The sculptural programs of Chartres Cathedral: Christ, Mary, Ecclesia
| Adolf Katzenellenbogen
Baltimore: Johns Hopkins Press, [1959]
The sculpture of Donatello
| by H. W. Janson
Princeton, N.J.: Princeton University Press, 1963.
The sculpture of reform in north Italy, ca 1095-1130: history and patronage of Romanesque façades
| Dorothy F. Glass
Farnham, England -- Burlington, VT: Ashgate, 2010
The Second Empire 1852-1870: art in France under Napoleon III
Philadelphia: The Museum -- Detroit: distributed by Wayne State University Press, 1978
The self in exile: David's "Portrait of Emmanuel-Joseph Sieyes"
| Ewa Lajer-Burcharth
[Williamstown, MA: New Haven, Conn. -- London: Sterling and Francine Clark Art Institute -- distributed by Yale University Press, 2007]
The self-aware image: an insight into early modern meta-painting
| Victor I. Stoichita; translated by Anne-Marie Glasheen
Cambridge, New York: Cambridge University Press, 1997
The sense of beauty being the outlines of aesthetic theory
| George Santayana
New York: Charles Scribner's Sons, 1896
The sense of order: a study in the psychology of decorative art
| E. H. Gombrich
[London]: Phaidon Press, [1979]
The seven lamps of architecture
| John Ruskin
London: George Routledge & Sons -- New York: E.P. Dutton, [1907]
The seventeenth century background: studies in the thought of the age in relation to poetry and religion
| Basil Willey
Garden City, N.Y.: Doubleday, 1953
The Shaker image
| Julia Neal [text by]
Boston: New York Graphic Society, 1974
The shape of content
| Ben Shahn
Cambridge, Mass.: Harvard University Press, 1972
The shape of content
| Ben Shahn
Cambridge, Mass.: Harvard University Press, 1972
The shape of time: remarks on the history of things
| George Kubler
New Haven and London: Yale University Press, 1962
The Shellal mosaic and ither classical antiquities in the Australian War Memorial, Canberra
| A. D. Trendall
Canberra: Australian War Memorial, 1973
The ship of fools
| Sebastian Brant; translated into rhyming couplets with an introd. and commentary by Edwin H. Zeydel, with reproductions of the original woodcuts
New York: Dover Publications, [1962]
The short document of high biography: André Partum = Un bref document d'une existence généreuse: André Partum
| edited by Partum School of the Positive Nihilism of Art
Copenhagen: Partum School of the Positive Nihilism of Art, 1989
The sight of death: an experiment in art writing
| T. J. Clark
New Haven, Conn. -- London: Yale University Press, 2006
The silent rhetoric of the body: a history of monumental sculpture and commemorative art in England, 1720-1770
| Matthew Craske
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2007
The silver caesars: a Renaissance mystery
| edited by Julia Siemon
New York: Metropolitan Museum of Art -- New Haven, Conn. -- London: distributed by Yale University Press, 2017
The Sistine Chapel before Michelangelo: religious imagery and papal primacy
| L. D. Ettlinger
Oxford: The Clarendon Press, 1965
The sixteenth-century Italian schools
| Cecil Gould
London: 1959
The Sketching Society, 1799-1851
| Jean Hamilton
London: Victoria and Albert Museum, 1971
The smiling walls: Dante and the visual arts = Dante e le arti figurative
| edited by Rossend Arqués, Silvia Maddalo, Laura Pasquini
Turnhout: Brepols, 2023
The so-called ex-voto of Hernán Cortés
| Priscilla E. Muller
[London: National Magazine Co.], 1968
The social history of art. Vol. 1: Prehistoric times, Ancient-Oriental urban cultures, Greece and Rome, the Middle Ages
| Arnold Hauser
New York: Vintage Books, 1951
The social history of art. Vol. 2: Renaissance, mannerism, baroque
| Arnold Hauser
New York: Vintage Books, 1951
The social history of art. Vol. 3: Rococo, classicism, romanticism
| Arnold Hauser
New York: Vintage Books, 1951
The social history of art. Vol. 4: Naturalism, impressionism, the film age
| Arnold Hauser
New York: Vintage Books, 1951
The society of Renaissance Florence: a documentary study
| Edited by Gene Brucker
New York: Harper & Row, [1971]
The soldier in Germanic graphic art of the Renaissance
| J. R. Hale
[Cambridge, MA]: [MIT Press], 1986
The soliloquious vision
| Ewa Lajer-Burcharth
[Zürich: Parkett-Verl., 1999]
The Solomon R. Guggenheim Museum
[New York]: 1959
The Solomon R. Guggenheim Museum: inaugural selection
New York: Solomon R. Guggenheim Museum, [1959]
The Southwest: painting and sculpture
Houston: Museum of Fine Arts, 1962
The sovereign artist: Charles Le Brun and the image of Louis XIV
| Wolf Burchard; with a foreword by Christopher Le Brun
London: Paul Holberton publishing, 2016
The Spectator. Vol. 1
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, 1911
The Spectator. Vol. 2
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, 1912
The Spectator. Vol. 3
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, 1913
The Spectator. Vol. 4
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, [s.d.]
The spirit and splendour of art deco
| Alain Lesieutre
Secaucus, New Jersey: Castle Books, 1978
The spiritual language of art: medieval Christian themes in writings on art of the Italian Renaissance
| by Steven F. H. Stowell
Leiden -- Boston: Brill, 2015
The splendid century: French art: 1600-1715 / [Exhibition] the National Gallery of Art, Washington, the Toledo Museum of Art, the Metropolitan Museum of Art, 1960-1961
[New York: Metropolitan Museum of Art], 1960
The split and the structure: twenty-eight essays
| Rudolf Arnheim
Berkeley: University of California Press, 1996
The springtime of the Renaissance: sculpture and the arts in Florence 1400-60
| edited by Beatrice Paolozzi Strozzi and Marc Bormand
Firenze: Fondazione Palazzo Strozzi: Mandragora, 2013
The St. Louis Art Museum: handbook of the collections
St. Louis: St. Louis Art Museum, 1975
The stained-glass windows of St. John`s Church Gouda
| [A. A. J. Rijksen]
Gouda: Society for the Study of the Gouda Windows, [1961?]
The still life as a personal object: a note on Heidegger and van Gogh
| Meyer Schapiro
New York: Springer, 1968
The stones of Venice. Vol. 1
| John Ruskin
Leipzig: Tauchnitz, [s.d.]