The notebook of John Smibert
| with essays by sir David Evans, John Kerslake, and Andrew Oliver
Boston: Massachusetts Historical Society, 1969
The nude: a study in ideal form
| by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
The nude: a study in ideal form
| by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
The object as subject
| Ewa Lajer-Burcharth
[Williamstown, Mass.: New Haven: Sterling and Francine Clark Art Institute -- Distributed by Yale University Press, cop 2005]
The old masters in nineteenth-century french painting
| Francis Haskell
[Detroit, Mich., New York, etc.: Metropolitan Museum of Art etc.], 1971
The open eye: in pursuit of art
| by Katharine Kuh
New York: Harper & Row, [1971]
The order of ornament, the structure of style: theoretical foundations of modern art and architecture
| Debra Schafter
Cambridge: Cambridge University Press, 2003
The order of things: an archaeology of the human sciences
| Michel Foucault
New York: Vintage Books, 1973
The ordering of the arts in eighteenth-century England
| by Lawrence Lipking
Princeton: Princeton University Press, 1970
The origin and foundations of non-objective painting
| Mieczysław Wallis
[Hoboken: Wiley, 1960]
The origin of the Fleur-de-Lis and the "Lilium candidum" in art
| Robert A. Koch
Binghamton, N.Y.: Center for Medieval & Early Renaissance Studies, 1982
The origins of American photography: 1839-1885: from daguerreotype to dry-plate
| Keith F. Davis; with contributions by Jane L. Aspinwall; director's foreword by Marc F. Wilson; the Hallmark photographic collection at the Nelson-Atkins Museum of Art
Kansas City, Mo.: Hall Family Foundation: In association with The Nelson-Atkins Museum of Art -- New Haven, Conn. -- London: Distributed by Yale University Press, 2007
The origins of French art criticism: from the Ancien Régime to the Restoration
| Richard Wrigley
Oxford: Clarendon Press -- New York: Oxford University Press, 1993
The origins of medieval architecture: building in Europe, A.D. 600-900
| Charles B. McClendon
New Haven, Conn. -- London: Yale University Press, 2005
The origins of visual culture in the Islamic world: aesthetics, art and architecture in early Islam
| Mohammed Hamdouni Alami
London -- New York: I.B.Tauris, 2018
The Oskar Reinhart Collections
| Franz Zelger
Ft. Lauderdale, Fla.: Woodbine Books -- New York: Created by Shorewood Fine Art Books, 1981
The other Hogarth: aesthetics of difference
| edited by Bernadette Fort and Angela Rosenthal
Princeton: Princeton University Press, 2001
The other Taj Mahal: what happened to the Sydney Opera House
| John Yeomans
Camberwell: Longman, 1973
The Oxford guide to classical mythology in the arts, 1300-1990s. Vol. 1
| Jane Davidson Reid; with the assistance of Chris Rohmann
New York -- Oxford: Oxford University Press, 1993
The Oxford guide to classical mythology in the arts, 1300-1990s. Vol. 2
| Jane Davidson Reid; with the assistance of Chris Rohmann
New York -- Oxford: Oxford University Press, 1993
The pagan dream of the Renaissance
| Joscelyn Godwin
London: Thames & Hudson, 2002
The Painted Enigma and French seventeenth-century art
| Jennifer Montagu
1968
The painted face: portraits of women in France, 1814-1914
| Tamar Garb
New Haven, Conn. -- London: Yale University Press, 2007
The painter Angelos and icon-painting in Venetian Crete
| Maria Vassilaki
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The painter depicted: painters as a subject in painting
| Michael Levey
New York: Thames and Hudson, 1982
The painter`s choice: problems in the interpretation of Renaissance art
| Millard Meiss
New York: Harper & Row, 1976
The painter's garden: design, inspiration, delight
| edited by Sabine Schulze; with contributions by Andreas Beyer [et al.]
Frankfurt am Main: Städel Museum -- Ostfildern: Hatje Cantz Verlag, 2006
The painter's reflection: self-portraiture in Renaissance Venice, 1458-1625
| Katherine T. Brown
Firenze: L. S. Olschki Editore, 2000
The painters of Ireland c.1660-1920
| Anne Crookshank and the Knight of Glin
London: Barrie & Jenkins, 1979
The painting of modern life: Paris in the art of Manet and his followers
| T. J. Clark
Princeton: Princeton University Press, 1984
The painting of The Life of St Francis in Assisi: with notes on the Arena Chapel
| by Leonetto Tintori and Millard Meiss
New York: W. W. Norton, 1967
The paintings in the Studiolo of Isabella d`Este at Mantua
| Egon Verheyen
New York: Published by New York University Press for the College Art Association of America, 1971
The paintings of Benjamin West
| Helmut von Erffa and Allen Staley
New Haven & London: Yale University Press, 1986
The paintings of Frans Hals
| complete edition by N. S. Trivas
London: Phaidon Press, 1949
The paintings of Hans Holbein: first complete edition
| by Paul Ganz; [introduction translated by R. H. Boothroyd, catalogue by Marguerite Kay]
London: Phaidon, 1956
The paintings of Nicolas Poussin: a critical catalogue
| Anthony Blunt
London: Phaidon Press, 1966
The paintings of Titian: complete edition. Vol. 2, The portraits
| by Harold E. Wethey
London: Phaidon Press, 1971
The paintings of Titian: complete edition. Vol. 3, The mythological and historical paintings
| by Harold E. Wethey
London: Phaidon Press, 1975
The paintings of Titian: complete edition. Vol.1, The religious paintings
| by Harold E. Wethey
London: Phaidon Press, 1969
The Palazzo del Te in Mantua: images of love and politics
| Egon Verheyen
Baltimore: The Johns Hopkins University Press, 1977
The Palazzo Ducale in Mantua
Milan: Electa, 1996
The Palazzo Pamphilj in Piazza Navona: constructing identity in early modern Rome
| Stephanie C. Leone
London -- Turnhout: Harvey Miller Publishers, 2008
The Palladian revival: Lord Burlington, his villa and garden at Chiswick
| John Harris
London: Royal Academy of Arts -- New Haven, Conn. -- London: Published in association with Yale University Press, 1994
The papacy and the art of reform in sixteenth-century Rome: Gregory XIII's Tower of the Winds in the Vatican
| Nicola Courtright
Cambridge: Cambridge University Press, 2003
The paradox of Rembrandt's "Anatomy of Dr. Tulp"
| by William Schupbach
London: Wellcome Institute for the History of Medicine, 1982
The paradoxes of art: a phenomenological investigation
| Alan Paskow
Cambridge, UK -- New York: Cambridge University Press, 2004
The Paris entries of Charles IX and Elisabeth of Austria, 1571: with an analysis of Simon Bouquet's 'Bref et sommaire recueil'
| Victor E. Graham and W. McAllister Johnson
Toronto: University of Toronto Press, 1974
The Parma Ildefonsus: a Romanesque illuminated manuscript from Cluny and related works
| by Meyer Schapiro
New York: College Art Association of America, 1964
The passion in art
| Richard Harries
Aldershot, U.K. -- Burlington, VT: Ashgate, 2004
The pastoral landscape
| edited by John Dixon Hunt
Washington: National Gallery of Art -- Hanover, N.H. -- London: Distributed by the University Press of New England, 1992