The Renaissance pulpit: art and preaching in Tuscany, 1400-1550
| by Nirit Ben-Aryeh Debby
Turnhout: Brepols, 2007
The Renaissance: discovery of classical antiquity
| Roberto Weiss
New York: Humanities Press, 1973
The Renaissance: medieval or modern?
| edited with an introduction by Karl H. Dannenfeldt
Boston: Heath, 1959
The Renaissance: studies in art and poetry
| Walter Pater
London: Macmillan, 1924
The Renewal of Pagan Antiquity: Contribution to the Cultural History of the European Renaissance", Aby Warburg, Los Angeles 1999: [recenzja]
| Jerzy Miziołek
Warszawa: [IS PAN], 2000
The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance
| A. Warburg; introduction by Kurt W. Forster; translation by David Britt
Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999
The resources of Leonardo da Vinci: papers delivered at Southern Illinois University November 12th - 15th, 1952
| ed. by Georg Kimball Plochmann
Carbondale, Ill: [Southern Illinois University Press], 1953.
The return of La Belle Jardiniere: Max Ernst, 1950-1970
| Werner Spies
New York: Harry N. Abrams, 1971
The revival of ancient archaic art in the late eighteenth century and the use of archaizing postures and modes in drama and living sculpture
| Seymour Howard
Oxford: Voltaire Foundation at the Taylor Institution, 1980
The revival of the Olympian gods in Renaissance art
| Luba Freedman
Cambridge: Cambridge University Press, 2003
The rhetoric and the poetics of Aristotle
| Aristotle; introduction by Friedrich Solmsen
New York: Random House, [1954]
The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting
| Hanneke Grootenboer
Chicago -- London: The University of Chicago Press, 2005
The rhetoric of purity: essentialist theory and the advent of abstract painting
| Mark A. Cheetham
Cambridge: Cambridge University Press, 1991
The Rice monument in Waterford Cathedral
| by E. C. Rae
Dublin: [Dublin Unversity Press], 1970
The right arm of Michelangelo's "Moses"
| H. W. Janson
Berlin: Walter de Gruyter & Co., 1948
The rise and fall of the public monument
| H. W. Janson
New Orleans: Graduate School, Tulane University, 1976
The rise of English provincial art: artists, patrons, and institutions outside London, 1800-1830
| Trevor Fawcett
Oxford: Clarendon Press, 1974
The rise of the artist in the Middle Ages and early Renaissance
| Andrew Martindale
New York: McGraw-Hill Book Company, 1972
The Robert Woods Bliss Collection of Pre-Columbian Art
Washington: [s.n.], [s.d.]
The Robert Woods Bliss Collection of Pre-Columbian Art
[Washington: Dumbarton Oaks, Research Library and Collection], 1963?
The Rocky Mountains: a vision for artists in the nineteenth century
| by Patricia Trenton and Peter H. Hassrick
Norman: The University of Oklahoma Press, 1983
The role of classical models in Bernini's and Poussin's preparatory work
| Rudolf Wittkower
[Princeton: Princeton University Press 1963]
The Roman amphitheatre: from its origins to the Colosseum
| Katherine E. Welch
Cambridge: Cambridge University Press, 2007
The romantic agony
| Mario Praz; translated from the Italian by Angus Davidson
New York: Meridian Books, 1956
The romantic Enlightenment
| Geoffrey Clive
New York: Meridian Books, 1960
The Romantic imagination
| Maurice Bowra
London: Oxford University Press, 1963
The romantic movement: fifth exhibition to celebrate the tenth anniversary of the Council of Europe
| Introd. by Kenneth Clark, Geoffrey Grigson [et al.]
London: Tate Gallery, 1959
The romantic movement: fifth exhibition to celebrate the tenth anniversary of the Council of Europe, 10 July to 27 September 1959, the Tate Gallery and the Arts Council Gallery, London
London: The Arts Council of Great Britain, 1959
The romantic rebellion
| Eric Newton
New York: Schocken Books, 1964
The rood-loft from Hertogenbosch
| Charles Avery
London: Phaidon Press, 1969
The roof bosses of Lincoln Minster
| by C. J. P. Cave
[Lincoln: Friends of Lincoln Cathedral, 1951]
The Routledge companion to medieval iconography
| edited by Colum Hourihane
London -- New York: Routledge, 2017
The Routledge handbook of early Christian art
| edited by Robin M. Jensen and Mark D. Ellison
London -- New York: Routledge, Taylor & Francis Group, 2018
The Royal Castle in Warsaw - Museum, The Collections of the Ciechanowiecki Foundation, The Teresa Sahakian Foundation: a complete catalogue of sculptures
| Artur Badach
Warszawa: Zamek Królewski - Muzeum, 2014
The Royal Castle in Warsaw: a complete catalogue of paintings c. 1520 - c. 1900. [1]
| Dorota Juszczak and Hanna Małachowicz; [transl. by Anne-Marie Fabianowska]
Warsaw: Zamek Królewski w Warszawie, 2013
The Royal Castle in Warsaw: a complete catalogue of paintings c. 1520 - c. 1900. [2], Appendices
| Dorota Juszczak and Hanna Małachowicz; [transl. by Anne-Marie Fabianowska]
Warsaw: Zamek Królewski w Warszawie, 2013
The rule of reason and the ruses of the heart: a philosophical dictionary of classical French criticism, critics and aesthetic issues
| Rémy G. Saisselin
Cleveland, Ohio -- London: Press of Case Western Reserve University, 1970
The rustic style
| Ernst Kris; translated with commentary by Linda B. Parshall; with essays by Robert Felfe and Anatole Tchikine
Washington, D.C.: Dumbarton Oaks, Trustees for Harvard University, 2023
The Sack of Rome, 1527
| André Chastel; translated from the French by Beth Archer
Princeton, N.J.: Princeton University Press, 1983
The sacred architecture of Byzantium: art, liturgy and symbolism in early Christian churches
| Nicholas N Patricios
London -- New York: I.B.Tauris, 2014
The sacred image in the age of art: Titian, Tintoretto, Barocci, El Greco, Caravaggio
| Marcia B. Hall
New Haven, Conn. -- London: Yale University Press, 2011
The sacred portal: a primary symbol in ancient Judaic art
| Bernard Goldman
[Detroit: Wayne State University Press, 1966]
The Salamander in Van der Goes' Garden of Eden
| Robert A. Koch
[London]: [The Warburg Institute University of London], 1965
The sale of the century: artistic relations between Spain and Great Britain, 1604-1655
| edited by Jonathan Brown and John Elliott
New Haven, Conn. -- London: Yale University Press in association with Museo Nacional del Prado, 2002
The Salvator Mundi of Leonardo da Vinci
| Joanne Snow-Smith
Seattle: Henry Art Gallery, University of Washington, 1982
The Salvator Mundi of Leonardo da Vinci
| Joanne Snow-Smith
Seattle: Henry Art Gallery, University of Washington, 1982
The Samuel H. Kress Collection
Raleigh: The North Carolina Museum of Art, 1965
The Samuel H. Kress Collection at the University of Arizona
Princeton: 1957
The Samuel H. Kress Collection: M. H. De Young Memorial Museum
San Francisco: 1955
The sculptor's 'last will and testament'
| by Irving Lavin
Oberlin, Ohio: The Museum, 1977-78