The stones of Venice. Vol. 2
| John Ruskin
Leipzig: Tauchnitz, [s.d.]
The story of art
| E. H. Gombrich
London: Phaidon Press, 1950
The story of Lucretia on an early-Renaissance cassone at the National Museum in Warsaw
| Jerzy Miziołek
Varsovie: Musée National de Varsovie, 1994
The story of the Paris churches
| by Jetta S. Wolff
London: C. Palmer & Hayward, [1918]
The strange case of Jan Torrentius: art, sex, and heresy in seventeenth-century Haarlem
| Christopher Brown
University Park, Pa.: The Pennsylvania State University, 1997
The stranger from paradise: a biography of William Blake
| G.E. Bentley, Jr
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2003
The streamlined decade
| Donald J. Bush
New York: George Braziller, 1975
The Structuralist controversy: the languages of criticism and the sciences of man
| ed. by Richard Macksey and Eugenio Donato
Baltimore and London: Johns Hopkins University Press, 1977
The Stuart court in Rome: the legacy of exile
| ed. by Edward Corp
Aldershot: Ashgate, 2003
The Studio of Alfonso d'Este and Titian's Bacchus and Ariadne
| Cecil Gould
London: Trustees Publications Departament, National Gallery, [1969]
The studio: an illustrated magazine of fine and applied art
London: Offices of The Studio, 1893-1964
The Studiolo of Urbino: an iconographic investigation
| Luciano Cheles
Wiesbaden: Reichert, 1986
The study of time: proceedings of the Conference of the International Society for the Study of Time... Berlin 1972
| Waldemar Voisé
[Warszawa: Państwowe Wydawnictwo Naukowe, 1973]
The style of the century, 1900-1980
| Bevis Hillier
New York: Dutton, 1983
The subjects of art history: historical objects in contemporary perspectives
| edited by Mark A. Cheetham, Michael Ann Holly, Keith Moxey
Cambridge: Cambridge University Press, 1998
The sublime: a study of critical theories in 18th century England
| by Samuel H. Monk
Ann Arbor: Michigan University Press, 1960
The supposed influence of Vico on England and Scotland in the eighteenth century
| René Wellek
[Baltimore: Johns Hopkins Press, 1969]
The supposed influence of Vico on England and Scotland in the eighteenth century
| Raimundo Panikkar
[Roma: Istituto di studi filosofici, 1980]
The survival of the pagan gods: the mythological tradition and its place in Renaissance humanism and art
| Jean Seznec
New York: Pantheon Books, 1953
The symbol at your door: number and geometry in religious architecture of the Greek and Latin Middle Ages
| Nigel Hiscock
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The symbolic meaning of Copernicus' seal
| Stanisław Mossakowski
[Philadelphia [etc.]: Journal of the History of Ideas, Inc.], 1973
The symbolism of Paul Gauguin: erotica, exotica, and the great dilemmas of humanity
| Henri Dorra; foreword by Richard R. Brettell; afterword by Gabriel P. Weisberg
Berkeley, Calif. -- London: University of California Press, 2007
The Tabernacle of Exodus as a work of art: an aesthetic of monotheism
| Maurice Schmidt; with a preface by Michael J. Lewis
Lewiston, N.Y. -- Queenston -- Lampeter: The Edwin Mellen Press, 2009
The taste of angels: a history of art collecting from Rameses to Napoleon
| Francis Henry Taylor
Boston: Little, Brown and Co., 1948
The Tate Gallery Constable Collection
| A catalogue by Leslie Parris
London: The Tate Gallery Publications Department, 1981
The tempting prospect: a social history of English watercolours
| Michael Clarke
London: British Museum Publications, 1981
The theatre: a concise history
| Phyllis Hartnoll; revised and extended by Enoch Brater
London: Thames & Hudson, 2012
The theatres of London
| Raymond Mander and Joe Mitchenson; illustrated by Timothy Birdsall
New York: Hill and Wang, 1961
The theorie of ideal beauty in Arteaga and Winckelmann
| Manuel Olguín
[Hoboken: Wiley, 1949]
The theory of decorative art: an anthology of European and American writings, 1750-1940
| ed. by Isabelle Frank; with translations by David Britt
New Haven, Conn. -- London: Yale University Press, 2000
The thief, the cross and the wheel: pain and the spectacle of punishment in medieval and renaissance Europe
| Mitchell B. Merback
London: Reaktion Books, 1999
The third decade: Turner watercolours 1810-1820
| Diane Perkins
London: The Tate Gallery, 1989
The Thorvaldsen Museum
| Et album for barn Marianne Saabye
Kobenhavn: [s.n.], 1972
The three living and the Three dead: expressive imagery in painting as inspiration for poetry
| Mira Friedman
[S.l.]: [s.n.], [s.d.]
The Toledo Museum of Art founded by Edward Drummond Libbey
Toledo: Toledo Museum of Art, [s.d.]
The Toms Collection: tapestries of the sixteenth to nineteenth centuries
| Guy Delmarcel, Nicole de Reynies, Wendy Hefford; Giselle Eberhard Cotton, general editor; with contributions by Eric Rochat [et al.]
Lausanne: Fondation Toms Pauli -- Zürich: Verlag Niggli, 2010
The Torah ark in Renaissance Poland: a Jewish revival of classical antiquity
| by Ilia M. Rodov
Leiden -- Boston: Brill, 2013
The tossed-back head: the ambiguity of a gesture in Renaissance art
| Moshe Barasch
Würzburg: [Königshausen und Neumann], 1983
The total art of Stalinism: avant-garde, aesthetic dictatorship, and beyond
| by Boris Groys; translated by Charles Rougle
Princeton, N.J.: Princeton University Press, 1992
The Tower of London
London: H.M.S.O, 1957
The transfer of panel paintings on linen by Sidorov (Hermitage Museum, St. Petersburg) in the nineteenth century"
| Bohdan Marconi
[Boston]: [Museum of Fine Arts], [1965]
The transformation of nature in art
| Ananda K. Coomaraswamy
New York: Dover, 1956
The transformation of vernacular expression in early modern arts
| edited by Joost Keizer and Todd M. Richardson
Leiden -- Boston: Brill, 2012
The traveling artist in the Italian Renaissance: geography, mobility, and style
| David Young Kim
New Haven, Conn. -- London: Yale University Press, 2014
The treasure chests of Mnemosyne: selected texts on memory theory from Plato to Derrida
| edited by Uwe Fleckner; with a picture essay by Sarkis
Dresden: Verlag der Kunst, 1998
The treasure houses of Britain: five hundred years of private patronage and art collecting
Washington: National Gallery of Art, 1986
The treasure houses of Britain: five hundred years of private patronage and art collecting
| Ed. by Gervase Jackson-Stops
Washington: National Gallery of Art, 1985
The treasures of the Hungarian Museum of Fine Arts
| Marianne Haraszti-Takács
Budapest: Corvina, 1954
The treatise on perspective: published and unpublished
| edited by Lyle Massey
Washington, D.C.: National Gallery of Art -- New Haven, Conn. -- London: Distributed by Yale University Press, 2003