The end of art
| Donald Burton Kuspit
Cambridge, UK -- New York: Cambridge University Press, 2004
The enduring instant: time and the spectator in the visual arts: a section of the XXXth International Congress of the History of Art, London = Der bleibende Augenblick: Betrachterzeit in den Bildkünsten: eine Sektion des XXX. Internationalen Kongresses für Kunstgeschichte, London
| Antoinette Roesler-Friedenthal, Johannes Nathan (ed.)
Berlin: Gebr. Mann Verlag, 2003
The enduring legacy of Venetian Renaissance art
| edited by Andaleeb Badiee Banta
London -- New York: Routledge, 2016
The English decorated style: Gothic architecture transformed, 1250-1350
| Jean Bony
Oxford: Phaidon Press, 1979
The English garden and national identity: the competing styles of garden design, 1870-1914
| Anne Helmreich
Cambridge: Cambridge University Press, 2002
The English print
| Timothy Clayton
London -- New Haven: Yale University Press [for the] Paul Mellon Centre for Studies in British Art, 1997
The English print 1688-1802
| Timothy Clayton
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1997
The English tradition in design
| by John Gloag
London, New York: King Penguin Books, 1947
The Englishess of English art: an expanded and annotated version of the Reith lectures broadcast in October and November 1955
| Nikolaus Pevsner
Harmondsworth: Penguin Books, 1964
The Englishess of English art: an expanded and annotated version of the Reith lectures broadcast in October and November 1955
| Nikolaus Pevsner
London: Architectural Press [1956]
The enigma of Piero: Piero della Francesca
| Carlo Ginzburg; translated by Martin Ryle and Kate Soper; with an introduction by Peter Burke
London -- New York: Verso, 2000
The enjoyment and use of color
| by Walter Sargent
New York: Dover Publications, 1964
The Escorial: art and power in the Renaissance
| Henry Kamen
New Haven, Conn. -- London: Yale University Press, 2010
The essence of art: Victorian advice on the practice of painting
| edited by Craig Harrison
Aldershot, Hants.: Ashgate, 1999
The essential Gombrich: selected writings on art and culture
| edited by Richard Woodfield
London: Phaidon Press, 1996
The ethics of ornament in early modern Naples: fashioning the Certosa di San Martino
| J. Nicholas Napoli
Farnham, England -- Burlington, VT: Ashgate, 2015
The ethos of Polygnotos and Aristeides
| Jerome J. Pollitt
Mainz: Philipp von Zabern, 1976
The Eucharist series. Vol. 1
| Nora de Poorter
Brussels: Arcade Press -- London: Harvey Miller Publishers and Heyden & Son, 1978
The Eucharist series. Vol. 2
| Nora de Poorter
Brussels: Arcade Press -- London: Harvey Miller Publishers and Heyden & Son, 1978
The European avant-gardes: art in France and western Europe, 1904-c. 1945
| Christopher Green; general editor, Irene Martin
London: New York: Zwemmer -- Distributed in the USA and Canada by Antique Collectors' Club, 1995
The European mind, 1680-1715
| by Paul Hazard; [translated by J. Lewis May]
Cleveland: Meridian Books, World Publishing Co., 1963
The European vision of America
| Hugh Honour
Cleveland, Ohio: The Cleveland Museum of Art, 1975
The European vision of America: a special exhibition to honor the Bicentennial of the United States
| organized by the Cleveland Museum of Art with the collaboration of the National Gallery of Art, Washington, and the Réunion des musées nationaux, Paris; Hugh Honour
Cleveland: Cleveland Museum of Art -- Kent, Ohio: distributed by Kent State University Press, [1975]
The evidence for the scaffolding of the Sistine Ceiling
| Frederick Hartt
[London, Boston: Routledge & K. Paul], 1978
The evidence of images
| E. H. Gombrich
Baltimore: Johns Hopkins Press, 1969
The evolution of English collecting: receptions of Italian art in the Tudor and Stuart periods
| edited and introduced by Edward Chaney
New Haven, Conn. -- London: Paul Mellon Centre for Studies in British Art and the Yale University Press, 2003
The evolution of the grand tour: Anglo-Italian cultural relations since the Renaissance
| Edward Chaney
London -- Portland, OR: Frank Cass, 1998
The exceptional woman: Elisabeth Vigée-Lebrun and the cultural politics of art
| Mary D. Sheriff
Chicago -- London: University of Chicago Press, [1996]
The exile's return: toward a redefinition of painting for the post-modern era
| Thomas McEvilley
Cambridge: Cambridge University Press, 1993
The expansion of orthodox Europe: Byzantium, the Balkans and Russia
| edited by Jonathan Shepard
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The exploration of North America, 1630-1776
| W. P. Cumming, S. E. Hillier, D. B. Quinn [et al.]
