The eye of the connoisseur: authenticating paintings by Rembrandt and his contemporaries
| Anna Tummers
Amsterdam: Amsterdam University Press, 2011
The eye of the tiger: the founding and development of the Department of Art and Archaeology, 1883-1923, Princeton University
| Marilyn Aronberg Lavin
Princeton, N.J.: The Department of Art and Archaeology and the Art Museum, 1983
The eye of Thomas Jefferson
| William Howard Adams, Editor
Washington: National Gallery of Art, 1976
The façade reliefs of Orvieto Cathedral
| text by Anita Fiderer Moskowitz; photography by David Finn
London -- Turnhout: Harvey Miller, 2009
The falcon and the hunt: symbolic love imagery in Medieval and Renaissance art
| Mira Friedman
[S.l.]: [s.n.], [przed 1989]
The fall of Poland in contemporary American opinion
| Miecislaus Haiman
Chicago, Ill.: Polish Roman Catholic Union of America, 1935
The family of Darius before Alexander: in the National Gallery, London: Paolo Veronese
| with an introduction by Simon Harcourt-Smith
London: Percy Lund Humphries, [194-?]
The Farnese Gallery
| by John Rupert Martin
Princeton, N.J.: Princeton University Press, 1965
The feminine dynamic in English art, 1485-1603: women as consumers, patrons and painters
| Susan E. James
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The Figino, or, On the purpose of painting: art theory in the late Renaissance
| Gregorio Comanini; translated, with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino
Toronto: University of Toronto Press, 2001
The figurative sculpture of Magdalena Abakanowicz: bodies, environments, and myths
| Joanna Inglot
Berkeley, Calif. -- London: University of California Press, 2004
The figure genius in the Renaissance
| D. T. Starnes
[New York, etc.]: [Renaissance Society of America, etc.], 1963
The finding of Erichthonius: an ancient theme in baroque art
| Wolfgang Stechow
[Princeton]: [Princeton University Press], [1963?]
The fine art of kimono embroidery
| Shizuka Kusano; photographs, Masayuki Tsutsui; translation, Gavin Frew
Tokyo -- New York -- London: Kodansha International, 2006
The fine arts as a humanistic study
| Wolfgang Stechow
[Madison]: The University of Wisconsin Press, [1950]
The fine arts in America
| Joshua C. Taylor
Chicago: The University of Chicago Press, 1979
The fine line: drawing with silver in America
| Bruce Weber; with an introductory essay by Agnes Mongan Bruce Weber
West Palm Beach, Fla.: Norton Gallery & School of Art, 1985
The firing squad, Paul Revere to Goya: formation of a new pictorial theme in America, Russia, and Spain
| Jan Białostocki
New York: [H. N. Abrams -- Englewood Cliffs, N.J.: Prentice-Hall, 1981]
The first alphabetical treatises in the Renaissance
| Millard Meiss
[Cleveland]: [Press of Case Western Reserve University], 1969
The first house: myth, paradigm, and the task of architecture
| R. D. Dripps
Cambridge, Mass.: MIT Press, 1997
The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe
| edited by Carole Paul
Los Angeles: The J. Paul Getty Museum, 2012
The first moderns: the architects of the eighteenth century
| Joseph Rykwert
Cambridge, Mass. -- London: MIT Press, 1983
The Flemish tapestries at Wawel Castle in Cracow. Treasures of King Sigismund Augustus Jagiello
| Edited under the direction of Professor Jerzy Szablowski
Antwerp: Fonds Mercator, 1972
The Florentine Academy and the early modern state : the discipline of disegno
| Karen-edis Barzman
Cambridge -- New York: Cambridge University Press, 2000
The Florentine portrait
| Jean Alazard
New York: Schocken Books, [1968]
The Florentine villa: architecture, history, society
| Grazia Gobbi Sica
Abingdon, Oxon -- New York: Routledge, 2007
The flowering of Florence: botanical art for the Medici
| Lucia Tongiorgi Tomasi, Gretchen A. Hirschauer
Washington: National Gallery of Art, 2002
The follies of science at the court of Rudolph II: 1576-1612
| by Henry Carrington Bolton
Milwaukee: Pharmaceutical review publishing co., 1904
The folly of the Cross: the Passion of Christ in theology and the arts-early modernity
| Richard Viladesau
New York: Oxford University Press, 2018
The fools' journey: a myth of obsession in northern Renaissance art
| Yona Pinson
Turnhout, Belgium: Brepols, 2008
The forge and the crucible: the origins and structures of alchemy
| Mircea Eliade; trans. from the French by Stephen Corrin
New York: Harper & Row, 1971
The formation of English Gothic: architecture and identity
| Peter Draper
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006
The fortuna of Leonardo da Vinci`s Lady with an Ermine
| Karolina Wiśniewska
praca na prawach rękopisu
The founding of the Henry E. Huntington Library and Art Gallery: four essays
| [by James Thorpe, Robert R. Wark & Ray Allen Billington]
San Marino, California: Huntington Library,1969
The four modes of seeing: approaches to medieval imagery in honor of Madeline Harrison Caviness
| edited by Evelyn Staudinger Lane, Elizabeth Carson Pastan, and Ellen M. Shortell
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The fourth dimension and non-Euclidean geometry in modern art
| Linda Dalrymple Henderson
Cambridge, Mass. -- London: The MIT Press, 2013
The fragment: an incomplete history
| edited by William Tronzo
Los Angeles: Getty Research Institute, 2009
The framing of sacred space: the canopy and the Byzantine church
| Jelena Bogdanović
New York: Oxford University Press, 2017
The Franciscans and art patronage in late medieval Italy
| Louise Bourdua
Cambridge, U.K. -- New York: Cambridge University Press, 2004
The Frari`s Basilica
| Silvio Bergamo
Venezia: Ardo/Edizioni d`arte, 1983
The Freer Gallery of Art
Washington: [s.n.], [s.d.]
The French academies of the sixteenth century
| Frances A.Yates
[London]: Warburg Institute, University of London, 1947
The French drawings in the collection of his Majesty the King at Windsor Castle
| Anthony Blunt
Oxford, London: Phaidon Press ltd., 1945
The fresco by Giotto in Milan
| Creighton Gilbert
Milano: Edizioni la Rete, 1977
The Frick Collection: paintings
New York: [s.n.], 1954
The functions of the names of the work of art
| Teddy Brunius
Athens: Edition du Comite Hellenique d'Organisation, 1960
The Fuseli circle in Rome: early romantic art of the 1770s
| by Nancy L. Pressly
New Haven: Yale Center for British Art, 1979
The game of courting: the art of the commune of San Gimignano, 1290-1320
| C. Jean Campbell
Princeton, NJ -- Chichester: Princeton University Press, 1997
The Garden Library
Washington: [s.n.], [s.d.]
The gargoyles of Notre-Dame: medievalism and the monsters of modernity
| Michael Camille
Chicago -- London: The University of Chicago Press, 2009