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The manifold in perception: theories of art from Kant to Hildebrand | Michael Podro
Oxford: Oxford University Press, 1972
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The Marian paintings of Jan van Eyck | Carol J. Purtle
Princeton -- Guildford: Princeton University Press, 1982
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The mark of the beast | ed. by Debra Hassig
New York and London: Routledge, 2000
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The market and the city: square, street and architecture in early modern Europe | Donatella Calabi
Aldershot, UK -- Burlington, VT: Ashgate, 2004
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The marvel of maps: art, cartography and politics in Renaissance Italy | Francesca Fiorani
New Haven, Conn. -- London: Yale University Press, 2005
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The marvellous and the monstrous in the sculpture of twelfth-century Europe | Kirk Ambrose
Woodbridge, UK -- Rochester, NY: The Boydell Press, 2013
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The mask and the face: the perception of physiognomic likeness in life and in art | E. H. Gombrich
Baltimore: Johns Hopkins University Press, [1972]
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The masks of God. [Vol. 3], Occidental mythology | Joseph Campbell
Harmondsworth: Penguin Books, 1976
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The masks of God. [Vol. 4], Creative mythology | Joseph Campbell
Harmondsworth: Penguin Books, c1968
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The master of Claude, Queen of France. A newly defined miniaturist | Charles Sterling
New York: H. P. Kraus, 1975
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The Master of Frankfurt and his shop | by Stephen H. Goddard
Brussel: Koninklijke academie voor wetenschappen, letteren en schone kunsten van België, 1984
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The Master of the Třeboň Altar and the Czech Reformation | Antonín Novák
[Praha: Evangelická fakulta UK, 1982]
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The mastery of nature: aspects of art, science, and humanism in the Renaissance | Thomas DaCosta Kaufmann
Princeton, N.J.: Published by Princeton University Press, 1993
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The matter of art: materials, practices, cultural logics, c.1250-1750 | edited by Christy Anderson, Anne Dunlop and Pamela H. Smith
Manchester: Manchester University Press, 2016
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The McMichael Conservation Collection of Art, Kleinburg, Ontario | Paul Duval
[Toronto, Ont.: Sampson Matthews Ltd., 1973]
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The meaning of art | Herbert Read
London: Penguin Books in association with Faber & Faber, [1959]
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The meaning of art | Herbert Read
[Harmondsworth]: Penguin in association with Faber and Faber, [1949]
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The meaning of art | Herbert Read
Baltimore: Penguin Books, 1967
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The mediaeval art: guidebook | National Museum in Warsaw; [written and transl. by Paulina Ratkowska]
Warsaw: Muzeum Narodowe, 1977
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The mediation of ornament | Oleg Grabar
Washington: National Gallery of Art -- Princeton, N.J.: Published by Princeton University Press, 1992
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The Medici | by Colonel G. F. Young, C.B
New York: The Modern Library, [1930]
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The Medici: portraits and politics, 1512-1570 | edited by Keith Christiansen and Carlo Falciani; with contributions by Andrea Bayer, Elizabeth Cropper, Davide Gasparotto, Sefy Hendler, Antonella Fenech Kroke, Tommaso Mozzati, Elizabeth Pilliod, Julia Siemon, Linda Wolk-Simon
New York: Metropolitan Museum of Art -- New Haven, Conn. -- London: distributed by Yale University Press, 2021
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The medieval art of love : objects and subjects of desire | Michael Camille
London: Laurence King, 1998
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The medieval cult of saints: formations and transformations | Barbara Abou-El-Haj
Cambridge: Cambridge University Press, 1997
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The medieval monastery of Saint Elijah: a history in paint and stone | Alison Locke Perchuk
Turnhout: Brepols, 2021
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The Melbourne Dante illustrations | editor, Ursula Hoff
Melbourne: National Gallery of Victoria, 1974
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The mercantile effect: art and exchange in the Islamicate world during the 17th and 18th centuries | edited by Sussan Babaie and Melanie Gibson
London: Gingko Library, 2019
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The mermaids of Venice: fantastic sea creatures in Venetian Renaissance art | Alison Luchs
London -- Turnhout: Harvey Miller Publishers, 2010
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The message of images: studies in the history of art | Jan Białostocki
Vienna: IRSA, 1988
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The Metropolitan Museum of Art: guide to the collections: medieval art
[New York]: Metropolitan Museum of Art, 1962
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The mind's eye: art and theological argument in the Middle Ages | edited by Jeffrey F. Hamburger and Anne-Marie Bouché
Princeton, N.J.: Department of Art and Archaeology, Princeton University in association with Princeton University Press, 2006
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The Mint: a miscellany of literature, art and criticism | Ed. by Geoffrey Grigson
London: Routledge and Kegan Paul, 1946-48
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The miror and the lamp: romantic theory and the critical tradition | M. H. Abrams
London: Oxford University Press, 1971
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The mirror of art: painting and reflection in early modern visual culture | Genevieve Warwick
Cambridge: Cambridge University Press, 2024
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The mirror of history | H. W. Janson
[New York]: [Time, inc.], 1966
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The mirror of Venus: women in Roman art | Iain Ferris
Stroud: Amberley Publishing, 2015
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The modern eye: Stieglitz, MoMA, and the art of the exhibition, 1925-1934 | Kristina Wilson
New Haven, Conn. -- London: Yale University Press, 2009
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The modern movement in art | R. H. Wilenski
London: Faber & Faber, [1945]
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The modern spirit in Scottish painting
Edinburgh: Scottish Gallery, [1978]
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The modern spirit in Scottish painting II
Edinburgh: Scottish Gallery, 1986
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The monastery of Saint Catherine at Mount Sinai: the church and fortress of Justinian: plates | by George H. Forsyth and Kurt Weitzmann, with Ihor Ševčenko and Fred Anderegg
Ann Arbor: The University of Michigan Press, [1973]
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The monument's end: public art and the modern republic | Marisa Anne Bass
Princeton, NJ; Oxford: Princeton University Press, 2024
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The Mood of the "Staalmeesters" | H. van de Waal
Leiden [etc.]: Brill, 1958