The pastoral theme in the visual arts of the Renaissance, Baroque and Rococo
| Luba Freedman
Jerusalem: [s.n.], 1983
The patron state: culture and politics in fascist Italy
| Marla Susan Stone
Princeton: Princeton University Press, 1998
The Penguin book of English romantic verse
| Introduced and edited by David Wright
Harmondsworth: Penguin Books, 1982
The Penguin dictionary of architecture
| John Fleming, Hugh Honour, Nikolaus Pevsner
Harmondsworth, Middlesex: Penguin, 1967
The perfect genre: drama and painting in Renaissance Italy
| Kristin Phillips-Court
Farnham, England -- Burlington, VT: Ashgate, 2011
The Permanent
| Bruno Taut
Tokyo: Sanseido Co., 1936
The phenomenology of painting
| Nigel Wentworth
Cambridge, U.K. -- New York: Cambridge University Press, 2004
The phenomenon of interruption in the visual arts: a comparison of works by Daniel Libeskind, Gerhard Richter, and Ilya Kabakov
| Wendy Koenig; with a preface by Thomas Patin
Lewiston, N.Y. -- Queenston -- Lampeter: The Edwin Mellen Press, 2009
The Phillips Collection
Washington: [s.n.], [s.d.]
The philosophy of art history
| Arnold Hauser
Cleveland: World, 1963
The philosophy of decadentism: a study in existentialism
| by Norberto Bobbio; transl. by David Moore
Oxford: Basil Blackwell, 1948
The philosophy of history in our time: an anthology
| selected, and with commentary by Hans Meyerhoff; introduction by Hans Meyerhoff
Garden City, N.Y.: Doubleday, 1959
The philosophy of nature and the grotto in the Renaissance garden
| Małgorzata Szafrańska
London: Taylor & Francis, 1989
The philosophy of the enlightenment
| by Ernst Cassirer; translated by Fritz C. A. Koelln and James P. Pettegrove
Boston: Beacon Press, 1955
The Phoenix... Cities of Poland
| James Marston Fitch
[S.l.]: [s.n.], [s.d.]
The Picasso Museum of Barcelona
| Rosa Maria Subirana Torrent; introd. by J. Ainaud de Lasarte
Madrid: Editorial Everest, 1975
The Picasso papers
| Rosalind E. Krauss
Cambridge, Massachusetts: The MIT Press, 1999
The Piccolomini Library in the cathedral of Siena
| Piero Misciattelli; translation by Lilian E. Hunter
Siena: G. Bentivaglio, 1924
The Picker Art Gallery journal
Hamilton, N.Y.: The Picker Art Gallery, Colgate University, 1988-
The pictorial art of El Greco: transmaterialities, temporalities, and media
| Livia Stoenescu
Amsterdam: Amsterdam University Press, 2019
The pictorial history of Lincoln cathedral
| D. C. Dunlop
London: Pitkin, 1966
The Picts
| Isabel Henderson
London: Thames and Hudson, 1967
The Picture Gallery of the Academy of Fine Arts in Vienna: an overview of the collection
| Renate Trnek; translated by Rebecca Law
Wien -- Köln -- Weimar: Böhlau Verlag, [2001]
The picturesque: studies in a point of view
| by Christopher Hussey
[Hamden, Conn.]: Archon Books, 1967
The place of the antique in early modern Europe
| Ingrid D. Rowland
Chicago: The University of Chicago, 1999
The plains of Mars: European war prints, 1500-1825, from the collection of the Sarah Campbell Blaffer Foundation
| James Clifton and Leslie M. Scattone; with Emine Fetvaci, Ira D. Gruber, and Larry Silver
New Haven, Conn. -- London: Yale University Press -- Houston, Tex.: In association with the Museum of Fine Arts, 2009
The plans of the Villa Madama
| David R. Coffin
[New York]: College Art Association of America, 1967
The pleasures of the imagination: English culture in the eighteenth century
| John Brewer
London -- New York: Routledge, 2013
The plunder of the arts in the seventeenth century
| (by) Hugh Trevor-Roper
London: Thames and Hudson, 1970
The poetics of perspective
| James Elkins
Ithaca, N.Y. -- London: Cornell University Press, 1994
The poetics of portraiture in the Italian Renaissance
| Jodi Cranston
Cambridge -- New York: Cambridge University Press, 2000
The poetics of Titian's religious paintings
| Una Roman D'Elia
Cambridge, U.K. -- New York: Cambridge University Press, 2005
The polemicist and apologist of his age
| Jacques Barchilon, Peter Flinders
Boston, Mass.: Twayne Publishers, 1981
The Pollaiuolo brothers: the arts of Florence and Rome
| Alison Wright
New Haven, Conn. -- London: Yale University Press, 2005
The pontificate of Clement VII: history, politics, culture
| edited by Kenneth Gouwens and Sheryl E. Reiss
Aldershot, U.K. -- Burlington, VT: Ashgate, 2005
The popularization of images: visual culture under the July Monarchy
| edited by Petra ten-Doesschate Chu and Gabriel P. Weisberg
Princeton, N.J.: Princeton University Press, 1994
The portfolio of Villard de Honnecourt (Paris, Bibliotheque nationale de France, MS Fr 19093): a new critical edition and color facsimile
| Carl F. Barnes, Jr.; glossary prepared by Stacey L. Hahn
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The portrait diptych of Dürer's parents
| Lotte Brand Philip with research and comment by Fedja Anzelewsky
Amsterdam: Nederlandse Universiteitspers, 1979
The portrait in the Renaissance
| John Pope-Hennessy
[New York: Bollingen Foundation -- distributed by] Pantheon Books, [1966]
The portrait of Sir Brian Tuke by Hans Holbein the Younger
| John Oliver Hand
Washington: National Gallery of Art, 1980
The portrait, the courtier, and death
| David Rosand
New Haven and London: Yale University Press, 1983
The portraits of George of Egmond
| by Paul Wescher
[Detroit, Mich., New York, etc.]: Metropolitan Museum of Art etc., 1957
The portrayal of love: Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent
| by Charles Dempsey
Princeton, N.J.: Princeton University Press, 1992
The Portuguese restoration of 1640 and global visualization: political iconography and transcultural negotiation
| Urte Krass
Amsterdam: Amsterdam University Press, 2023
The poverty of historicism
| Karl R. Popper
London: Routledge & Kegan Paul, 1957
The power and beauty: a utopian idea of Leone Battista Alberti
| Jan Bialostocki
München: Prestel, 1964
The power of beauty: a utopian idea of Leone Battista Alberti
| Jan Białostocki
München: Prestel-Verlag, 1964
The power of display: a history of exhibition installations at the Museum of Modern Art
| Mary Anne Staniszewski
Cambridge, Mass. -- London: MIT Press, 1998
The power of images, the images of power: Lucca as an imperial city: political iconography
| Max Seidel, Romano Silva
Munich -- Berlin: Deutscher Kunstverlag, 2007