Dziewica Orleańska Jana Matejki: materiały II seminarium Instytutu Historii Sztuki UAM i Muzeum Narodowego w Poznaniu, Rogalin, 9-10 listopada 2001 = The Maid of Orléans by Jan Matejko
| pod red. Stanisława Czekalskiego
Poznań: Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2003
Dziewiętnastowieczna ikona rosyjska: ze zbiorów Muzeum - Zamek Górków w Szamotułach = The 19th century Russian ikon: from the collection of Górka Castle Museum in Szamotuły
| [aut. tekstu i oprac. Waldemar Górny; fot. Piotr Paweł Prus i Janusz Kostrzewski]
Kraków: Wydział Kultury Urzędu Miasta -- Szamotuły: Muzeum - Zamek Górków -- Poznań: Wydawnictwo ABOS, 1998
Dziewiętnastowieczny ratusz w Kaliszu: architektura i niezrealizowany projekt nowoczesności
| Makary Górzyński
Kalisz: Kaliskie Towarzystwo Przyjaciół Nauk, 2014
Dzika grafika: pół wieku ulicznej dywersji wizualnej w Polsce 1967-2017 = Wild graphics: half a century of visual street diversion in Poland 1967-2017
| [redakcja Michał Warda]
Warszawa: Muzeum Narodowe, 2017
Dzikość dziecka: kreacje dziecięce - malowanie ciała 1972-2008: według projektu Wiktora Gutta i Waldemara Raniszewskiego: ekspozycja: 18 października - 16 listopada 2008 roku, Królikarnia, Oddział Muzeum Narodowego w Warszawie
| Wiktor Gutt; [oprac. tekstów Elżbieta Przyłuska, Wiktor Gutt]; Fundacja św. Jana Jerozolimskiego, Muzeum Rzeźby im. Xawerego Dunikowskiego, Akademia Sztuk Pięknych w Warszawie
Warszawa: Akademia Sztuk Pięknych, 2009
Dzikość i liryka: malarstwo Waldemara Szermańskiego: wystawa, luty - marzec 2006, [Muzeum Śląskie w Katowicach]
| [scenariusz, komisarz wystawy, tekst kat. Maria Fiderkiewicz; red. Elżbieta Giszter]
Katowice: Muzeum Śląskie, 2006
Džovanni Battista Piranezi, 1720-1778
Leningrad: Izdatel`stvo Gosudarstvennogo `Ermitaža, 1959
Džozef Rajt: kuznica
| A. Krol'
Leningrad: [s.n.], 1948
Džuzeppe Mariâ Krespi
| M. Libman
Moskva: "Iskusstvo", 1967
Dźwięk, światło, obraz w sztuce polskiej XX wieku: studia i materiały
| pod red. Teresy Grzybkowskiej
Warszawa: Uniwersytet Muzyczny Fryderyka Chopina, 2008
E. H. Gombrich e l`estetica delle arti figurative
| Giorgio Tonelli
Torino: Edizioni di "Filosofia", [1962]
E. Jacobsen: Die Metamorphosen der Liebe und Friedrich Spees "Trutznachtigall" ... Kobenhavn ... 1954
| [H. van de Waal]
[Groningen]: [Wolters], 1958
Eakins revealed: the secret life of an American artist
| Henry Adams
Oxford: Oxford University Press, 2005
Early American architecture from the first colonial settlements to the national period
| by Hugh Morrison
New York: Oxford University Press, 1952
Early American silver
| by C. Louise Avery
New York: Russell & Russell, 1968
Early art bibliographies: who compiled the first art bibliography?
| Kate T. Steinitz
[London]: [Burlington Magazine], [1972]
Early British drawings in the Huntington Collection, 1600-1750
| by Robert R. Wark
San Marino, Calif.: Huntington Library, 1969
Early Christian and medieval antiquities. Vol. 1, Mosaics and wallpaintings in Roman churches
| by John Osborne and Amanda Claridge; with contributions by Cecilia Bartoli and Eileen Kinghan
London: Miller, 1996
Early Christian and medieval antiquities. Vol. 2, Other mosaics, paintings, sarcophagi and small objects.
