The brothers Asam and the beginnings of Bavarian rococo architecture. Part 2, From the early 1720s to the mid-1730s
| Henry Russell Hitchcock
Urbana, Ill.: The Society, 1966
The brothers Le Nain: an exhibition commemorating the acquisition of The family dinner by Mathieu Le Nain
| introduction by Sir Robert Witt, C.B.E
Toledo: Toledo Museum of Art, 1947
The brown decades: a study of the arts in America, 1865-1895
| Lewis Mumford
New York: Dover Publications, 1959
The building erected in Hyde Park for the grate exhibition of the works of industry of all nations, 1851: illustrated by twenty-eight large plates, embracing plans, elevations, sections, and details, laid down to a large scale from the working drawings of the contractors, Messrs. Fox, Henderson, and Co. by Charles Downes, Architect. With scientific description by Charles Cowper, Assoc.Inst.C.E. London: John Weale, 1852
| Charles Cowper
[London]: [Victoria and Albert Museum], [1972]
The buildings of Johan Maurits van Nassau
| J. J. Terwen
The Hague: The Johan Maurits van Nassau Stichtung, 1979
The Bulletin of the Art Association of Indianapolis, Indiana / John Herron Art Institute
Indianapolis: Art Association of Indianapolis, 1911-1955
The Bulletin of the Art Association of Indianapolis, Indiana / John Herron Art Institute
Indianapolis: Art Association of Indianapolis, 1911-1955
The Bulletin of the Art Association of Indianapolis, Indiana / John Herron Art Institute
Indianapolis: Art Association of Indianapolis, 1911-1955
The Bulletin of the Art Association of Indianapolis, Indiana / John Herron Art Institute
Indianapolis: Art Association of Indianapolis, 1911-1972
The Bulletin of the Art Association of Indianapolis, Indiana / John Herron Art Institute
Indianapolis: Art Association of Indianapolis, 1911-1955
The Bulletin of the Art Association of Indianapolis, Indiana / John Herron Art Institute
Indianapolis: Art Association of Indianapolis, 1911-1972
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Cleveland Museum of Art
Cleveland, Ohio: Cleveland Museum of Art, 1914-1994
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The bulletin of the Metropolitan Museum of Art
New York: The Metropolitan Museum of Art, 1905-
The Burlington magazine
| Editor: Benedict Nicolson
London: Burlington Magazine Publications, 1903-
The business of art: contracts and the commissioning process in Renaissance Italy
| Michelle O'Malley
New Haven, Conn. -- London: Yale University Press, 2005
The Byzantine Collection
Dumbarton Oaks: [s.n.], [s.d.]
The cabinet of Eros: Renaissance mythological painting and the studiolo of Isabella d'Este
| Stephen Campbell
New Haven, Conn. -- London: Yale University Press, 2004
The Cambridge companion to Piero della Francesca
| ed. by Jeryldene M. Wood
Cambridge: Cambridge University Press, 2002
The Cambridge companion to Raphael
| edited by Marcia B. Hall
Cambridge: Cambridge University Press, 2005
The Camden Town Group
| by Wendy Baron and Malcolm Cormack
New Haven: Yale Center for British Art, 1980
The Camden Town Group
| Wendy Baron
London: Scolar Press, 1979
The Cathedral of Roskilde
Roskilde: Flensborg Publ., 1967
The Cathedral of Siena and the Cathedral Museum
| Enzo Carli
Firenze: Scala, 1976
The cathedrals of England
| Alec Clifton-Taylor; photographs by Martin Hürlimann and others
London: Thames and Hudson, 1967
The Catskills: painters, writers, and tourists in the mountains, 1820-1895
| Kenneth Myers with contributions by Margaret Favretti; introduction by Jules D. Prown
Yonkers, N.Y.: Hudson River Museum of Westchester -- Hanover -- London: Distributed by University Press of New England, 1987
The ceiling paintings for the jesuit church in Antwerp
| John Rupert Martin
London: Phaidon, 1968
The Cenotaph of Alvise Trevisan in SS. Giovanni e Paolo
| Anne Markham Schulz
[Florence: Giunti Barbera, 1985]
The census of antique works of art known to Renaissance artists
| Phyllis Bober
[Princeton, N.J.: Princeton University Press, 1963]
The central collecting point in Munich: a new beginning for the restitution and protection of art
| The Getty Research Institute, Los Angeles; Iris Lauterbach; translated by Fiona Elliott; with an introductory essay by James J. Sheehan
Los Angeles: The Getty Research Institute, 2018
The challenge of the avant-garde
| edited by Paul Wood
New Haven, CT -- London: Yale University Press, 1999
The changing concept of proportion
| Rudolf Wittkower
[Boston, Mass.]: American Academy of Arts and Sciences, 1960
The changing garden: four centuries of European and American art
| Betsy G. Fryberger; with essays by Paula Deitz... [et al.]
Stanford, Calif.: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University -- Berkeley, Calif. -- London: University of California Press, 2003