The shape of time: remarks on the history of things
| George Kubler
New Haven and London: Yale University Press, 1962
The Shellal mosaic and ither classical antiquities in the Australian War Memorial, Canberra
| A. D. Trendall
Canberra: Australian War Memorial, 1973
The ship of fools
| Sebastian Brant; translated into rhyming couplets with an introd. and commentary by Edwin H. Zeydel, with reproductions of the original woodcuts
New York: Dover Publications, [1962]
The short document of high biography: André Partum = Un bref document d'une existence généreuse: André Partum
| edited by Partum School of the Positive Nihilism of Art
Copenhagen: Partum School of the Positive Nihilism of Art, 1989
The sight of death: an experiment in art writing
| T. J. Clark
New Haven, Conn. -- London: Yale University Press, 2006
The silent rhetoric of the body: a history of monumental sculpture and commemorative art in England, 1720-1770
| Matthew Craske
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2007
The silver caesars: a Renaissance mystery
| edited by Julia Siemon
New York: Metropolitan Museum of Art -- New Haven, Conn. -- London: distributed by Yale University Press, 2017
The Sistine Chapel before Michelangelo: religious imagery and papal primacy
| L. D. Ettlinger
Oxford: The Clarendon Press, 1965
The sixteenth-century Italian schools
| Cecil Gould
London: 1959
The Sketching Society, 1799-1851
| Jean Hamilton
London: Victoria and Albert Museum, 1971
The smiling walls: Dante and the visual arts = Dante e le arti figurative
| edited by Rossend Arqués, Silvia Maddalo, Laura Pasquini
Turnhout: Brepols, 2023
The so-called ex-voto of Hernán Cortés
| Priscilla E. Muller
[London: National Magazine Co.], 1968
The social history of art. Vol. 1: Prehistoric times, Ancient-Oriental urban cultures, Greece and Rome, the Middle Ages
| Arnold Hauser
New York: Vintage Books, 1951
The social history of art. Vol. 2: Renaissance, mannerism, baroque
| Arnold Hauser
New York: Vintage Books, 1951
The social history of art. Vol. 3: Rococo, classicism, romanticism
| Arnold Hauser
New York: Vintage Books, 1951
The social history of art. Vol. 4: Naturalism, impressionism, the film age
| Arnold Hauser
New York: Vintage Books, 1951
The society of Renaissance Florence: a documentary study
| Edited by Gene Brucker
New York: Harper & Row, [1971]
The soldier in Germanic graphic art of the Renaissance
| J. R. Hale
[Cambridge, MA]: [MIT Press], 1986
The soliloquious vision
| Ewa Lajer-Burcharth
[Zürich: Parkett-Verl., 1999]
The Solomon R. Guggenheim Museum
[New York]: 1959
The Solomon R. Guggenheim Museum: inaugural selection
New York: Solomon R. Guggenheim Museum, [1959]
The Southwest: painting and sculpture
Houston: Museum of Fine Arts, 1962
The sovereign artist: Charles Le Brun and the image of Louis XIV
| Wolf Burchard; with a foreword by Christopher Le Brun
London: Paul Holberton publishing, 2016
The Spectator. Vol. 1
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, 1911
The Spectator. Vol. 2
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, 1912
The Spectator. Vol. 3
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, 1913
The Spectator. Vol. 4
| by Joseph Addison, Richard Steele and others; [edited by G. Gregory Smith]
London: Dent, [s.d.]
The spirit and splendour of art deco
| Alain Lesieutre
Secaucus, New Jersey: Castle Books, 1978
The spiritual language of art: medieval Christian themes in writings on art of the Italian Renaissance
| by Steven F. H. Stowell
Leiden -- Boston: Brill, 2015
The splendid century: French art: 1600-1715 / [Exhibition] the National Gallery of Art, Washington, the Toledo Museum of Art, the Metropolitan Museum of Art, 1960-1961
[New York: Metropolitan Museum of Art], 1960
The split and the structure: twenty-eight essays
| Rudolf Arnheim
Berkeley: University of California Press, 1996
The springtime of the Renaissance: sculpture and the arts in Florence 1400-60
| edited by Beatrice Paolozzi Strozzi and Marc Bormand
Firenze: Fondazione Palazzo Strozzi: Mandragora, 2013
The St. Louis Art Museum: handbook of the collections
St. Louis: St. Louis Art Museum, 1975
The stained-glass windows of St. John`s Church Gouda
| [A. A. J. Rijksen]
Gouda: Society for the Study of the Gouda Windows, [1961?]
The still life as a personal object: a note on Heidegger and van Gogh
| Meyer Schapiro
New York: Springer, 1968
The stones of Venice. Vol. 1
| John Ruskin
Leipzig: Tauchnitz, [s.d.]
The stones of Venice. Vol. 2
| John Ruskin
Leipzig: Tauchnitz, [s.d.]
The story of art
| E. H. Gombrich
London: Phaidon Press, 1950
The story of Lucretia on an early-Renaissance cassone at the National Museum in Warsaw
| Jerzy Miziołek
Varsovie: Musée National de Varsovie, 1994
The story of the Paris churches
| by Jetta S. Wolff
London: C. Palmer & Hayward, [1918]
The strange case of Jan Torrentius: art, sex, and heresy in seventeenth-century Haarlem
| Christopher Brown
University Park, Pa.: The Pennsylvania State University, 1997
The stranger from paradise: a biography of William Blake
| G.E. Bentley, Jr
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2003
The streamlined decade
| Donald J. Bush
New York: George Braziller, 1975
The Structuralist controversy: the languages of criticism and the sciences of man
| ed. by Richard Macksey and Eugenio Donato
Baltimore and London: Johns Hopkins University Press, 1977
The Stuart court in Rome: the legacy of exile
| ed. by Edward Corp
Aldershot: Ashgate, 2003
The Studio of Alfonso d'Este and Titian's Bacchus and Ariadne
| Cecil Gould
London: Trustees Publications Departament, National Gallery, [1969]
The studio: an illustrated magazine of fine and applied art
London: Offices of The Studio, 1893-1964
The Studiolo of Urbino: an iconographic investigation
| Luciano Cheles
Wiesbaden: Reichert, 1986
The study of time: proceedings of the Conference of the International Society for the Study of Time... Berlin 1972
| Waldemar Voisé
[Warszawa: Państwowe Wydawnictwo Naukowe, 1973]