The Burlington magazine
| Editor: Benedict Nicolson
London: Burlington Magazine Publications, 1903-
The business of art: contracts and the commissioning process in Renaissance Italy
| Michelle O'Malley
New Haven, Conn. -- London: Yale University Press, 2005
The Byzantine Collection
Dumbarton Oaks: [s.n.], [s.d.]
The cabinet of Eros: Renaissance mythological painting and the studiolo of Isabella d'Este
| Stephen Campbell
New Haven, Conn. -- London: Yale University Press, 2004
The Cambridge companion to Piero della Francesca
| ed. by Jeryldene M. Wood
Cambridge: Cambridge University Press, 2002
The Cambridge companion to Raphael
| edited by Marcia B. Hall
Cambridge: Cambridge University Press, 2005
The Camden Town Group
| by Wendy Baron and Malcolm Cormack
New Haven: Yale Center for British Art, 1980
The Camden Town Group
| Wendy Baron
London: Scolar Press, 1979
The Cathedral of Roskilde
Roskilde: Flensborg Publ., 1967
The Cathedral of Siena and the Cathedral Museum
| Enzo Carli
Firenze: Scala, 1976
The cathedrals of England
| Alec Clifton-Taylor; photographs by Martin Hürlimann and others
London: Thames and Hudson, 1967
The Catskills: painters, writers, and tourists in the mountains, 1820-1895
| Kenneth Myers with contributions by Margaret Favretti; introduction by Jules D. Prown
Yonkers, N.Y.: Hudson River Museum of Westchester -- Hanover -- London: Distributed by University Press of New England, 1987
The ceiling paintings for the jesuit church in Antwerp
| John Rupert Martin
London: Phaidon, 1968
The Cenotaph of Alvise Trevisan in SS. Giovanni e Paolo
| Anne Markham Schulz
[Florence: Giunti Barbera, 1985]
The census of antique works of art known to Renaissance artists
| Phyllis Bober
[Princeton, N.J.: Princeton University Press, 1963]
The central collecting point in Munich: a new beginning for the restitution and protection of art
| The Getty Research Institute, Los Angeles; Iris Lauterbach; translated by Fiona Elliott; with an introductory essay by James J. Sheehan
Los Angeles: The Getty Research Institute, 2018
The challenge of the avant-garde
| edited by Paul Wood
New Haven, CT -- London: Yale University Press, 1999
The changing concept of proportion
| Rudolf Wittkower
[Boston, Mass.]: American Academy of Arts and Sciences, 1960
The changing garden: four centuries of European and American art
| Betsy G. Fryberger; with essays by Paula Deitz... [et al.]
Stanford, Calif.: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University -- Berkeley, Calif. -- London: University of California Press, 2003
The Chapel of the Cardinal of Portugal, 1434-1459: at San Miniato in Florence
| [by] Frederick Hartt, Gino Corti [and] Clarence Kennedy
Philadelphia: University of Pennsylvania Press, [1964]
The charged image: French litographic caricature, 1816-1848
| Beatrice Farwell
Santa Barbara, Calif.: Museum of Art, 1989
The Charles Bridge of Prague
| Kamil Novotný, Emanuel Poche
Prague: Prague Publishing House, 1947
The Christ Child in medieval culture: Alpha es et O!
| edited by Mary Dzon and Theresa M. Kenney
Toronto -- Buffalo -- London: University of Toronto Press, 2012
The Christian art of Byzantine Syria
| Ignacio Pena
[S.l.]: Garnet Publishing, 1997
The chronology of the Registrum Master
| Carl Nordenfalk
Salzburg: Residenz, 1972
The church of the Madonna dell`Orto
| Lino Moretti
Venice: [s.n.], 1982
The churches of the Crusader Kingdom of Jerusalem: a corpus. Vol. 2, L-Z (excluding Tyre)
| Denys Pringle; with drawings by Peter E. Leach
Cambridge: Cambridge University Press, 1998
The churches of the Crusader Kingdom of Jerusalem: a corpus. Vol.1, A-K (excluding Acre and Jerusalem)
| Denys Pringle; with drawings by Peter E. Leach
Cambridge: Cambridge University Press, 1993
The Cincinnati Art Museum bulletin
[Cincinnati]: Cincinnati Art Museum, 1950-
The Cistercians in medieval art
| James France
Stroud: Sutton, 1998
The city in art: proceedings of the seventh Joint Conference of Art Historians from Britain and Poland, Warsaw, September 2004
| edited by Peter Martyn
Warsaw: Institute of Art of the Polish Academy of Sciences, 2007
The city rehearsed: object, architecture, and print in the worlds of Hans Vredeman de Vries
| Christopher P. Heuer
London -- New York: Routledge, 2009
The clash of gods: a reinterpretation of early Christian art
| Thomas F. Mathews
Princeton, New Jersey: Princeton University Press, 1993
The classical heritage and its beneficiaries: from the Carolingian Age to the end of the renaissance
| by R. R. Bolgar
New York: Harper & Row, 1964
The classical heritage of the Middle Ages
| Henry Osborn Taylor; foreword and bibliography by Kenneth M. Setton
New York: Harper & Row, 1958
The classical monument: reflections on the connection between morality and art in Greek and Roman sculpture
| Philipp Fehl
New York: published by New York University Press for the College Art Association of America, 1972
The classical tradition in the Middle Ages and the Renaissance: proceedings of the first European Science Foundation Workshop on "The Reception of Classical Texts" (Florence, Certosa del Galluzzo, 26-27 June 1992)
| edited by Claudio Leonardi, Birger Munk Olsen
Spoleto: Centro italiano di studi sull'alto medioevo, 1995
The classification of visual art: a philosophical myth and its history
| Tiffany Sutton
Cambridge -- New York: Cambridge University Press, 2000
The Claude Lorrain album in the Norton Simon, Inc., Museum of Art. [By] Marcel Roethlisberger
| [By] Marcel Roethlisberger
[Princeton, N.J.]: Institute for Advanced Study [1973?]
The Cleveland Museum of Art: handbook
Cleveland: The Museum, 1958
The Cleveland Statler
Cleveland: [s.n.], [s.d.]
The Cloisters Cross: its art and meaning
| Elizabeth C. Parker & Charles T. Little
New York : Metropolitan Museum of Art -- London: Harvey Miller Publishers, 1994
The Cloisters, the building and the collection of medieval art in Fort Tryon Park
| by James J. Rorimer
New York: [s.n.], 1963
The Cluny Museum
| [introduction Pierre Verlet and Francis Salet]
Paris: Braun, [s.d.]
The coast & the sea: marine and maritime art in America: at the New-York Historical Society
| Linda S. Ferber
New York: New-York Historical Society Museum & Library -- London: D Giles Limited, 2014
The Codex Huygens and Leonardo da Vinci's art theory: the Pierpont Morgan Library Codex M.A. 1139
| Erwin Panofsky
Nendeln, Liechtenstein: Kraus Reprint, 1968
The Codex Leicester by Leonardo da Vinci ... which will be sold at Christie's Great Rooms on Friday, 12 December 1980 ..
| [introduction by Carlo Pedretti]
London: Christie, Manson & Woods, [1980]
The collected letters of Jane Morris
| edited by Frank C. Sharp & Jan Marsh
Woodbridge, UK -- Rochester, NY: The Boydell Press, 2012
The collection of the Australian National Gallery
Sydney: Fine Arts Press, 1977
The collections of the Tate Gallery. British paintings, modern painting and sculpture
[London]: The Tate Gallery Publications Department, 1969