The Huntington art Collection
| [Handbook compiled by Robert R. Wark]
San Marino, Calif.: Huntington Library, 1970
The iconography of a Romanesque chalice from Trzemeszno
| Piotr Skubiszewski
London: The Warburg Institute, 1971
The iconography of Correggio`s Camera di San Paolo
| Erwin Panofsky
London: Warburg Institute, University of London, 1961
The iconography of Islamic art: studies in honour of Robert Hillenbrand
| edited by Bernard O'Kane
Edinburgh: Edinburgh University Press, 2007
The iconography of landscape: essays on the symbolic representation, design and use of past environments
| edited by Denis Cosgrove and Stephen Daniels
Cambridge: Cambridge University Press, 1992
The iconography of the art of Teotihuacan
| George Kubler
Washington, Dumbarton Oaks Trustees for Harvard University, 1967
The iconography of the deposition without St. John
| [Paulina Ratkowska]
[London]: The Warburg and Courtauld Institutes, 1964
The iconography of the Galerie François Ier at Fontainebleau
| Dora and Erwin Panofsky
[Paris: Gazette des beaux-arts],1958
The iconology of abstraction: non-figurative images and the modern world
| edited by Krešimir Purgar
New York; London: Routledge, Taylor & Francis Group, 2021
The idea of a town: the anthropology of urban form in Rome, Italy and the ancient world
| Joseph Rykwert
Cambridge, Massachusetts: The MIT Press, 1999
The idea of art as propaganda in France, 1750-1799: a study in the history of ideas
| James A. Leith
Toronto: University of Toronto Press, 1965
The ideal of painting: Pietro Testa's Düsseldorf notebook
| Elizabeth Cropper
Princeton: Princeton University Press, 1984
The ideas of progress and their impact on art
| by E. H. Gombrich
[New York]: Cooper Union School of Art and Architecture, [1971]
The ideology of the traitor : art, manner and mannerism
| Achille Bonito Oliva
Milan: Electa, 1998
The idol in the age of art: objects, devotions and the early modern world
| edited by Michael W. Cole and Rebecca Zorach
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The illuminated Blake: all of William Blake's illuminated works with a plate-by-plate commentary
| annotated by David V. Erdman
Garden City, N.Y: Anchor Press/Doubleday, 1974
The illuminators of the Menologium of Basil II
| Ihor Ševčenko
[Washington, D.C.]: Dumbarton Oaks Center for Byzantine Studies, 1962
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 1, Introduction
| John Williams
London: Harvey Miller Publishers, 1994
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 2, The ninth and tenth centuries
| John Williams
London: Harvey Miller Publishers, 1994
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 3, The tenth and eleventh centuries
| John Williams
London: Harvey Miller Publishers, 1998
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 4, The eleventh and twelfth centuries
| John Williams
London -- Turnhout: Harvey Miller Publishers, 2002
The illustrated Beatus: a corpus of the illustrations of the Commentary on the Apocalypse. Vol. 5, The twelfth and thirteenth centuries
| John Williams
London -- Turnhout: Harvey Miller Publishers, 2003
The illustration of Pliny's "Historia naturalis": Manuscripts before 1430
| Lilian Armstrong
[London]: [The Warburg Institute University of London], 1983
The illustration of Pliny's Historia naturalis in Venetian manuscripts and early printed books
| Lilian Armstrong
London: The Warburg Institute University of London, 1983
The image and the eye: further studies in the psychology of pictorial representation
| E. H. Gombrich
[London]: Phaidon, [1982]
The image of antiquity: ancient Britain and the romantic imagination
| Sam Smiles
New Haven -- London: Yale University Press, 1994
The image of death and funerary art in European tradition
| Jan Białostocki
[Mexico: Universidad Nacional Autonoma de México, 1987]
The image of Europe: visualizing Europe in cartography and iconography throughout the ages
| Michael Wintle
Cambridge: Cambridge University Press, 2009
The image of heritage: changing perception, permanent responsibilities: proceedings of the international conference of the ICOMOS International Scientific Committee for the Theory and the Philosophy of Conservation and Restoration: 6-8 March 2009 Florence, Italy
| edited by Andrzej Tomaszewski, Simone Giometti
Firenze: Edizioni Polistampa, 2011
The image of man in Renaissance art: from Donatello to Michelangelo
| by H. W. Janson
[Columbus]: [Ohio State University Press], [1966]
The image of the defeated leader in Romantic art
| Jan Białostocki
[Canberra]: Humanities Research Centre, Australian National University, 1983
The image of the individual: portraits in the Renaissance
| edited by Nicholas Mann and Luke
London: British Museum Press, 1998
The image of the poet: British poets and their portraits
| David Piper
Oxford: Clarendon Press, 1982
The immortal eight and its influence
New York: The Art Students League of New York, 1983
The impact of Greek art on Rome
| Jerome J. Pollitt
[Cleveland, Ohio]: [For the Association by the Press of Case Western Reserve University], 1978
The imperfect city: on architectural judgment
| Samir Younés
Farnham, England -- Burlington, VT: Ashgate, 2012
The Imperial Room in the Castle at Bučovice in Moravia: some remarks to the origin and the meaning of its decorations
| Jarmila Vacková
Antwerpen: Koninklijk Museum voor Schone Kunsten te Antwerpen, 1979
The impressionist brush
| John Rewald
New York: Metropolitan Museum of Art, 1974
The Impressionists and Post-Impressionists: 105 reproductions
| selected & introduced by Keith Roberts
London: Phaidon Press Limited, 1975
The index of Christian art at Princeton University
| Anna C. Esmeijer and William S. Heckscher
[London]: [The Society of Indexers], [1963]
The index of Christian art at Princeton University
| Helen Woodruf; with a foreword by Charles Rufus Morey
Princeton: Princeton University Press, 1942
The individual and the cosmos in Renaissance philosophy
| Ernst Cassirer; Transl. with an introduction by Mario Domandi
New York; Evanston: Harper and Row, 1964
The influence of Erasmus: text and image in a French pre-emblematic manuscipt
| Jean Michel Massing
London: Warburg Institute, University of London, 1983
The insect and the image: visualizing nature in early modern Europe, 1500-1700
| Janice Neri
Minneapolis -- London: University of Minnesota Press, 2011
The inspired dream: life as art in Aboriginal Australia
| edited by Margie K.C. West; presented by the Museums and Art Galleries of the Northern Territory, in association with the Queensland Art Gallery
South Brisbane, Queensland, Australia: Queensland Art Gallery, 1988
The Institute for Advanced Study, Princeton, New Jersey: some introductory information
Princeton, New Jersey: [s.n.], [1982]
The international Caravaggesque movement / Benedict Nicolson. - Oxford: 1979
| Leonard J. Slatkes
Amsterdam: Nederlandse Universiteitspers, 1981
The international style: the arts in Europe around 1400; [exhibition]: October 23-December 2, 1962 / the Walters Art Gallery, Baltimore
| Intr.: Philippe Verdier
Baltimore: The Walters Art Gallery, 1962
The invention of Annibale Carracci
| Clare Robertson
Cinisello Balsamo, Milano: Silvana Editoriale, 2008
The invention of art history in ancient Greece: religion, society and artistic rationalisation
| Jeremy Tanner
Cambridge: Cambridge University Press, 2006