The tyranny of taste: the politics of architecture and design in Britain 1550-1960
| Jules Lubbock
New Haven -- London: Published for the Paul Mellon Centre for British Art by Yale University Press, 1995
The Uffizi Gallery: catalogue of the principal paintings
Florence: 1930
The unconventional index and its merits
| William S. Heckscher
[London: Society of Indexers], 1982
The Universe: a convergence of art, music and science
| edited by Jay Belloli
Pasadena, Calif.: Armory Center for The Arts, 2001
The university years of Fryderyk Chopin
| by Jerzy Miziołek
Warsaw: Museum of the University of Warsaw, 2015
The unruly realm: appetite and restraint in seventeenth century Holland
| Simon Schama
[Boston, Mass.]: American Academy of Arts and Sciences, 1979
The unsung hero of the russian avant-garde: the life and times of Nikolay Punin
| by Natalia Murray
Leiden -- Boston: Brill, 2012
The urban development of Rome in the age of Alexander VII
| Dorothy Metzger Habel
Cambridge: Cambridge University Press, 2002
The uses of excess in visual and material culture, 1600-2010
| edited by Julia Skelly
Farnham, England -- Burlington, VT: Ashgate, 2014
The uses of works of art
| Teddy Brunius
[New York, N.Y.]: [Philosophical Library], 1963
The Venetian discovery of America: geographic imagination in the age of encounters
| Elizabeth Horodowich
Cambridge: Cambridge University Press, 2018
The verbal and visual: essays in honor of William Sebastian Heckscher
| Ed. by Karl-Ludwig Selig and Elizabeth Sears
New York: Italica Press, 1990
The vexations of art: Velázquez and others
| Svetlana Alpers
New Haven, Conn. -- London: Yale University Press, 2005
The vicissitudes of a dynastic monument: Bernini's equestrian statue of Louis XIV
| Rudolf Wittkower
New York: New York University Press, 1961
The viewer and the printed image in late medieval Europe
| David S. Areford
Farnham, England -- Burlington, VT: Ashgate, 2010
The Viking age
| by Charlotte Blindheim
Oslo: Universitetets oldsaksamling, 1974
The Villa Barbaro at Maser: science, philosophy, and the family in Venetian Renaissance art
| Denis Ribouillault
London -- Turnhout: Harvey Miller Publishers, 2023
The Villa Farnesina: palace of Venus in Renaissance Rome
| James Grantham Turner
Cambridge: Cambridge University Press, 2022
The villa: form and ideology of country houses
| James S. Ackerman
London: Thames and Hudson, 1990
The village homes of England
| text and illustrations by Sydney R. Jones, with some additional drawings in colour by Wilfrid Ball ... & John Fullwood...; edited by Charles Holme
London -- Paris -- New York: 'The Studio' Ltd, 1912
The Virgin and the Grail: origins of a legend
| Joseph Goering
New Haven, Conn. -- London: Yale University Press, 2005
The Virginia Carroll Crawford collection: American decorative arts, 1825-1917
| David A. Hanks and Donald C. Peirce
Atlanta: High Museum of Art, 1983
The Virginia journals of Benjamin Henry Latrobe, 1795 - 1798. Vol. 2: 1797-1798
| Edward C. Carter II, Editor, Angeline Polites, Associate Edtitor
New Haven: Yale University Press, 1977
The Virginia journals of Benjamin Henry Latrobe, 1795-1798. Vol. 1: 1795-1797
| Edward C. Carter II, editor; Angeline Polites, associate editor; Lee W. Formwalt and John C. Van Horne, editorial assistants
New Haven -- London: Yale University Press for the Maryland Historical Society, 1977
The Virginia Museum of Fine Arts
[S.l.]: [s.n.], [s.d.]
The virtual tourist in Renaissance Rome: printing and collecting the Speculum romanae magnificentiae
| Rebecca Zorach; with contributions by Nina Dubin [et al.]
Chicago: University of Chicago Press, 2008
The virtual window: from Alberti to Microsoft
| Anne Friedberg
Cambridge, Mass. -- London: The MIT Press, 2006
The virtues and vices in Ambrogio Lorenzetti's "Franciscan Martyrdom"
| Maurice L. Shapiro
New York: College Art Association of America, 1964
The vision of landscape in Renaissance Italy
| by A. Richard Turner
Princeton, N.J.: Published for the Dept. of Art and Archaeology, Princeton University [by] Princeton University Press, 1966
The visionary company: a reading of English romantic poetry
| Harold Bloom
Ithaca: Cornell University Press, [1971]
The visual arts in Germany, 1890-1937: Utopia and despair
| Shearer West
Manchester : Manchester University Press, 2000
The visual image
| by E. H. Gombrich
[New York: Scientific American], 1972
The visual index of artists' signatures and monograms
| by Radway Jackson; introduction by Andrew Festing
London: Cromwell Editions, 1991
The visual legacy of Alexander the Great from the Renaissance to the Age of Revolution
| Víctor Mínguez and Inmaculada Rodríguez-Moya
Abingdon, Oxon; New York: Routledge, 2024
The vocation of the artist
| Deborah J. Haynes
Cambridge -- New York: Cambridge University Press, 1997
The voyage of Isabella d'Aragon from Naples to Milan, January 1489
| Kate Trauman Steinitz
Geneve: Librairie E. Droz, 1961
The wake of art: criticism, philosophy and the ends of taste
| Arthur C. Danto essays; selected and with critical introduction Gregg Horowitz, Tom Huhn.
Amsterdam: G+B Arts International, 1998
The Walpole Society
| Ed. by W. R. Valentiner and E. P. Richardson
Oxford: The Walpole Society, 1912 -
The Walters Art Gallery: a treasure house owned by the people of Baltimore
Baltimore: [s.n.], [s.d.]
The Walters Art Gallery: brief guide to the collections and notes on the founders
Baltimore: [Walters Art Gallery], 1957
The waning Middle Ages; an exhibition of French and Netherlandish art from 1350 to 1500, commemorating the fiftieth anniversary of the publication of The waning of the Middle Ages by Johan Huizinga
| Catalogue by J. L. Schrader
[Lawrence: University of Kansas Museum of Art, 1969]
The waning of the Renaissance 1550-1640
| William J. Bouwsma
New Haven and London: Yale University Press, 2000
The Warburg Institute and H. M. Office of Works. E. H. Gombrich in memory of Frederic Raby
Cambridge: [s.n], 1984
The warrior saints in Byzantine art and tradition
| Christopher Walter
Aldershot: Ashgate, 2003
The Warsaw Group Rytm (1922-1932) and modernist classicism
| Małgorzata Sears
Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, 2022
The waters of Rome: aqueducts, fountains, and the birth of the Baroque city
| Katherine Wentworth Rinne
New Haven, Conn. -- London: Yale University Press, 2010
The wealth of Michelangelo
| Rab Hatfield
Roma: Edizioni di Storia e Letteratura, 2002
The West as romantic horizon: selections from the collection of the Internorth Art Foundation
| by William H. Goetzmann & Joseph C. Porter; with artists' biographies by David C. Hunt
Omaha: Center for Western Studies, Joslyn Art Museum, The InterNorth Art Foundation, 1981
The West: from the advent of Christendom to the eve of Reformation
| Christopher Tadgell
Abingdon -- New York: Routledge, 2009
The Weyer collection and the beginning of the Warsaw Art Museum
| Jan Białostocki
[Varsovie: MN, 1962]