New York: Putnam, 1974
The eye and the window: realism and symbolism of light-reflections in the art of Albrecht Dürer and his predecessors
| Jan Białostocki
Köln: DuMont Schauberg, [1970]
The eye of the connoisseur: authenticating paintings by Rembrandt and his contemporaries
| Anna Tummers
Amsterdam: Amsterdam University Press, 2011
The eye of the tiger: the founding and development of the Department of Art and Archaeology, 1883-1923, Princeton University
| Marilyn Aronberg Lavin
Princeton, N.J.: The Department of Art and Archaeology and the Art Museum, 1983
The eye of Thomas Jefferson
| William Howard Adams, Editor
Washington: National Gallery of Art, 1976
The façade reliefs of Orvieto Cathedral
| text by Anita Fiderer Moskowitz; photography by David Finn
London -- Turnhout: Harvey Miller, 2009
The falcon and the hunt: symbolic love imagery in Medieval and Renaissance art
| Mira Friedman
[S.l.]: [s.n.], [przed 1989]
The fall of Poland in contemporary American opinion
| Miecislaus Haiman
Chicago, Ill.: Polish Roman Catholic Union of America, 1935
The family of Darius before Alexander: in the National Gallery, London: Paolo Veronese
| with an introduction by Simon Harcourt-Smith
London: Percy Lund Humphries, [194-?]
The Farnese Gallery
| by John Rupert Martin
Princeton, N.J.: Princeton University Press, 1965
The feminine dynamic in English art, 1485-1603: women as consumers, patrons and painters
| Susan E. James
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The Figino, or, On the purpose of painting: art theory in the late Renaissance
| Gregorio Comanini; translated, with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino
Toronto: University of Toronto Press, 2001
The figurative sculpture of Magdalena Abakanowicz: bodies, environments, and myths
| Joanna Inglot
Berkeley, Calif. -- London: University of California Press, 2004
The figure genius in the Renaissance
| D. T. Starnes
[New York, etc.]: [Renaissance Society of America, etc.], 1963
The finding of Erichthonius: an ancient theme in baroque art
| Wolfgang Stechow
[Princeton]: [Princeton University Press], [1963?]
The fine art of kimono embroidery
| Shizuka Kusano; photographs, Masayuki Tsutsui; translation, Gavin Frew
Tokyo -- New York -- London: Kodansha International, 2006
The fine arts as a humanistic study
| Wolfgang Stechow
[Madison]: The University of Wisconsin Press, [1950]
The fine arts in America
| Joshua C. Taylor
Chicago: The University of Chicago Press, 1979
The fine line: drawing with silver in America
| Bruce Weber; with an introductory essay by Agnes Mongan Bruce Weber
West Palm Beach, Fla.: Norton Gallery & School of Art, 1985
The firing squad, Paul Revere to Goya: formation of a new pictorial theme in America, Russia, and Spain
| Jan Białostocki
New York: [H. N. Abrams -- Englewood Cliffs, N.J.: Prentice-Hall, 1981]