The invention of the model: artists and models in Paris, 1830-1870
| Susan S. Waller
Aldershot, U.K. -- Burlington, VT: Ashgate, 2006
The invisible flâneuse? : gender, public space, and visual culture in nineteenth-century Paris
| edited by Aruna D'Souza and Tom McDonough
Manchester -- New York: Manchester University Press, 2006
The invisible masterpiece
| Hans Belting
London: Reaktion Books, 2001
The Isenheim Altarpiece: God's medicine and the painter's vision.
| Andrée Hayum
New Jersey: Princeton U.P., 1993
The Islamic villa in early medieval Iberia: architecture and court culture in Umayyad Córdoba
| Glaire D. Anderson
Farnham, England -- Burlington, VT: Ashgate, 2013
The Israel Museum journal
[Jerusalem]: [The Israel Museum], 1982-
The Italian element in late Roman and early medieval architecture
| by J. B. Ward-Perkins
London: G. Cumberlege, [1947]
The Italian garden: art, design and culture
| edited by John Dixon Hunt
Cambridge: Cambridge University Press, 2006
The Italian painters of the Renaissance
| Bernard Berenson
New York: Meridian Books, 1957
The Italian Renaissance
| Ed. by Werner L. Gundersheimer
Engglewood Cliffs,N.J.: Prentice-Hall,Inc., 1965
The Italian Renaissance imagery of inspiration: metaphors of sex, sleep and dream
| Maria Ruvoldt
Cambridge, U.K. -- New York: Cambridge University Press, 2004
The Italian Renaissance in England
| studies by Lewis Einstein
New York, London: The Columbia University Press -- Macmillan & Co., ltd., 1902
The Italian Renaissance in its historical background
| by Denys Hay
Cambridge: University Press, 1961
The Italian renaissance palace facade: structures of authority, surfaces of sense
| Charles Burroughs
Cambridge: Cambridge University Press, 2002
The Iveagh Bequest Kenwood: catalogue of the paintings
London: London County Council, 1960
The J. Paul Getty Museum
Malibu, Calif.: [s.n.], [s.d.]
The J. Paul Getty Museum journal
Malibu, Calif.: J. Paul Getty Museum, 1975-1996
The J. Paul Getty Museum: guidebook
[Malibu, Calif.]: The J. Paul Getty Museum, 1978
The J. Paul Getty Trust: program review, 1981-1985
Los Angeles: J. Paul Getty Trust, [1985?]
The Jarves Collection
| Frank Jewett Mather, Jr
[New Haven, Conn.: The Yale publishing association], 1914
The Jew, the cathedral, and the medieval city: Synagoga and Ecclesia in the thirteenth century
| Nina Rowe
Cambridge -- New York: Cambridge University Press, 2014
The Jewish life cykle
| by Joseph Gutmann
Leiden: E. J. Brill., 1987
The Journal of aesthetic education
Champaign: University of Illinois Press, 1966-
The journal of Eugene Delacroix
| A selection edited with an introduction by Hubert Wellington
Oxford: Phaidon, 1980
The journal of the Walters Art Gallery
Baltimore, Md. : Trustees of the Walters Art Gallery, 1938-
The Journal of the Walters Art Gallery
| Editor: Dorothy E. Miner
Baltimore, Md.: Trustees of the Walters Art Gallery, 1938-
The judicious eye: architecture against the other arts
| Joseph Rykwert
London: Reaktion Books, 2008
The king's bedpost: Reformation and iconography in a Tudor group portrait
| Margaret Aston
Cambridge: Cambridge University Press, 1993
The king's body: sacred rituals of power in medieval and early modern Europe
| Sergio Bertelli
University Park, Pa: Pennsylvania State University Press, 2001
The knight in history
| Frances Gies
New York: Harper & Row, 1984
The Kress Study Collection at Notre Dame
[Notre Dame: 1962?]
The Kröller-Müller Museum, Otterlo, Holland
| text by Ellen Joosten
New York: Shorewood Publishers, [1965]
The Lanckoronski collection in Poland
| Jerzy Miziołek
Firenze: Edam, 1995
The land and the cross: properties of the Order of St John between centre and periphery (16th-18th centuries)
| edited by Valentina Burgassi, George Alexander Said-Zammit, and Valeria Vanesio
Abingdon, Oxon; New York: Routledge, 2025
The landscape of Frederic Edwin Church: vision of an American era
| by David C. Huntington
New York: George Braziller, 1966
The landscape paintings of Thomas Gainsborough: a critical text and catalogue raisonné. Vol. 1: Critical text
| John Hayes
Ithaca, New York: Cornell University Press, 1982
The landscape paintings of Thomas Gainsborough: a critical text and catalogue raisonné. Vol. 2: Catalogue raisonné
| John Hayes
Ithaca, New York: Cornell University Press, 1982
The Lane Collection: 20th-century paintings in the American tradition
| by Theodore E. Stebbins, Jr., and Carol Troyen
Boston: Museum of Fine Arts, 1983
The language of art history
| ed. by Salim Kemal and Ivan Gaskell
Cambridge: Cambridge University Press, 1991
The language of continent allegories in Baroque Central Europe
| edited by Wolfgang Schmale, Marion Romberg and Josef Köstlbauer
Stuttgart: Franz Steiner Verlag, 2016
The language of images in Roman art
| Tonio Hölscher; with a foreword by Jaś Elsner
Cambridge, New York: Cambridge University Press, 2004
The language of the muses: the dialogue between Roman and Greek sculpture
| Miranda Marvin
Los Angeles: The J. Paul Getty Museum, 2008
The language of twentieth-century art: a conceptual history
| Paul Crowther
London: Yale University Press, 1997
The Lansdowne Herakles
| Seymour Howard
[Malibu, Calif.: J. Paul Getty Museum, cop. 1978]
The Lansdowne Herakles
| Seymour Howard
[Malibu, Calif.: J. Paul Getty Museum, cop. 1978]
The larger Blake-Varley sketchbook: which will be sold at Christie's Great Rooms...
London: Christie, Manson & Woods, 1989
The last descendant of Aeneas: the Hapsburgs and the mythic image of the emperor
| Marie Tanner
New Haven, Conn. -- London: Yale University Press, 1993
The last flowers of the middle ages: from the Gothic to the Renaissance in Moravia and Silesia
| Ivo Hlobil (editor); in cooperation with Ladislav Daniel ... [et al.]
Olomouc: Muzeum umění Olomouc, 2000
The late paintings of Velázquez: theorizing painterly performance
| Giles Knox
Farnham, England -- Burlington, VT: Ashgate, 2009
The late Richard Dadd, 1817-1886
| Patricia Allderidge
London: The Tate Gallery, 1974