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The triumph of American painting: a history of abstract expressionism | Irving Sandler
New York -- Washington: Praeger Publishers, 1970
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The triumph of art for the public: the emerging role of exhibitions and critics | selected and edited by Elizabeth Gilmore Holt
Garden City, New York: Anchor Books, 1979
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The Triumphs of Caesar | J. M. Massing
London: Burlington Magazine, 1971
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The troubled republic: visual culture and social debate in France, 1889-1900 | Richard Thomson
New Haven, Conn. -- London: Yale University Press, 2004
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The Tudor and Stuart monarchy: pageantry, painting, iconography. Vol. 1, Tudor | Roy Strong
Woodbridge, UK -- Rochester, NY: The Boydell Press, 1995
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The Tudor house and garden: architecture and landscape in the sixteenth and early seventeenth centuries | Paula Henderson
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2005
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The Turk and Islam in the Western eye, 1450-1750: visual imagery before orientalism | edited by James G. Harper
London -- New York: Routledge, 2016
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The Tuscan/Rustic order: a study in the metaphorical language of architecture | James S. Ackerman
[Urbana, Ill.]: [The Society of Architectural Historians], 1983
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The two art histories: the museum and the university | edited by Charles W. Haxthausen
Williamstown, Mass.: Sterling and Francine Clark Art Institute -- New Haven, Conn. -- London: Distributed by Yale University Press, 2002
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The two eyes of the Earth: art and ritual of kingship between Rome and Sasanian Iran | Matthew P. Canepa
Berkeley, Calif. -- London: University of California Press, 2009
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The tyranny of Hagia Sophia: notes on Greek orthodox church design in the United States | Anthony Cutler
[Urbana, Ill.]: [The Society of Architectural Historians], 1972
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The tyranny of taste: the politics of architecture and design in Britain 1550-1960 | Jules Lubbock
New Haven -- London: Published for the Paul Mellon Centre for British Art by Yale University Press, 1995
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The unconventional index and its merits | William S. Heckscher
[London: Society of Indexers], 1982
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The Universe: a convergence of art, music and science | edited by Jay Belloli
Pasadena, Calif.: Armory Center for The Arts, 2001
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The university years of Fryderyk Chopin | by Jerzy Miziołek
Warsaw: Museum of the University of Warsaw, 2015
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The unruly realm: appetite and restraint in seventeenth century Holland | Simon Schama
[Boston, Mass.]: American Academy of Arts and Sciences, 1979
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The urban development of Rome in the age of Alexander VII | Dorothy Metzger Habel
Cambridge: Cambridge University Press, 2002
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The uses of excess in visual and material culture, 1600-2010 | edited by Julia Skelly
Farnham, England -- Burlington, VT: Ashgate, 2014
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The uses of works of art | Teddy Brunius
[New York, N.Y.]: [Philosophical Library], 1963
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The Venetian discovery of America: geographic imagination in the age of encounters | Elizabeth Horodowich
Cambridge: Cambridge University Press, 2018
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The verbal and visual: essays in honor of William Sebastian Heckscher | Ed. by Karl-Ludwig Selig and Elizabeth Sears
New York: Italica Press, 1990
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The vexations of art: Velázquez and others | Svetlana Alpers
New Haven, Conn. -- London: Yale University Press, 2005
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The vicissitudes of a dynastic monument: Bernini's equestrian statue of Louis XIV | Rudolf Wittkower
New York: New York University Press, 1961
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The viewer and the printed image in late medieval Europe | David S. Areford
Farnham, England -- Burlington, VT: Ashgate, 2010
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The Viking age | by Charlotte Blindheim
Oslo: Universitetets oldsaksamling, 1974
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The Villa Barbaro at Maser: science, philosophy, and the family in Venetian Renaissance art | Denis Ribouillault
London -- Turnhout: Harvey Miller Publishers, 2023
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The Villa Farnesina: palace of Venus in Renaissance Rome | James Grantham Turner
Cambridge: Cambridge University Press, 2022
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The villa: form and ideology of country houses | James S. Ackerman
London: Thames and Hudson, 1990
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The village homes of England | text and illustrations by Sydney R. Jones, with some additional drawings in colour by Wilfrid Ball ... & John Fullwood...; edited by Charles Holme
London -- Paris -- New York: 'The Studio' Ltd, 1912
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The Virgin and the Grail: origins of a legend | Joseph Goering
New Haven, Conn. -- London: Yale University Press, 2005
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The Virginia Carroll Crawford collection: American decorative arts, 1825-1917 | David A. Hanks and Donald C. Peirce
Atlanta: High Museum of Art, 1983
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The Virginia journals of Benjamin Henry Latrobe, 1795 - 1798. Vol. 2: 1797-1798 | Edward C. Carter II, Editor, Angeline Polites, Associate Edtitor
New Haven: Yale University Press, 1977
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The Virginia journals of Benjamin Henry Latrobe, 1795-1798. Vol. 1: 1795-1797 | Edward C. Carter II, editor; Angeline Polites, associate editor; Lee W. Formwalt and John C. Van Horne, editorial assistants
New Haven -- London: Yale University Press for the Maryland Historical Society, 1977
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The Virginia Museum of Fine Arts
[S.l.]: [s.n.], [s.d.]
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The virtual tourist in Renaissance Rome: printing and collecting the Speculum romanae magnificentiae | Rebecca Zorach; with contributions by Nina Dubin [et al.]
Chicago: University of Chicago Press, 2008
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The virtual window: from Alberti to Microsoft | Anne Friedberg
Cambridge, Mass. -- London: The MIT Press, 2006
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The virtues and vices in Ambrogio Lorenzetti's "Franciscan Martyrdom" | Maurice L. Shapiro
New York: College Art Association of America, 1964
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The vision of landscape in Renaissance Italy | by A. Richard Turner
Princeton, N.J.: Published for the Dept. of Art and Archaeology, Princeton University [by] Princeton University Press, 1966
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The visionary company: a reading of English romantic poetry | Harold Bloom
Ithaca: Cornell University Press, [1971]
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The visual arts in Germany, 1890-1937: Utopia and despair | Shearer West
Manchester : Manchester University Press, 2000
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The visual image | by E. H. Gombrich
[New York: Scientific American], 1972
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The visual index of artists' signatures and monograms | by Radway Jackson; introduction by Andrew Festing
London: Cromwell Editions, 1991
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The visual legacy of Alexander the Great from the Renaissance to the Age of Revolution | Víctor Mínguez and Inmaculada Rodríguez-Moya
Abingdon, Oxon; New York: Routledge, 2024
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The vocation of the artist | Deborah J. Haynes
Cambridge -- New York: Cambridge University Press, 1997
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The voyage of Isabella d'Aragon from Naples to Milan, January 1489 | Kate Trauman Steinitz
Geneve: Librairie E. Droz, 1961
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The wake of art: criticism, philosophy and the ends of taste | Arthur C. Danto essays; selected and with critical introduction Gregg Horowitz, Tom Huhn.
Amsterdam: G+B Arts International, 1998