The Chapel of the Cardinal of Portugal, 1434-1459: at San Miniato in Florence
| [by] Frederick Hartt, Gino Corti [and] Clarence Kennedy
Philadelphia: University of Pennsylvania Press, [1964]
The charged image: French litographic caricature, 1816-1848
| Beatrice Farwell
Santa Barbara, Calif.: Museum of Art, 1989
The Charles Bridge of Prague
| Kamil Novotný, Emanuel Poche
Prague: Prague Publishing House, 1947
The Christ Child in medieval culture: Alpha es et O!
| edited by Mary Dzon and Theresa M. Kenney
Toronto -- Buffalo -- London: University of Toronto Press, 2012
The Christian art of Byzantine Syria
| Ignacio Pena
[S.l.]: Garnet Publishing, 1997
The chronology of the Registrum Master
| Carl Nordenfalk
Salzburg: Residenz, 1972
The church of the Madonna dell`Orto
| Lino Moretti
Venice: [s.n.], 1982
The churches of the Crusader Kingdom of Jerusalem: a corpus. Vol. 2, L-Z (excluding Tyre)
| Denys Pringle; with drawings by Peter E. Leach
Cambridge: Cambridge University Press, 1998
The churches of the Crusader Kingdom of Jerusalem: a corpus. Vol.1, A-K (excluding Acre and Jerusalem)
| Denys Pringle; with drawings by Peter E. Leach
Cambridge: Cambridge University Press, 1993
The Cincinnati Art Museum bulletin
[Cincinnati]: Cincinnati Art Museum, 1950-
The Cistercians in medieval art
| James France
Stroud: Sutton, 1998
The city in art: proceedings of the seventh Joint Conference of Art Historians from Britain and Poland, Warsaw, September 2004
| edited by Peter Martyn
Warsaw: Institute of Art of the Polish Academy of Sciences, 2007
The city rehearsed: object, architecture, and print in the worlds of Hans Vredeman de Vries
| Christopher P. Heuer
London -- New York: Routledge, 2009
The clash of gods: a reinterpretation of early Christian art
| Thomas F. Mathews
Princeton, New Jersey: Princeton University Press, 1993
The classical heritage and its beneficiaries: from the Carolingian Age to the end of the renaissance
| by R. R. Bolgar
New York: Harper & Row, 1964
The classical heritage of the Middle Ages
| Henry Osborn Taylor; foreword and bibliography by Kenneth M. Setton
New York: Harper & Row, 1958
The classical monument: reflections on the connection between morality and art in Greek and Roman sculpture
| Philipp Fehl
New York: published by New York University Press for the College Art Association of America, 1972
The classical tradition in the Middle Ages and the Renaissance: proceedings of the first European Science Foundation Workshop on "The Reception of Classical Texts" (Florence, Certosa del Galluzzo, 26-27 June 1992)
| edited by Claudio Leonardi, Birger Munk Olsen
Spoleto: Centro italiano di studi sull'alto medioevo, 1995
The classification of visual art: a philosophical myth and its history
| Tiffany Sutton
Cambridge -- New York: Cambridge University Press, 2000
The Claude Lorrain album in the Norton Simon, Inc., Museum of Art. [By] Marcel Roethlisberger
| [By] Marcel Roethlisberger
[Princeton, N.J.]: Institute for Advanced Study [1973?]
The Cleveland Museum of Art: handbook
Cleveland: The Museum, 1958
The Cleveland Statler
Cleveland: [s.n.], [s.d.]
The Cloisters Cross: its art and meaning
| Elizabeth C. Parker & Charles T. Little
New York : Metropolitan Museum of Art; London: Harvey Miller Publishers, 1994
The Cloisters, the building and the collection of medieval art in Fort Tryon Park
| by James J. Rorimer
New York: [s.n.], 1963
The Cluny Museum
| [introduction Pierre Verlet and Francis Salet]
Paris: Braun, [s.d.]
The coast & the sea: marine and maritime art in America: at the New-York Historical Society
| Linda S. Ferber
New York: New-York Historical Society Museum & Library -- London: D Giles Limited, 2014
The Codex Huygens and Leonardo da Vinci's art theory: the Pierpont Morgan Library Codex M.A. 1139
| Erwin Panofsky
Nendeln, Liechtenstein: Kraus Reprint, 1968
The Codex Leicester by Leonardo da Vinci ... which will be sold at Christie's Great Rooms on Friday, 12 December 1980 ..
| [introduction by Carlo Pedretti]
London: Christie, Manson & Woods, [1980]
The collected letters of Jane Morris
| edited by Frank C. Sharp & Jan Marsh
Woodbridge, UK -- Rochester, NY: The Boydell Press, 2012
The collection of the Australian National Gallery
Sydney: Fine Arts Press, 1977
The collections of the Tate Gallery. British paintings, modern painting and sculpture
[London]: The Tate Gallery Publications Department, 1969
The collector of lives: Giorgio Vasari and the invention of art
| Ingrid Rowland and Noah Charney
New York; London: W. W. Norton & Company, 2017
The commonwealth of nature: art and poetic community in the age of Dante
| C. Jean Campbell
University Park, Pa.: Pennsylvania State University Press, 2008
The complete book of artist`s techniques
| Kurt Herberts
New York: Frederick A. Praeger, 1969
The complete book of silk screen printing production
| by J. I. Biegeleisen; with an introd. by Carl S. Auerbach
New York: Dover Publications, 1963
The complete oil paintings of Edward Hopper
| Commentary by Gail Levin
New York: Whitney Museum of American Art in association with W. W. Norton & Company, 2001
The complete sculptures of Degas: 18th November - 21st December 1976
| with an introduction by John Rewald
London: Lefevre Gallery, 1976
The complete works of Giotto
| Luciano Bellosi
Firenze: Scala, 1981
The concept of an engravings collection in the year 1565: Quicchelberg, "Inscriptiones vel tituli theatri amplissimi"
| Elizabeth M. Hajós
[New York: College Art Association of America], 1958
The concise encyclopedia of American antiques
| Edited by Helen Comstock
New York: Hawthorn Books, 1966
The Connoisseur
London: National Magazine Co., 1901-1992
The conquest of happiness
| Bertrand Russell
London: Georg Allen & Unwin, 1931
The conspiracy of art: manifestos, interviews, essays
| Jean Baudrillard; edited by Sylvere Lotringer; translated by Ames Hodges
New York: Semiotext(e) -- Cambridge, Mass. -- London: Distributed by The MIT Press, 2005
The costume book
| Kristin Lohse Belkin
London: Harvey Miller: Heyden, 1978
The Counterpoint to likeness: essays on imitation and imagination in Western painting
| Jackson Dodge... [et al.]; edited by Seymour Howard
[Davis]: University of California at Davis, 1977
The courage to create
| Rollo May
Toronto: Bantam Books, 1985
The crab, the sun, the moon and Venus: studies in the iconology of Hieronymus Bosch's Triptych the garden of earthly delights
| Anna Boczkowska
Leiden [etc.]: Brill, 1977
The crab, the sun, the moon and Venus: studies in the iconology of Hieronymus Bosch's Triptych the garden of earthly delights
| Anna Boczkowska
Leiden [etc.]: Brill, 1977
The craft of thought: meditation, rhetoric, and the making of images, 400-1200
| Mary Carruthers
Cambridge: Cambridge University Press, 1998
The creation of Eve and Renaissance naturalism: visual theology and artistic invention
| Jack M. Greenstein
Cambridge: Cambridge University Press, 2016