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The other Hogarth: aesthetics of difference | edited by Bernadette Fort and Angela Rosenthal
Princeton: Princeton University Press, 2001
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The other Taj Mahal: what happened to the Sydney Opera House | John Yeomans
Camberwell: Longman, 1973
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The Oxford guide to classical mythology in the arts, 1300-1990s. Vol. 1 | Jane Davidson Reid; with the assistance of Chris Rohmann
New York; Oxford: Oxford University Press, 1993
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The Oxford guide to classical mythology in the arts, 1300-1990s. Vol. 2 | Jane Davidson Reid; with the assistance of Chris Rohmann
New York; Oxford: Oxford University Press, 1993
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The pagan dream of the Renaissance | Joscelyn Godwin
London: Thames & Hudson, 2002
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The painted face: portraits of women in France, 1814-1914 | Tamar Garb
New Haven, Conn. -- London: Yale University Press, 2007
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The painter Angelos and icon-painting in Venetian Crete | Maria Vassilaki
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
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The painter depicted: painters as a subject in painting | Michael Levey
New York: Thames and Hudson, 1982
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The painter's garden: design, inspiration, delight | edited by Sabine Schulze; with contributions by Andreas Beyer [et al.]
Frankfurt am Main: Städel Museum -- Ostfildern: Hatje Cantz Verlag, 2006
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The painter's reflection: self-portraiture in Renaissance Venice, 1458-1625 | Katherine T. Brown
Firenze: L. S. Olschki Editore, 2000
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The painters of Ireland c.1660-1920 | Anne Crookshank and the Knight of Glin
London: Barrie & Jenkins, 1979
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The painting of modern life: Paris in the art of Manet and his followers | T. J. Clark
Princeton: Princeton University Press, 1984
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The painting of The Life of St Francis in Assisi: with notes on the Arena Chapel | by Leonetto Tintori and Millard Meiss
New York: W. W. Norton, 1967
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The paintings in the Studiolo of Isabella d`Este at Mantua | Egon Verheyen
New York: Published by New York University Press for the College Art Association of America, 1971
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The paintings of Benjamin West | Helmut von Erffa and Allen Staley
New Haven & London: Yale University Press, 1986
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The paintings of Frans Hals | complete edition by N. S. Trivas
London: Phaidon Press, 1949
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The paintings of Hans Holbein: first complete edition | by Paul Ganz; [introduction translated by R. H. Boothroyd, catalogue by Marguerite Kay]
London: Phaidon, 1956
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The paintings of Nicolas Poussin: a critical catalogue | Anthony Blunt
London: Phaidon Press, 1966
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The paintings of Titian: complete edition. Vol. 2, The portraits | by Harold E. Wethey
London: Phaidon Press, 1971
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The paintings of Titian: complete edition. Vol.1, The religious paintings | by Harold E. Wethey
London: Phaidon Press, 1969
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The Palazzo del Te in Mantua: images of love and politics | Egon Verheyen
Baltimore: The Johns Hopkins University Press, 1977
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The Palazzo Ducale in Mantua
Milan: Electa, 1996
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The Palazzo Pamphilj in Piazza Navona: constructing identity in early modern Rome | Stephanie C. Leone
London -- Turnhout: Harvey Miller Publishers, 2008
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The Palladian revival: Lord Burlington, his villa and garden at Chiswick | John Harris
London: Royal Academy of Arts -- New Haven, Conn. -- London: Published in association with Yale University Press, 1994
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The paradox of Rembrandt's "Anatomy of Dr. Tulp" | by William Schupbach
London: Wellcome Institute for the History of Medicine, 1982
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The paradoxes of art: a phenomenological investigation | Alan Paskow
Cambridge, UK -- New York: Cambridge University Press, 2004
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The Paris entries of Charles IX and Elisabeth of Austria, 1571: with an analysis of Simon Bouquet's 'Bref et sommaire recueil' | Victor E. Graham and W. McAllister Johnson
Toronto: University of Toronto Press, 1974
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The Parma Ildefonsus: a Romanesque illuminated manuscript from Cluny and related works | by Meyer Schapiro
New York: College Art Association of America, 1964
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The passion in art | Richard Harries
Aldershot, U.K. -- Burlington, VT: Ashgate, 2004
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The pastoral landscape | edited by John Dixon Hunt
Washington: National Gallery of Art -- Hanover, N.H. -- London: Distributed by the University Press of New England, 1992
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The patron state: culture and politics in fascist Italy | Marla Susan Stone
Princeton: Princeton University Press, 1998
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The Penguin book of English romantic verse | Introduced and edited by David Wright
Harmondsworth: Penguin Books, 1982
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The Penguin dictionary of architecture | John Fleming, Hugh Honour, Nikolaus Pevsner
Harmondsworth, Middlesex: Penguin, 1967
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The perfect genre: drama and painting in Renaissance Italy | Kristin Phillips-Court
Farnham, England -- Burlington, VT: Ashgate, 2011
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The Permanent | Bruno Taut
Tokyo: Sanseido Co., 1936
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The phenomenology of painting | Nigel Wentworth
Cambridge, U.K. -- New York: Cambridge University Press, 2004
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The phenomenon of interruption in the visual arts: a comparison of works by Daniel Libeskind, Gerhard Richter, and Ilya Kabakov | Wendy Koenig; with a preface by Thomas Patin
Lewiston, N.Y. -- Queenston -- Lampeter: The Edwin Mellen Press, 2009
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The Phillips Collection
Washington: [s.n.], [s.d.]
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The philosophy of art history | Arnold Hauser
Cleveland: World, 1963
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The philosophy of decadentism: a study in existentialism | by Norberto Bobbio; transl. by David Moore
Oxford: Basil Blackwell, 1948
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The philosophy of history in our time: an anthology | selected, and with commentary by Hans Meyerhoff; introduction by Hans Meyerhoff
Garden City, N.Y.: Doubleday, 1959
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The philosophy of nature and the grotto in the Renaissance garden | Małgorzata Szafrańska
London: Taylor & Francis, 1989
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The philosophy of the enlightenment | by Ernst Cassirer; translated by Fritz C. A. Koelln and James P. Pettegrove
Boston: Beacon Press, 1955
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The Phoenix... Cities of Poland | James Marston Fitch
[S.l.]: [s.n.], [s.d.]
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The Picasso Museum of Barcelona | Rosa Maria Subirana Torrent; introd. by J. Ainaud de Lasarte
Madrid: Editorial Everest, 1975