The art spirit: notes, articles, fragments of letters and talks to students, bearing on the concept and technique of picture making, the study of art generally, and on appreciation
| by Robert Henri; compiled by Margery Ryerson; introduction by Forbes Watson
Philadelphia and New York: Lippincott, 1960
The Art-Idea
| by James Jackson Jarves, ed. by Benjamin Rowland , Jr
Cambridge: The Belknap Press of Harvard University Press, 1960
The art, science, and technology of medieval travel
| edited by Robert Bork and Andrea Kann
Aldershot, U.K. -- Burlington, VT: Ashgate, 2008
The Arthur M. Sackler Gallery
[S.l.]: [s.n.], [s.d.]
The artist & the liberal arts
| Rudolf Wittkower
London: The College by H. K. Lewis, 1952
The artist and the country house: a history of country house and garden view painting in Britain 1540-1870
| John Harris
London: Wilson for Sotheby Parke Bernet, 1979
The artist and the state, 1777-1855: the politics of universal history in British and French painting
| Daniel R. Guernsey
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The artist as producer: Russian constructivism in revolution
| Maria Gough
Berkeley, Calif. -- Los Angeles -- London: University of California Press, 2005
The artist in America
| Compiled by the editors of art in America
New York: Norton, 1967
The artist`s voice: talks with seventeen artists
| by Katharine Kuh
New York: Harper & Row, 1962
The artist's apprentice and Minerva's secret: an allegory of drawing by Jan de Lairesse
| E. de Jongh
Amsterdam: Nederlandse Universiteitspers, 1983
The artist's eye, the diviner's insight: African art in the Barry D. Maurer collection
| John Pemberton, III
Amherst, Mass.: Mead Art Museum, Amherst College, 1998
The artist's reality: philosophies of art
| Mark Rothko; edited and with an introduction by Christopher Rothko
New Haven, Conn. -- London: Yale University Press, 2004
The artists of the Winchester Bible
| with forty-four reproductions of details from their work, and an introduction by Walter Oakeshott
London: Faber and Faber, [1945]
The Arts
| Andre Chastel
Bombay: [United Asia Publications], [1964]
The Arts and Crafts movement in Europe and America: design for the modern world
| Wendy Kaplan; with contributions by Alan Crawford... [et al.]
London: Thames & Hudson in association with the Los Angeles County Museum of Art, 2004
The arts in Ireland: a chronology
| Christopher Fitz-Simon
Dublin: Gill and Macmillan, 1982
The arts of industry in the Age of Enlightenment
| Celina Fox
New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2009
The artwork caught by the tail: Francis Picabia and Dada in Paris
| George Baker
Cambridge, Mass. -- London: The MIT Press, 2007
The Ashgate research companion to Giorgio Vasari
| edited by David J. Cast
Farnham, England -- Burlington, VT: Ashgate, 2014
The authority of everyday objects: a cultural history of West German industrial design
| Paul Betts
Berkeley, Calif. -- London: University of California Press, 2004
The authority of the word: reflecting on image and text in northern Europe, 1400-1700
| edited by Celeste Brusati, Karl A.E. Enenkel, Walter S. Melion
Leiden -- Boston: Brill, 2012
The Baltic Area as an artistic region in the sixteenth century
| Jan Białostocki
[Kobenhavn]: [University of Copenhagen, Department of Art History], 1976
The Banqueting House, Whitehall
| by John Charlton
London: H. M. Stationery Off., 1964
The Barbizon School & the origins of impressionism
| Steven Adams
London: Phaidon Press, 1994
The baroque geography of the Polish Commonwealth: centres and peripheries
| Andrzej Józef Baranowski
[Warsaw: Institute of Art, 2000]
The baroque Town Hall of Amsterdam
| Katharine Fremantle
Utrecht: Haentjens Dekker & Gumbert, 1959
The Barye bronzes
| by Stuart Pivar
Woodbridge: The Antique Collectors` Club, 1981
The Basilica of Saint Anthony: historico - artistic guide
| Vergilio Gamboso
Padova: Edizioni Messaggero, 1976
The basilica of SS. John and Paul in Venice
| P. Angelo M. Caccin o.p
Venezia: Zanipolo, [196?]
The Bauhaus and America: first contacts, 1919-1936
| Margret Kentgens-Craig
Cambridge, Massachusetts: The MIT Press, 2001
The Bayeux tapestry
| by Eric Maclagan
London -- New York: Penguin Books, 1945
The Bayeux tapestry: new interpretations
| edited by Martin K. Foys, Karen Eileen Overbey & Dan Terkla
Woodbridge, UK -- Rochester, NY: The Boydell Press, 2009
The Beatus Apocalypse of Gerona
| Meyer Schapiro
New York: Art Foundation Press Inc., 1963
The beauties of the city of Florence: a guidebook of 1591
| Francesco Bocchi; introduced, translated and annotated by Thomas Frangenberg & Robert Williams
London: Harvey Miller Publishers, 2006
The beautiful, the sublime, & the picturesque in eighteenth-century British aesthetic theory
| Walter John Hipple, Jr
Carbondale: Southern Illinois University Press, 1957
The beginnings of medallic art in Poland during the times of Zygmunt I and Bona Sforza
| Mieczysław Morka
Vienna -- Cracow: IRSA, 2008
The beginnings of medallic art in Poland during the times of Zygmunt I and Bona Sforza
Venezia-Wien: IRSA -- Firenze: Licosa, 2008
The beholder: the experience of art in early modern Europe
| edited by Thomas Frangenberg and Robert Williams
Aldershot, U.K. -- Burlington, VT: Ashgate, 2006
The Berenson archive: an inventory of correspondence
| compiled by Nicky Mariano
Cambridge, Mass.: Harvard University Press, 1965
The Berlin Gallery
| Rüdiger Klessmann
London: Thames and Hudson, 1971
The Bible and the printed image in early modern England: Little Gidding and the pursuit of scriptural harmony
| Michael Gaudio
London -- New York: Routledge, 2018
The Bible through Dutch eyes: from Genesis through the Apocrypha: Milwaukee Art Centre, 9 April-23 May, 1976
| introduction and catalogue by Alfred Bader; foreword by Tracy Atkinson
Milwaukee, Wisconsin: Milwaukee Art Center, 1976
The big book of drawing
| José M. Parramón
New York: Watson-Guptill Publications, 1987
The birth of civilization in the Near East
| Henri Frankfort
Garden City, New York: Doubleday Anchor Books, [1956]
The bishop Piotr Tomicki Chapel in the Cracow cathedral, and its altarpiece depicting "The Adoration of the Magi"
| Jerzy Miziołek
Nürnberg: Verlag des Germanischen Nationalmuseums, 2002
The bishop reformed: studies of episcopal power and culture in the central Middle Ages
| edited by John S. Ott and Anna Trumbore Jones
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
The Blaue Reiter almanac
| edited by Wassily Kandinsky and Franz Marc
New York: Da Capo Press, 1974
The blue four: Galka E. Scheyer Collection: Feininger, Jawlensky, Kandinsky, Paul Klee
Pasadena: Pasadena Art Museum, [1954?]
The Blue Rider in the Lenbachhaus, Munich: masterpieces by Franz Marc, Vassily Kandinsky, Gabriele Münter, Alexei Jawlensky, August Macke, Paul Klee
| [edited by] Armin Zweite; commentaries and biographies by Annegret Hoberg
Munich: Prestel-Verlag, 1989