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The rise of the artist in the Middle Ages and early Renaissance | Andrew Martindale
New York: McGraw-Hill Book Company, 1972
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The Robert Woods Bliss Collection of Pre-Columbian Art
[Washington: Dumbarton Oaks, Research Library and Collection], 1963?
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The Rocky Mountains: a vision for artists in the nineteenth century | by Patricia Trenton and Peter H. Hassrick
Norman: The University of Oklahoma Press, 1983
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The role of classical models in Bernini's and Poussin's preparatory work | Rudolf Wittkower
[Princeton: Princeton University Press 1963]
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The Roman amphitheatre: from its origins to the Colosseum | Katherine E. Welch
Cambridge: Cambridge University Press, 2007
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The romantic agony | Mario Praz; translated from the Italian by Angus Davidson
New York: Meridian Books, 1956
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The romantic Enlightenment | Geoffrey Clive
New York: Meridian Books, 1960
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The Romantic imagination | Maurice Bowra
London: Oxford University Press, 1963
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The romantic movement: fifth exhibition to celebrate the tenth anniversary of the Council of Europe | Introd. by Kenneth Clark, Geoffrey Grigson [et al.]
London: Tate Gallery, 1959
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The romantic rebellion | Eric Newton
New York: Schocken Books, 1964
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The rood-loft from Hertogenbosch | Charles Avery
London: Phaidon Press, 1969
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The roof bosses of Lincoln Minster | by C. J. P. Cave
[Lincoln: Friends of Lincoln Cathedral, 1951]
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The Routledge companion to Marxisms in art history | edited by Tijen Tunali and Brian Winkenweder
New York; London: Routledge, Taylor & Francis Group, 2025
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The Routledge companion to medieval iconography | edited by Colum Hourihane
London -- New York: Routledge, 2017
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The Routledge companion to women in architecture | edited by Anna Sokolina
New York; London: Routledge, Taylor & Francis Group, 2021
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The Routledge handbook of early Christian art | edited by Robin M. Jensen and Mark D. Ellison
London; New York: Routledge, Taylor & Francis Group, 2018
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The Royal Albert Hall: building the arts and sciences | Simona Valeriani
Turnhout, Belgium: Brepols, 2024
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The Royal Castle in Warsaw: a complete catalogue of paintings c. 1520 - c. 1900. [1] | Dorota Juszczak and Hanna Małachowicz; [transl. by Anne-Marie Fabianowska]
Warsaw: Zamek Królewski w Warszawie, 2013
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The Royal Castle in Warsaw: a complete catalogue of paintings c. 1520 - c. 1900. [2], Appendices | Dorota Juszczak and Hanna Małachowicz; [transl. by Anne-Marie Fabianowska]
Warsaw: Zamek Królewski w Warszawie, 2013
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The rule of reason and the ruses of the heart: a philosophical dictionary of classical French criticism, critics and aesthetic issues | Rémy G. Saisselin
Cleveland, Ohio -- London: Press of Case Western Reserve University, 1970
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The rustic style | Ernst Kris; translated with commentary by Linda B. Parshall; with essays by Robert Felfe and Anatole Tchikine
Washington, D.C.: Dumbarton Oaks, Trustees for Harvard University, 2023
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The Sack of Rome, 1527 | André Chastel; translated from the French by Beth Archer
Princeton, N.J.: Princeton University Press, 1983
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The sacred architecture of Byzantium: art, liturgy and symbolism in early Christian churches | Nicholas N Patricios
London -- New York: I.B.Tauris, 2014
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The sacred image in the age of art: Titian, Tintoretto, Barocci, El Greco, Caravaggio | Marcia B. Hall
New Haven, Conn. -- London: Yale University Press, 2011
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The sacred portal: a primary symbol in ancient Judaic art | Bernard Goldman
[Detroit: Wayne State University Press, 1966]
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The Salamander in Van der Goes' Garden of Eden | Robert A. Koch
[London]: [The Warburg Institute University of London], 1965
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The sale of the century: artistic relations between Spain and Great Britain, 1604-1655 | edited by Jonathan Brown and John Elliott
New Haven, Conn. -- London: Yale University Press in association with Museo Nacional del Prado, 2002
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The Salvator Mundi of Leonardo da Vinci | Joanne Snow-Smith
Seattle: Henry Art Gallery, University of Washington, 1982
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The Salvator Mundi of Leonardo da Vinci | Joanne Snow-Smith
Seattle: Henry Art Gallery, University of Washington, 1982
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The Samuel H. Kress Collection
Raleigh: The North Carolina Museum of Art, 1965
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The sculptor's 'last will and testament' | by Irving Lavin
Oberlin, Ohio: The Museum, 1977-78
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The sculptural programs of Chartres Cathedral: Christ, Mary, Ecclesia | Adolf Katzenellenbogen
Baltimore: Johns Hopkins Press, [1959]
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The sculpture of Donatello | by H. W. Janson
Princeton, N.J.: Princeton University Press, 1963.
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The sculpture of reform in north Italy, ca 1095-1130: history and patronage of Romanesque façades | Dorothy F. Glass
Farnham, England -- Burlington, VT: Ashgate, 2010
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The Second Empire 1852-1870: art in France under Napoleon III
Philadelphia: The Museum -- Detroit: distributed by Wayne State University Press, 1978
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The self in exile: David's "Portrait of Emmanuel-Joseph Sieyes" | Ewa Lajer-Burcharth
[Williamstown, MA: New Haven, Conn. -- London: Sterling and Francine Clark Art Institute -- distributed by Yale University Press, 2007]
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The self-aware image: an insight into early modern meta-painting | Victor I. Stoichita; translated by Anne-Marie Glasheen
Cambridge, New York: Cambridge University Press, 1997
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The sense of beauty being the outlines of aesthetic theory | George Santayana
New York: Charles Scribner's Sons, 1896
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The sense of order: a study in the psychology of decorative art | E. H. Gombrich
[London]: Phaidon Press, [1979]
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The seven lamps of architecture | John Ruskin
London: George Routledge & Sons -- New York: E.P. Dutton, [1907]
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The Shaker image | Julia Neal [text by]
Boston: New York Graphic Society, 1974
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The shape of content | Ben Shahn
Cambridge, Mass.: Harvard University Press, 1972
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The shape of content | Ben Shahn
Cambridge, Mass.: Harvard University Press, 1972