Lotringer; translated by Ames Hodges
New York: Semiotext(e) -- Cambridge, Mass. -- London: Distributed by The MIT Press, 2005
The costume book
| Kristin Lohse Belkin
London: Harvey Miller: Heyden, 1978
The Counterpoint to likeness: essays on imitation and imagination in Western painting
| Jackson Dodge... [et al.]; edited by Seymour Howard
[Davis]: University of California at Davis, 1977
The courage to create
| Rollo May
Toronto: Bantam Books, 1985
The crab, the sun, the moon and Venus: studies in the iconology of Hieronymus Bosch's Triptych the garden of earthly delights
| Anna Boczkowska
Leiden [etc.]: Brill, 1977
The crab, the sun, the moon and Venus: studies in the iconology of Hieronymus Bosch's Triptych the garden of earthly delights
| Anna Boczkowska
Leiden [etc.]: Brill, 1977
The craft of thought: meditation, rhetoric, and the making of images, 400-1200
| Mary Carruthers
Cambridge: Cambridge University Press, 1998
The creation of Eve and Renaissance naturalism: visual theology and artistic invention
| Jack M. Greenstein
Cambridge: Cambridge University Press, 2016
The creation of modern Athens: planning the myth
| Eleni Bastéa
Cambridge: Cambridge University Press, 2000
The creation of space and the connection between models and drawings as design tools
| edited by Lex Bosman
Turnhout: Brepols Publishers, 2023
The creation of the rococo
| Fiske Kimball
New York: W. W. Norton & Company, 1964
The creation of the rococo
| Fiske Kimball
New York: W. W. Norton & Company, 1964
The Cremonese Ceiling Examined in Its Original "Studiolo" Setting
| Marcin Fabiański
Venezia-Wien: IRSA -- Firenze: Licosa, 1988
The crisis of the early Italian Renaissance: civic humanism and republican liberty in an age of classicism and tyranny
| Hans Baron
Princeton: Princeton University Press, 1966
The critical historians of art
| Michael Podro
New Haven and London: Yale University Press, 1982
The crucified God in the Carolingian era: theology and art of Christ's passion
| Celia Chazelle
Cambridge: Cambridge University Press, 2001
The crusades and visual culture
| edited by Elizabeth Lapina, April Jehan Morris, Susanna A. Throop and Laura J. Whatley
London -- New York: Routledge, 2018
The Crypt of Sta. Maria in Cosmedin and the Mausoleum of Probus Anicius
| by Richard Krautheimer
[New York]: [Institute of Fine Arts, New York University -- distributed by J. J. Augustin, Locust Valley, N.Y.], [1964]
The cubist epoch
| Douglas Cooper
Oxford, New York: Phaidon, E. P. Dutton, 1976
The cult of severed head: a study in the nineteenth century imagination
| Shuji Takashina
Tokyo: [Tokyo Daigaku Bungakubu Bijutsushi Kenkyushitsu, Showa 60], 1985
The cult of St Katherine of Alexandria in Early Medieval Europe
| Christine Walsh
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The cultural history of mountains
| Jan Białostocki
[Wrocław]: Ossolineum, 1980
The cultural politics of Duke Cosimo I de' Medici
| ed. by Konrad Eisenbichler
Aldershot: Ashgate, 2001
The culture of bronze: making and meaning in Italian Renaissance sculpture
| Peta Motture
London: V&A Publishing, 2019
The culture of cities
| Lewis Mumford
New York: Harcourt, Brace and Company, 1938
The culture of High Renaissance: ancients and moderns in sixteenth-century Rome
| Ingrid D. Rowland
Cambridge: Cambridge University Press, 1998
The culture of Kiev Rus
| by B. D. Grekov; [translated by Pauline Rose]
Moscow: Foreign Languages Publishing House, 1947
The cultures of his kingdom: Roger II and the Cappella Palatina in Palermo
| William Tronzo
Princeton, N.J. -- Chichester: Princeton University Press, 1997
The Cuzco school of painting: a gothic revival
| Francisco Stastny
[London: The Connoisseur], 1975
The Dada seminars
| edited by Leah Dickerman with Matthew S. Witkovsky
Washington: National Gallery of Art, in association with D.A.P./Distributed Art Publishers, 2005
The dancing column: on order in architecture
| Joseph Rykwert
Cambridge, Massachusetts: The MIT Press, 1999
The Danisch Museum of Decorative Art
[S.l.]: [s.n.], [s.d.]
The dark side of the landscape: the rural poor in English painting 1730-1840
Cambridge: Cambridge University Press, 1983
The date and author of the so-called fragments of Toparcha Gothicus
| Ihor Ševčenko
[Washington, D.C.]: Dumbarton Oaks Center for Byzantine Studies, 1971
The David Mosaic of Gaza
| Moshe Barasch
[Tel-Aviv]: Tel-Aviv University, 1980
The dawn of a new era, 1250-1453
| Edward P. Cheyney
New York: Harper & Row, 1962
The death of Procris: "amor" and the hunt in Ovid's Metamorphoses
| Gregson Davis
Roma: Edizioni dell'Ateneo, 1983
The debate on primitivism in ancient rhetoric
| E. H. Gombrich
[London: The Warburg Institute], 1966
The decline of Byzantium seen through the eyes of its intellectuals
| Ihor Ševčenko
[Washington, D.C.]: Dumbarton Oaks Center for Byzantine Studies, 1961