The Ashgate research companion to Giorgio Vasari
| edited by David J. Cast
Farnham, England -- Burlington, VT: Ashgate, 2014
The authority of everyday objects: a cultural history of West German industrial design
| Paul Betts
Berkeley, Calif. -- London: University of California Press, 2004
The authority of the word: reflecting on image and text in northern Europe, 1400-1700
| edited by Celeste Brusati, Karl A.E. Enenkel, Walter S. Melion
Leiden -- Boston: Brill, 2012
The Baltic Area as an artistic region in the sixteenth century
| Jan Białostocki
[Kobenhavn]: [University of Copenhagen, Department of Art History], 1976
The Banqueting House, Whitehall
| by John Charlton
London: H. M. Stationery Off., 1964
The Barbizon School & the origins of impressionism
| Steven Adams
London: Phaidon Press, 1994
The baroque geography of the Polish Commonwealth: centres and peripheries
| Andrzej Józef Baranowski
[Warsaw: Institute of Art, 2000]
The baroque Town Hall of Amsterdam
| Katharine Fremantle
Utrecht: Haentjens Dekker & Gumbert, 1959
The Barye bronzes
| by Stuart Pivar
Woodbridge: The Antique Collectors` Club, 1981
The Basilica of Saint Anthony: historico - artistic guide
| Vergilio Gamboso
Padova: Edizioni Messaggero, 1976
The basilica of SS. John and Paul in Venice
| P. Angelo M. Caccin o.p
Venezia: Zanipolo, [196?]
The Bauhaus and America: first contacts, 1919-1936
| Margret Kentgens-Craig
Cambridge, Massachusetts: The MIT Press, 2001
The Bayeux tapestry
| by Eric Maclagan
London -- New York: Penguin Books, 1945
The Bayeux tapestry: new interpretations
| edited by Martin K. Foys, Karen Eileen Overbey & Dan Terkla
Woodbridge, UK -- Rochester, NY: The Boydell Press, 2009
The Beatus Apocalypse of Gerona
| Meyer Schapiro
New York: Art Foundation Press Inc., 1963
The beauties of the city of Florence: a guidebook of 1591
| Francesco Bocchi; introduced, translated and annotated by Thomas Frangenberg & Robert Williams
London: Harvey Miller Publishers, 2006
The beautiful, the sublime, & the picturesque in eighteenth-century British aesthetic theory
| Walter John Hipple, Jr
Carbondale: Southern Illinois University Press, 1957
The beginnings of medallic art in Poland during the times of Zygmunt I and Bona Sforza
| Mieczysław Morka
Vienna -- Cracow: IRSA, 2008
The beginnings of medallic art in Poland during the times of Zygmunt I and Bona Sforza
Venezia-Wien: IRSA -- Firenze: Licosa, 2008
The beholder: the experience of art in early modern Europe
| edited by Thomas Frangenberg and Robert Williams
Aldershot, U.K. -- Burlington, VT: Ashgate, 2006
The Berenson archive: an inventory of correspondence
| compiled by Nicky Mariano
Cambridge, Mass.: Harvard University Press, 1965
The Berlin Gallery
| Rüdiger Klessmann
London: Thames and Hudson, 1971
The Bible and the printed image in early modern England: Little Gidding and the pursuit of scriptural harmony
| Michael Gaudio
London; New York: Routledge, 2018
The Bible through Dutch eyes: from Genesis through the Apocrypha: Milwaukee Art Centre, 9 April-23 May, 1976
| introduction and catalogue by Alfred Bader; foreword by Tracy Atkinson
Milwaukee, Wisconsin: Milwaukee Art Center, 1976
The big book of drawing
| José M. Parramón
New York: Watson-Guptill Publications, 1987
The birth of civilization in the Near East
| Henri Frankfort
Garden City, New York: Doubleday Anchor Books, [1956]
The bishop Piotr Tomicki Chapel in the Cracow cathedral, and its altarpiece depicting "The Adoration of the Magi"
| Jerzy Miziołek
Nürnberg: Verlag des Germanischen Nationalmuseums, 2002
The bishop reformed: studies of episcopal power and culture in the central Middle Ages
| edited by John S. Ott and Anna Trumbore Jones
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The Blaue Reiter almanac
| edited by Wassily Kandinsky and Franz Marc
New York: Da Capo Press, 1974
The blue four: Galka E. Scheyer Collection: Feininger, Jawlensky, Kandinsky, Paul Klee
Pasadena: Pasadena Art Museum, [1954?]
The Blue Rider in the Lenbachhaus, Munich: masterpieces by Franz Marc, Vassily Kandinsky, Gabriele Münter, Alexei Jawlensky, August Macke, Paul Klee
| [edited by] Armin Zweite; commentaries and biographies by Annegret Hoberg
Munich: Prestel-Verlag, 1989
The body imaged: the human form and visual culture since the Renaissance
| edited by Kathleen Adler and Marcia Pointon
Cambridge: Cambridge University Press, 1993
The body in pieces: the fragment as a metaphor of modernity
| Linda Nochlin
London: Thames & Hudson, 2001
The body of the artisan: art and experience in the scientific revolution
| Pamela H. Smith
Chicago: The University of Chicago Press, 2004
The body/body problem: selected essays
| Arthur C. Danto
Berkeley -- London: University of California Press, 1999
The Bonington circle: English watercolour and Anglo-French landscape
| Marcia Pointon
Brigton: The Hendon Press, 1985
The book of hours of Catherine of Cleves
| by John Plummer; foreword by Frederick B. Adams, Jr.; incorporating comments by Harry Bober ... [et al]
New York, N.Y.: Pierpont Morgan Library, 1964
The Book of Kells
| described by Sir Edward Sullivan
London, New York [etc.]: "The Studio" ltd., 1914
The book of memory: a study of memory in medieval culture
| Mary Carruthers
Cambridge: Cambridge University Press, 2008
The book of the courtier
| by Baldesar Castiglione; a new translation by Charles S. Singleton
Garden City, N.Y.: Anchor Books, 1959
The Borghese collections and the display of art in the age of the Grand Tour
| Carole Paul
Aldershot, England -- Burlington, VT: Ashgate, 2008
The Boston tradition: American paintings from the Museum of Fine Arts, Boston
| Carol Troyen
New York: American Federation of Arts, 1980
The bowman and the bird on the Ruthwell Cross and other works: the interpretation of secular themes in early mediaeval religious art
| Meyer Schapiro
[New York]: College Art Association of America, 1963
The brilliance of art deco
| Julian Robinson
Kensington, Sidney, NSW, Australia: Bay Books [1988?]
The Bristol School of Artists: Francis Danby and painting in Bristol, 1810-1840: City Art Gallery, Bristol, 4 September - 10 November, 1973: catalogue
| Catalogue by Francis Greenacre
Bristol: City Art Gallery, [1973]
The British contribution to the neo-classical style in painting
| Ellis K. Waterhouse
London: G. Cumberlege: British Academy, 1954
The British journal of aesthetic
London: The British Society of Aesthetics, [1960]-
The British Museum book of Chinese art
| Jessica Rawson... [et al.]; edited by Jessica Rawson
London: The British Museum Press, 2007
The British school
| by Martin Davies
London: The Trustees, 1946
The brothers Asam and the beginnings of Bavarian rococo architecture. Part 1, Through the early 1720s
| Henry Russell Hitchcock
Urbana, Ill.: The Society, 1965