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The Moses Cross at Sinai | Kurt Weitzmann, Ihor Ševčenko
[Washington]: [Dumbarton Oaks Center for Byzantine Studies], [1963]
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The mourners: tomb sculptures from the court of Burgundy | Sophie Jugie
Dallas: FRAME/French/Regional/American Museum Exchange -- Dijon: Musée des Beaux-Arts -- New Haven, Conn. -- London: in association with Yale University Press, 2010
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The murals of the Parliament building | [written by Anikó Bojtos]
[Budapest]: The Office of the Hungarian National Assembly, 2017
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The Museum | Editor: Mildred Baker
Newark, N.J.: Newark Museum Association, 1925-
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The museum as muse artists reflect | Kynaston McShine
New York: Museum of Modern Art, 1999
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The Museum of National History at Frederiksborg Castle: official guide
[Hillerod]: [Nationalhistoriske museum paa Frederiksborg slot], 1967
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The museum: its history and its tasks in education | Alma S. Wittlin
London: Routledge & Kegan Paul Limited, 1949
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The museum: past, present and future | E. H. Gombrich
[Chicago: University of Chicago Press], 1977
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The Mysteries of Mithra | Franz Cumont; translated from the second revised French edition by Thomas J. McCormack
New York: Dover Publications, 1956
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The myth of the birth of the hero: and other writings | Otto Rank; edited by Philip Freund
New York: Vintage Books, 1964
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The myth of the Golden Age in the Renaissance | Harry Levin
New York: Oxford University Press, 1972
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The narratives of Gothic stained glass | Wolfgang Kemp; translated by Caroline Dobson Saltzwedel
Cambridge: Cambridge University Press, 1997
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The National Gallery companion guide | Erika Langmuir
London: National Gallery Publications -- [New Haven, Conn. -- London]: Distributed by Yale University Press, 1997
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The National Gallery of Victoria | Ursula Hoff
London: Thames and Hudson, 1979
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The National Gallery of Victoria, Melbourne | [by] Ursula Hoff and Martin Davies
Bruxelles: [Centre National de Recherches "Primitifs flamands"], 1971
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The National Gallery, London. Vol. 2 | by Martin Davies
Antwerp: De Sikkel, 1954
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The National Gallery, London. Vol. 3 | by Martin Davies
Brussels: [Centre national de recherches primitifs flamands], 1970
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The National Museum in Warsaw | red. Dorota Folga-Januszewska
Warszawa: Muzeum Narodowe, 2000
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The National Museum in Warsaw: handbook of the collections | [has been prepared by the curators and keepers of the Galleries and Departments and edited by Jan Białostocki; the introduction has been written by Stanisław Lorentz]
Warsaw: National Museum, 1963
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The National Trust guide to Art Deco in America | David Gebhard
New York: J. Wiley, 1996
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The natural paradise: painting in America, 1800-1950: [exhibition], the Museum of Modern Art, New York | Edited by Kynaston McShine
New York: The Museum of Modern Art, 1976
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The nature of authority: villa culture, landscape, and representation in eighteenth-century Lombardy | Dianne Harris
University Park, Pa: Pennsylvania State University Press, 2003
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The Neapolitan lives and careers of Netherlandish immigrant painters (1575-1655) | Marije Osnabrugge
Amsterdam: Amsterdam University Press, 2019
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The Netherlandish image after iconoclasm, 1566-1672: material religion in the Dutch golden age | Mia M. Mochizuki
Aldershot, U.K. -- Burlington, VT: Ashgate, 2008
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The new architecture of Europe | G. E. Kidder Smith
Cleveland: Merdidian Books, 1965
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The new humanism: art in a time of change | Barry Schwartz
New York, Washington: Praeger Publishers, 1974
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The New path: Ruskin and the American Pre-Raphaelites | [co-curators] Linda S. Ferber, William H. Gerdts
Brooklyn, New York: The Brooklyn Museum, 1985
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The new world | Steinberg
New York: Harper & Row, 1965
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The New York school poets and the neo-avant-garde: between radical art and radical chic | Mark Silverberg
Farnham, England -- Burlington, VT: Ashgate, 2010
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The New-York historical society`s dictionary of artists in America, 1564-1860 | by George C. Groce and David H. Wallace
New Haven: Yale University Press, 1957
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The Nissan guide: to Tokyo and environs
[S.l.]: Nissan Motor, 1985
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The Northern landscape: Flemish, Dutch and British drawings from the Courtauld Collections | Dennis Farr and William Bradford
New York: Drawing Center, 1986
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The notebook of John Smibert | with essays by sir David Evans, John Kerslake, and Andrew Oliver
Boston: Massachusetts Historical Society, 1969
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The nude: a study in ideal form | by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
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The nude: a study in ideal form | by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
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The object as subject | Ewa Lajer-Burcharth
[Williamstown, Mass.: New Haven: Sterling and Francine Clark Art Institute -- Distributed by Yale University Press, cop 2005]
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The old masters in nineteenth-century french painting | Francis Haskell
[Detroit, Mich., New York, etc.: Metropolitan Museum of Art etc.], 1971
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The open eye: in pursuit of art | by Katharine Kuh
New York: Harper & Row, [1971]
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The order of things: an archaeology of the human sciences | Michel Foucault
New York: Vintage Books, 1973
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The ordering of the arts in eighteenth-century England | by Lawrence Lipking
Princeton: Princeton University Press, 1970
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The origin and foundations of non-objective painting | Mieczysław Wallis
[Hoboken: Wiley, 1960]
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The origin of the Fleur-de-Lis and the "Lilium candidum" in art | Robert A. Koch
Binghamton, N.Y.: Center for Medieval & Early Renaissance Studies, 1982
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The origins of American photography: 1839-1885: from daguerreotype to dry-plate | Keith F. Davis; with contributions by Jane L. Aspinwall; director's foreword by Marc F. Wilson; the Hallmark photographic collection at the Nelson-Atkins Museum of Art
Kansas City, Mo.: Hall Family Foundation: In association with The Nelson-Atkins Museum of Art -- New Haven, Conn. -- London: Distributed by Yale University Press, 2007
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The origins of French art criticism: from the Ancien Régime to the Restoration | Richard Wrigley
Oxford: Clarendon Press -- New York: Oxford University Press, 1993
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The origins of medieval architecture: building in Europe, A.D. 600-900 | Charles B. McClendon
New Haven, Conn. -- London: Yale University Press, 2005
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The Oskar Reinhart Collections | Franz Zelger
Ft. Lauderdale, Fla.: Woodbine Books -- New York: Created by Shorewood Fine Art Books, 1981