The Moses Cross at Sinai
| Kurt Weitzmann, Ihor Ševčenko
[Washington]: [Dumbarton Oaks Center for Byzantine Studies], [1963]
The mourners: tomb sculptures from the court of Burgundy
| Sophie Jugie
Dallas: FRAME/French/Regional/American Museum Exchange -- Dijon: Musée des Beaux-Arts -- New Haven, Conn. -- London: in association with Yale University Press, 2010
The murals of the Parliament building
| [written by Anikó Bojtos]
[Budapest]: The Office of the Hungarian National Assembly, 2017
The Museum
| Editor: Mildred Baker
Newark, N.J.: Newark Museum Association, 1925-
The museum as muse artists reflect
| Kynaston McShine
New York: Museum of Modern Art, 1999
The museum establishment and contemporary art: the politics of artistic display in France after 1968
| Rebecca J. DeRoo
Cambridge: Cambridge University Press, 2006
The Museum of National History at Frederiksborg Castle: official guide
[Hillerod]: [Nationalhistoriske museum paa Frederiksborg slot], 1967
The museum: its history and its tasks in education
| Alma S. Wittlin
London: Routledge & Kegan Paul Limited, 1949
The museum: past, present and future
| E. H. Gombrich
[Chicago: University of Chicago Press], 1977
The Mysteries of Mithra
| Franz Cumont; translated from the second revised French edition by Thomas J. McCormack
New York: Dover Publications, 1956
The myth of the birth of the hero: and other writings
| Otto Rank; edited by Philip Freund
New York: Vintage Books, 1964
The myth of the Golden Age in the Renaissance
| Harry Levin
New York: Oxford University Press, 1972
The narratives of Gothic stained glass
| Wolfgang Kemp; translated by Caroline Dobson Saltzwedel
Cambridge: Cambridge University Press, 1997
The National Gallery companion guide
| Erika Langmuir
London: National Gallery Publications -- [New Haven, Conn. -- London]: Distributed by Yale University Press, 1997
The National Gallery of Victoria
| Ursula Hoff
London: Thames and Hudson, 1979
The National Gallery of Victoria, Melbourne
| [by] Ursula Hoff and Martin Davies
Bruxelles: [Centre National de Recherches "Primitifs flamands"], 1971
The National Gallery, London. Vol. 2
| by Martin Davies
Antwerp: De Sikkel, 1954
The National Gallery, London. Vol. 3
| by Martin Davies
Brussels: [Centre national de recherches primitifs flamands], 1970
The National Museum in Warsaw
| red. Dorota Folga-Januszewska
Warszawa: Muzeum Narodowe, 2000
The National Museum in Warsaw: handbook of the collections
| [has been prepared by the curators and keepers of the Galleries and Departments and edited by Jan Białostocki; the introduction has been written by Stanisław Lorentz]
Warsaw: National Museum, 1963
The National Trust guide to Art Deco in America
| David Gebhard
New York: J. Wiley, 1996
The natural paradise: painting in America, 1800-1950: [exhibition], the Museum of Modern Art, New York
| Edited by Kynaston McShine
New York: The Museum of Modern Art, 1976
The nature of authority: villa culture, landscape, and representation in eighteenth-century Lombardy
| Dianne Harris
University Park, Pa: Pennsylvania State University Press, 2003
The Neapolitan lives and careers of Netherlandish immigrant painters (1575-1655)
| Marije Osnabrugge
Amsterdam: Amsterdam University Press, 2019
The Netherlandish image after iconoclasm, 1566-1672: material religion in the Dutch golden age
| Mia M. Mochizuki
Aldershot, U.K. -- Burlington, VT: Ashgate, 2008
The new American painting / organized by the International Program of the Museum of Modern Art, New York, under the auspices of the International Council at the Museum of Modern Art, New York
| With an introduction by Alfred H. Barr, Jun., and statements by the artists
London: Arts Council of Great Britain, 1959
The new architecture of Europe
| G. E. Kidder Smith
Cleveland: Merdidian Books, 1965
The new humanism: art in a time of change
| Barry Schwartz
New York, Washington: Praeger Publishers, 1974
The New path: Ruskin and the American Pre-Raphaelites
| [co-curators] Linda S. Ferber, William H. Gerdts
Brooklyn, New York: The Brooklyn Museum, 1985
The new world
| Steinberg
New York: Harper & Row, 1965
The New York school poets and the neo-avant-garde: between radical art and radical chic
| Mark Silverberg
Farnham, England -- Burlington, VT: Ashgate, 2010
The New-York historical society`s dictionary of artists in America, 1564-1860
| by George C. Groce and David H. Wallace
New Haven: Yale University Press, 1957
The Nissan guide: to Tokyo and environs
[S.l.]: Nissan Motor, 1985
The Northern landscape: Flemish, Dutch and British drawings from the Courtauld Collections
| Dennis Farr and William Bradford
New York: Drawing Center, 1986
The notebook of John Smibert
| with essays by sir David Evans, John Kerslake, and Andrew Oliver
Boston: Massachusetts Historical Society, 1969
The nude: a study in ideal form
| by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
The nude: a study in ideal form
| by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
The object as subject
| Ewa Lajer-Burcharth
[Williamstown, Mass.: New Haven: Sterling and Francine Clark Art Institute -- Distributed by Yale University Press, cop 2005]
The old masters in nineteenth-century french painting
| Francis Haskell
[Detroit, Mich., New York, etc.: Metropolitan Museum of Art etc.], 1971
The open eye: in pursuit of art
| by Katharine Kuh
New York: Harper & Row, [1971]
The order of ornament, the structure of style: theoretical foundations of modern art and architecture
| Debra Schafter
Cambridge: Cambridge University Press, 2003
The order of things: an archaeology of the human sciences
| Michel Foucault
New York: Vintage Books, 1973
The ordering of the arts in eighteenth-century England
| by Lawrence Lipking
Princeton: Princeton University Press, 1970
The origin and foundations of non-objective painting
| Mieczysław Wallis
[Hoboken: Wiley, 1960]
The origin of the Fleur-de-Lis and the "Lilium candidum" in art
| Robert A. Koch
Binghamton, N.Y.: Center for Medieval & Early Renaissance Studies, 1982
The origins of American photography: 1839-1885: from daguerreotype to dry-plate
| Keith F. Davis; with contributions by Jane L. Aspinwall; director's foreword by Marc F. Wilson; the Hallmark photographic collection at the Nelson-Atkins Museum of Art
Kansas City, Mo.: Hall Family Foundation: In association with The Nelson-Atkins Museum of Art -- New Haven, Conn. -- London: Distributed by Yale University Press, 2007
The origins of French art criticism: from the Ancien Régime to the Restoration
| Richard Wrigley
Oxford: Clarendon Press -- New York: Oxford University Press, 1993
The origins of medieval architecture: building in Europe, A.D. 600-900
| Charles B. McClendon
New Haven, Conn. -- London: Yale University Press, 2005
The origins of visual culture in the Islamic world: aesthetics, art and architecture in early Islam
| Mohammed Hamdouni Alami
London -- New York: I.B.Tauris, 2018
The Oskar Reinhart Collections
| Franz Zelger
Ft. Lauderdale, Fla.: Woodbine Books -- New York: Created by Shorewood Fine Art Books, 1981