The impact of Greek art on Rome
| Jerome J. Pollitt
[Cleveland, Ohio]: [For the Association by the Press of Case Western Reserve University], 1978
The imperfect city: on architectural judgment
| Samir Younés
Farnham, England -- Burlington, VT: Ashgate, 2012
The Imperial Room in the Castle at Bučovice in Moravia: some remarks to the origin and the meaning of its decorations
| Jarmila Vacková
Antwerpen: Koninklijk Museum voor Schone Kunsten te Antwerpen, 1979
The impressionist brush
| John Rewald
New York: Metropolitan Museum of Art, 1974
The Impressionists and Post-Impressionists: 105 reproductions
| selected & introduced by Keith Roberts
London: Phaidon Press Limited, 1975
The index of Christian art at Princeton University
| Anna C. Esmeijer and William S. Heckscher
[London]: [The Society of Indexers], [1963]
The index of Christian art at Princeton University
| Helen Woodruf; with a foreword by Charles Rufus Morey
Princeton: Princeton University Press, 1942
The individual and the cosmos in Renaissance philosophy
| Ernst Cassirer; Transl. with an introduction by Mario Domandi
New York -- Evanston: Harper and Row, 1964
The influence of Erasmus: text and image in a French pre-emblematic manuscipt
| Jean Michel Massing
London: Warburg Institute, University of London, 1983
The insect and the image: visualizing nature in early modern Europe, 1500-1700
| Janice Neri
Minneapolis -- London: University of Minnesota Press, 2011
The inspired dream: life as art in Aboriginal Australia
| edited by Margie K.C. West; presented by the Museums and Art Galleries of the Northern Territory, in association with the Queensland Art Gallery
South Brisbane, Queensland, Australia: Queensland Art Gallery, 1988
The Institute for Advanced Study, Princeton, New Jersey: some introductory information
Princeton, New Jersey: [s.n.], [1982]
The international Caravaggesque movement / Benedict Nicolson. - Oxford: 1979
| Leonard J. Slatkes
Amsterdam: Nederlandse Universiteitspers, 1981
The international style: the arts in Europe around 1400; [exhibition]: October 23-December 2, 1962 / the Walters Art Gallery, Baltimore
| Intr.: Philippe Verdier
Baltimore: The Walters Art Gallery, 1962
The invention of Annibale Carracci
| Clare Robertson
Cinisello Balsamo, Milano: Silvana Editoriale, 2008
The invention of art history in ancient Greece: religion, society and artistic rationalisation
| Jeremy Tanner
Cambridge: Cambridge University Press, 2006
The invention of infinity: mathematics and art in the Renaissance
| J.V. Field
Oxford -- New York: Oxford University Press, cop. 1997
The invention of the Italian Renaissance printmaker
| Evelyn Lincoln
New Haven & London: Yale University Press, 2000
The invention of the model: artists and models in Paris, 1830-1870
| Susan S. Waller
Aldershot, U.K. -- Burlington, VT: Ashgate, 2006
The invisible flâneuse? : gender, public space, and visual culture in nineteenth-century Paris
| edited by Aruna D'Souza and Tom McDonough
Manchester -- New York: Manchester University Press, 2006
The invisible masterpiece
| Hans Belting
London: Reaktion Books, 2001
The Isenheim Altarpiece: God's medicine and the painter's vision.
| Andrée Hayum
New Jersey: Princeton U.P., 1993
The Islamic villa in early medieval Iberia: architecture and court culture in Umayyad Córdoba
| Glaire D. Anderson
Farnham, England -- Burlington, VT: Ashgate, 2013
The Israel Museum journal
[Jerusalem]: [The Israel Museum], 1982-
The Italian element in late Roman and early medieval architecture
| by J. B. Ward-Perkins
London: G. Cumberlege, [1947]
The Italian garden: art, design and culture
| edited by John Dixon Hunt
Cambridge: Cambridge University Press, 2006
The Italian painters of the Renaissance
| Bernard Berenson
New York: Meridian Books, 1957
The Italian Renaissance
| Ed. by Werner L. Gundersheimer
Engglewood Cliffs,N.J.: Prentice-Hall,Inc., 1965
The Italian Renaissance imagery of inspiration: metaphors of sex, sleep and dream
| Maria Ruvoldt
Cambridge, U.K. -- New York: Cambridge University Press, 2004
The Italian Renaissance in England
| studies by Lewis Einstein
New York, London: The Columbia University Press -- Macmillan & Co., ltd., 1902
The Italian Renaissance in its historical background
| by Denys Hay
Cambridge: University Press, 1961
The Italian renaissance palace facade: structures of authority, surfaces of sense
| Charles Burroughs
Cambridge: Cambridge University Press, 2002
The Iveagh Bequest Kenwood: catalogue of the paintings
London: London County Council, 1960
The J. Paul Getty Museum
Malibu, Calif.: [s.n.], [s.d.]
The J. Paul Getty Museum journal
Malibu, Calif.: J. Paul Getty Museum, 1975-1996
The J. Paul Getty Museum: guidebook
[Malibu, Calif.]: The J. Paul Getty Museum, 1978
The J. Paul Getty Trust: program review, 1981-1985
Los Angeles: J. Paul Getty Trust, [1985?]
The Jarves Collection
| Frank Jewett Mather, Jr
[New Haven, Conn.: The Yale publishing association], 1914
The Jew, the cathedral, and the medieval city: Synagoga and Ecclesia in the thirteenth century
| Nina Rowe
Cambridge -- New York: Cambridge University Press, 2014
The Jewish life cykle
| by Joseph Gutmann
Leiden: E. J. Brill., 1987
The Journal of aesthetic education
Champaign: University of Illinois Press, 1966-
The journal of Eugene Delacroix
| A selection edited with an introduction by Hubert Wellington
Oxford: Phaidon, 1980
The journal of the Walters Art Gallery
Baltimore, Md. : Trustees of the Walters Art Gallery, 1938-
The Journal of the Walters Art Gallery
| Editor: Dorothy E. Miner
Baltimore, Md.: Trustees of the Walters Art Gallery, 1938-
The judicious eye: architecture against the other arts
| Joseph Rykwert
London: Reaktion Books, 2008
The king's bedpost: Reformation and iconography in a Tudor group portrait
| Margaret Aston
Cambridge: Cambridge University Press, 1993
The king's body: sacred rituals of power in medieval and early modern Europe
| Sergio Bertelli
University Park, Pa: Pennsylvania State University Press, 2001
The knight in history
| Frances Gies
New York: Harper & Row, 1984
The Kress Study Collection at Notre Dame
[Notre Dame: 1962?]
The Kröller-Müller Museum, Otterlo, Holland
| text by Ellen Joosten
New York: Shorewood Publishers, [1965]