| by John Osborne and Amanda Claridge; with contributions by Cecilia Bartoli and Eileen Kinghan
London: Miller, 1998
Early days in the Northwest: prints, paintings, [with] drawings by James G. Swan from the collection of Dr. and Mrs. Franz Stenzel: [exhibition] September 23-October 25, 1959
| catalog prepared by Dr. Franz Stenzel
Portland, Or.: Portland Art Museum, 1959
Early English watercolours, and some cognate drawings by artists born not later than 1785
| lolo A. Williams, with an introduction to the reprint by Edward Croft-Murray and Malcolm Cormack
Bath: Kingsmead Reprints, 1970
Early Flemish painting
| Margaret Whinney
New York: Praeger, [1968]
Early Greek travellers and the Hellenic ideal
| David Constantine
Cambridge: Cambridge University Press, 1984
Early Islamic art, 650-1100
| Oleg Grabar
Aldershot: Ashgate, 2005
Early italian engraving
| A. M. Hind
London: Humphrey Milford Amen House, 1930
Early Italian paintings in the Yale University Art Gallery; a catalogue
| Charles Seymour, Jr
New Haven: Yale University Press, 1970
Early Manet and artful error: foundations of anti-illusion in modern painting
| Seymour Howard
[New York]: College Art Association of America, 1977
Early medieval art: Carolingian, Ottonian, Romanesque
| John Beckwith
London: Thames and Hudson, 1964
Early medieval art: with illustrations from the British Museum collection
| Ernst Kitzinger
Bloomington: Indiana University Press, [1964]
Early Mendicant architecture in Central-Eastern Europe
| Andrzej Grzybkowski
[Roma: Viella, 1983]
Early modern replicas of the Holy House of Loreto: translating space
| Erin Giffin
London -- New York: Routledge, Taylor & Francis Group, 2025
Early modern visual allegory: embodying meaning
| edited by Cristelle Baskins, Lisa Rosenthal
Aldershot, U.K. -- Burlington, VT: Ashgate, 2007
Early Netherlandish carved altarpieces, 1380-1550: medieval tastes and mass marketing
| Lynn F. Jacobs
Cambridge -- New York, NY: Cambridge University Press, 1998
Early Netherlandish painting
| by Susan Urbach
[Budapest]: Corvina Press, [1971]
Early Netherlandish painting (1400-1500): a bibliography (1984-1998)
| Hélene Mund, Cyriel Stroo
Brussels: Centre international d'étude de la peinture médiévale des bassins de l'Escaut et de la Meuse, 1998
Early Netherlandish painting, its origin and character / Erwin Panofsky. - Cambridge: Harvard University Press, 1953
| Julius S. Held
[Detroit, Mich., New York, etc.]: Metropolitan Museum of Art etc., 1955]
Early Netherlandish painting, Vol. 5, Geertgen tot Sint Jans and Jerome Bosch
| Max J. Friedländer: comments and notes by G. Lemmens; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1969
Early Netherlandish painting: its origins and character. Vol. 1: Text
| Erwin Panofsky
Cambridge. Mass.,: Harvard University Press, 1953
Early Netherlandish painting: its origins and character. Vol. 2: Plates
| Erwin Panofsky
Cambridge, Mass.: Harvard University Press, 1953
Early Netherlandish painting: supplements
| Max J. Friedländer
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1976
Early Netherlandish painting. Vol. 1, The van Eycks - Petrus Christus
| Max J. Friedländer; preface by Erwin Panofsky, comments and notes by Nicole Veronee-Verhaegen; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1967
Early Netherlandish painting. Vol. 10, Lucas van Leyden and other Dutch masters of his time
| Max J. Friedländer; comments and notes by G. Lemmens; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1973
Early Netherlandish painting. Vol. 11, The Antwerp Mannerists, Adriaen Ysenbrant
| Max J. Friedländer; comments and notes by Henri Pauwels assisted by Anne-Marie Hess; translated by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1974
Early Netherlandish painting. Vol. 12, Jan van Scorel and Pieter Coeck van Aelst
| Max J. Friedländer: comments and notes by H. Pauwels and G. Lemmens assisted by Monique Gierts and Anne-Marie Hess; translated by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1975
Early Netherlandish painting. Vol. 13, Antonis Mor and his contemporaries
| Max J. Friedländer: comments and notes by H. Pauwels and G. Lemmens assisted by Monique Gierts; translated by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1975
Early Netherlandish painting. Vol. 14, Pieter Bruegel
| Max J. Friedländer: comments and notes by H. Pauwels; translated by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1976
Early Netherlandish painting. Vol. 2, Rogier van der Weyden and the Master of Flémalle
| Max J. Friedländer: comments and notes by Nicole Veronee-Verhaegen; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1967
Early Netherlandish painting. Vol. 3, Dieric Bouts and Joos van Gent
| Max J. Friedländer: comments and notes by Nicole Veronee-Verhaegen; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1968
Early Netherlandish painting. Vol. 4, Hugo van der Goes
| Max J. Friedländer: comments and notes by Nicole Veronee-Verhaegen; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1969
Early Netherlandish painting. Vol. 6, part 1, Hans Memlinc and Gerard David
| Max J. Friedländer: comments and notes by Nicole Veronee-Verhaegen; translation by Heinz Norden
Leyden -- Brussels: A.W. Sijthoff: La Connaissance, 1971