The Picasso papers
| Rosalind E. Krauss
Cambridge, Massachusetts: The MIT Press, 1999
The Piccolomini Library in the cathedral of Siena
| Piero Misciattelli; translation by Lilian E. Hunter
Siena: G. Bentivaglio, 1924
The Picker Art Gallery journal
Hamilton, N.Y.: The Picker Art Gallery, Colgate University, 1988-
The pictorial art of El Greco: transmaterialities, temporalities, and media
| Livia Stoenescu
Amsterdam: Amsterdam University Press, 2019
The pictorial history of Lincoln cathedral
| D. C. Dunlop
London: Pitkin, 1966
The Picts
| Isabel Henderson
London: Thames and Hudson, 1967
The Picture Gallery of the Academy of Fine Arts in Vienna: an overview of the collection
| Renate Trnek; translated by Rebecca Law
Wien -- Köln -- Weimar: Böhlau Verlag, [2001]
The picturesque: studies in a point of view
| by Christopher Hussey
[Hamden, Conn.]: Archon Books, 1967
The place of the antique in early modern Europe
| Ingrid D. Rowland
Chicago: The University of Chicago, 1999
The plains of Mars: European war prints, 1500-1825, from the collection of the Sarah Campbell Blaffer Foundation
| James Clifton and Leslie M. Scattone; with Emine Fetvaci, Ira D. Gruber, and Larry Silver
New Haven, Conn. -- London: Yale University Press -- Houston, Tex.: In association with the Museum of Fine Arts, 2009
The plans of the Villa Madama
| David R. Coffin
[New York]: College Art Association of America, 1967
The pleasures of the imagination: English culture in the eighteenth century
| John Brewer
London -- New York: Routledge, 2013
The plunder of the arts in the seventeenth century
| (by) Hugh Trevor-Roper
London: Thames and Hudson, 1970
The poetics of perspective
| James Elkins
Ithaca, N.Y. -- London: Cornell University Press, 1994
The poetics of portraiture in the Italian Renaissance
| Jodi Cranston
Cambridge -- New York: Cambridge University Press, 2000
The poetics of Titian's religious paintings
| Una Roman D'Elia
Cambridge, U.K. -- New York: Cambridge University Press, 2005
The polemicist and apologist of his age
| Jacques Barchilon, Peter Flinders
Boston, Mass.: Twayne Publishers, 1981
The Pollaiuolo brothers: the arts of Florence and Rome
| Alison Wright
New Haven, Conn. -- London: Yale University Press, 2005
The pontificate of Clement VII: history, politics, culture
| edited by Kenneth Gouwens and Sheryl E. Reiss
Aldershot, U.K. -- Burlington, VT: Ashgate, 2005
The popularization of images: visual culture under the July Monarchy
| edited by Petra ten-Doesschate Chu and Gabriel P. Weisberg
Princeton, N.J.: Princeton University Press, 1994
The portfolio of Villard de Honnecourt (Paris, Bibliotheque nationale de France, MS Fr 19093): a new critical edition and color facsimile
| Carl F. Barnes, Jr.; glossary prepared by Stacey L. Hahn
Farnham, U.K. -- Burlington, VT: Ashgate, 2009
The portrait diptych of Dürer's parents
| Lotte Brand Philip with research and comment by Fedja Anzelewsky
Amsterdam: Nederlandse Universiteitspers, 1979
The portrait in the Renaissance
| John Pope-Hennessy
[New York: Bollingen Foundation -- distributed by] Pantheon Books, [1966]
The portrait of Sir Brian Tuke by Hans Holbein the Younger
| John Oliver Hand
Washington: National Gallery of Art, 1980
The portrait, the courtier, and death
| David Rosand
New Haven and London: Yale University Press, 1983
The portraits of George of Egmond
| by Paul Wescher
[Detroit, Mich., New York, etc.]: Metropolitan Museum of Art etc., 1957
The portrayal of love: Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent
| by Charles Dempsey
Princeton, N.J.: Princeton University Press, 1992
The Portuguese restoration of 1640 and global visualization: political iconography and transcultural negotiation
| Urte Krass
Amsterdam: Amsterdam University Press, 2023
The poverty of historicism
| Karl R. Popper
London: Routledge & Kegan Paul, 1957
The power and beauty: a utopian idea of Leone Battista Alberti
| Jan Bialostocki
München: Prestel, 1964
The power of beauty: a utopian idea of Leone Battista Alberti
| Jan Białostocki
München: Prestel-Verlag, 1964
The power of display: a history of exhibition installations at the Museum of Modern Art
| Mary Anne Staniszewski
Cambridge, Mass. -- London: MIT Press, 1998
The power of images, the images of power: Lucca as an imperial city: political iconography
| Max Seidel, Romano Silva
Munich -- Berlin: Deutscher Kunstverlag, 2007
The power of tradition: spolia in the architecture of St. Peter`s in the Vatican
| Lex Bosman
Hilversum: Uitgeverij Verloren, 2004
The Prado Museum: pictures, statues, drawings & jewels
| F. J. Sanchez Canton
Madrid: Penisular, 1955
The Prague Crucifixion signed "Petrus Kempener"
| Priscilla E. Muller
[New York]: College Art Association of America, 1966
The pre-Raphaelite dream
| William Gaunt
New York: Schocken Books, 1966
The Pre-Raphaelite dream: paintings and drawings from the Tate Collection
| Robert Upstone
London: Tate Publishing, 2003
The Pre-Raphaelites
| John Nicoll
London: Studio Vista, 1970
The pre-Raphaelites and their circle in the National Gallery of Victoria
Melbourne: National Gallery of Victoria, 1978
The Pre-Rembrandtists
| introd. and catalogue by Astrid Tümpel; iconographic essay by Christian Tümpel; foreword by Wolfgang Stechow
Sacramento, Calif.: E. B. Crocker Art Gallery, 1974
The Preston Morton Collection of American Art
| Katherine Harper Mead, Editor
Santa Barbara, Calif.: Santa Barbara Museum of Art, 1981
The primacy of the image in Northern European art, 1400-1700: essays in honor of Larry Silver
| edited by Debra Taylor Cashion, Henry Luttikhuizen, Ashley D. West
Leiden -- Boston: Brill, 2017
The Princeton Raphael Symposium: science in the service of art history
| edited by John Shearman and Marcia B. Hall
Princeton, N.J.: Princeton University Press, 1990
The Princeton University library chronicle
| Editor: Alexander D. Wainwright
[Princeton]: [Friends of the Princeton University Library], 1939-
The principles of art
| by Robin George Collingwood
Oxford: Oxford University Press, 1969
The printmakers of Atelier 17
London: Austin/Desmond Fine Art -- Contemporary Books, [1990]
The prints of Frank Stella, 1967-1982: a catalogue raisonné
| by Richard H. Axsom with the assistance of Phylis Floyd and Matthew Rohn
New York: Hudson Hills Press -- Ann Arbor: University of Michigan Museum of Art, 1983
The prints of George Stubbs
| Basil Taylor
London: The Paul Mellon Foundation for British Art, 1969