The eight: the realist revolt in American painting
| Mahonri Sharp Young
New York: Watson-Guptill Publ., 1973
The eighteenth century Italian schools
| Michael Levey
London: 1956
The eighteenth-century church in Britain
| Terry Friedman
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2011
The eloquence of appropriation: prolegomena to an understanding of spolia in early Christian Rome
| by Maria Fabricius Hansen
Rome: "L'Erma" di Bretschneider, 2003
The eloquent artist: towards an understanding of the stylistics of painting at the court of Rudolf II
| Thomas DaCosta Kaufmann
Delft: Delftsche U.M., 1982
The Elsa Durand Mower Collection of French and Italian drawings: [Exhibition] the Art Museum, Princeton University, Feb. 13 through Mar. 17, 1968
| Introd. by Felton L. Gibbons
[Princeton, N.J.: Princeton University Art Museum, 1968]
The embarrassment of riches: an interpretation of Dutch culture in the Golden Age
| Simon Schama
New York: Alfred A. Knopf, 1987
The embarrassment of riches: an interpretation of Dutch culture in the Golden Age
| Simon Schama
New York: Vintage Books, 1997
The embedded portrait: Giotto, Giottino, Angelico
| Christopher S. Wood
Princeton, NJ -- Oxford: Princeton University Press, 2023
The emblem
| John Manning
Reaktion Books: London, 2004
The emblem and architecture: studies in applied emblematics from the sixteenth to the eighteenth centuries
| ed. by Hans J. Böker, Peter M. Daly
Turnhout: Brepols, 1999
The embodied eye: religious visual culture and the social life of feeling
| David Morgan
Berkeley -- Los Angeles -- London: University of California Press, 2012
The emergence of modern architecture: a documentary history from 1000 to 1810
| Liane Lefaivre and Alexander Tzonis
London -- New York: Routledge, Taylor & Francis Group, 2004
The Emma Holt bequest, Sudley: illustrated catalogue and history of the house
Liverpool: Published by order of the City Council, 1964
The emperor and Rome: space, representation, and ritual
| edited for the Department of Classics by Björn C. Ewald, Carlos F. Norena
Cambridge: Cambridge University Press, 2010
The Empire State Building book
| Jonathan Goldman
New York: St. Martin's Press 1980
The Empire State Building: the making of a landmark
| John Tauranac
New York: St. Martin's Griffin, 1995
The encompassing city: streetscapes in early modern art and culture
| Stuart M. Blumin
Manchester -- New York: Manchester University Press, 2008
The end of art
| Donald Burton Kuspit
Cambridge, UK -- New York: Cambridge University Press, 2004
The enduring instant: time and the spectator in the visual arts: a section of the XXXth International Congress of the History of Art, London = Der bleibende Augenblick: Betrachterzeit in den Bildkünsten: eine Sektion des XXX. Internationalen Kongresses für Kunstgeschichte, London
| Antoinette Roesler-Friedenthal, Johannes Nathan (ed.)
Berlin: Gebr. Mann Verlag, 2003
The enduring legacy of Venetian Renaissance art
| edited by Andaleeb Badiee Banta
London -- New York: Routledge, 2016
The English decorated style: Gothic architecture transformed, 1250-1350
| Jean Bony
Oxford: Phaidon Press, 1979
The English garden and national identity: the competing styles of garden design, 1870-1914
| Anne Helmreich
Cambridge: Cambridge University Press, 2002
The English print
| Timothy Clayton
London -- New Haven: Yale University Press [for the] Paul Mellon Centre for Studies in British Art, 1997
The English print 1688-1802
| Timothy Clayton
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1997
The English tradition in design
| by John Gloag
London, New York: King Penguin Books, 1947
The Englishess of English art: an expanded and annotated version of the Reith lectures broadcast in October and November 1955
| Nikolaus Pevsner
Harmondsworth: Penguin Books, 1964
The Englishess of English art: an expanded and annotated version of the Reith lectures broadcast in October and November 1955
| Nikolaus Pevsner
London: Architectural Press [1956]
The enigma of Piero: Piero della Francesca
| Carlo Ginzburg; translated by Martin Ryle and Kate Soper; with an introduction by Peter Burke
London -- New York: Verso, 2000
The enjoyment and use of color
| by Walter Sargent
New York: Dover Publications, 1964
The Escorial: art and power in the Renaissance
| Henry Kamen
New Haven, Conn. -- London: Yale University Press, 2010
The essence of art: Victorian advice on the practice of painting
| edited by Craig Harrison
Aldershot, Hants.: Ashgate, 1999
The essential Gombrich: selected writings on art and culture
| edited by Richard Woodfield
London: Phaidon Press, 1996
The ethics of ornament in early modern Naples: fashioning the Certosa di San Martino
| J. Nicholas Napoli
Farnham, England -- Burlington, VT: Ashgate, 2015
The ethos of Polygnotos and Aristeides
| Jerome J. Pollitt
Mainz: Philipp von Zabern, 1976
The Eucharist series. Vol. 1
| Nora de Poorter
Brussels: Arcade Press -- London: Harvey Miller Publishers and Heyden & Son, 1978
The Eucharist series. Vol. 2
| Nora de Poorter
Brussels: Arcade Press -- London: Harvey Miller Publishers and Heyden & Son, 1978
The European avant-gardes: art in France and western Europe, 1904-c. 1945
| Christopher Green; general editor, Irene Martin
London: New York: Zwemmer -- Distributed in the USA and Canada by Antique Collectors' Club, 1995
The European mind, 1680-1715
| by Paul Hazard; [translated by J. Lewis May]
Cleveland: Meridian Books, World Publishing Co., 1963
The European vision of America
| Hugh Honour
Cleveland, Ohio: The Cleveland Museum of Art, 1975
The European vision of America: a special exhibition to honor the Bicentennial of the United States
| organized by the Cleveland Museum of Art with the collaboration of the National Gallery of Art, Washington, and the Réunion des musées nationaux, Paris; Hugh Honour
Cleveland: Cleveland Museum of Art -- Kent, Ohio: distributed by Kent State University Press, [1975]
The evidence for the scaffolding of the Sistine Ceiling
| Frederick Hartt
[London, Boston: Routledge & K. Paul], 1978
The evidence of images
| E. H. Gombrich
Baltimore: Johns Hopkins Press, 1969
The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods
| edited and introduced by Edward Chaney
New Haven, Conn. -- London: Paul Mellon Centre for Studies in British Art and the Yale University Press, 2003
The evolution of the grand tour: Anglo-Italian cultural relations since the Renaissance
| Edward Chaney
London -- Portland, OR: Frank Cass, 1998
The exceptional woman: Elisabeth Vigée-Lebrun and the cultural politics of art
| Mary D. Sheriff
Chicago -- London: University of Chicago Press, [1996]
The exile's return: toward a redefinition of painting for the post-modern era
| Thomas McEvilley
Cambridge: Cambridge University Press, 1993
The expansion of orthodox Europe: Byzantium, the Balkans and Russia
| edited by Jonathan Shepard
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The exploration of North America, 1630-1776
| W. P. Cumming, S. E. Hillier, D. B. Quinn [et al.]
New York: Putnam, 1974
The eye and the window: realism and symbolism of light-reflections in the art of Albrecht Dürer and his predecessors
| Jan Białostocki
Köln: DuMont Schauberg, [1970]