Odsyłacz hasła przedmiotowego


Oglądasz Hasła przedmiotowe: Malarstwo -- Stany Zjednoczone -- 20 w., ilość znalezionych obiektów: 78

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50 West coast artists: a critical selection of painters and sculptors working in California | by Henry Hopkins; with portraits of the artists by Mini Jacobs ; ed. by Douglas Bullis
San Francisco: Chronicle Books, 1981
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Abstract expressionism | David Anfam
London: Thames and Hudson, 1990
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Abstract expressionism: works on paper: selections from the Metropolitan Museum of Art | Lisa Mintz Messinger
New York: The Metropolitan Museum of Art -- Atlanta: High Museum of Art -- New York: distributed by Harry N. Abrams, 1992
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After the end of art: contemporary art and the pale of history | Arthur C. Danto
Princeton, N.J.: Princeton University Press, 1997
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America 1976: a bicentennial exhibition sponsored by the United States Department of the Interior
[Washington?]: Hereward Lester Cooke Foundation, 1976
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American art since 1900: a critical history | Barbara Rose
New York: Frederick A. Praeger, 1975
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American art since 1900: a critical history | Barbara Rose
New York: Frederick A. Praeger, 1968
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American painting in the twentieth century | Henry Geldzahler
New York: Metropolitan Museum of Art -- Greenwich, Conn.: distributed by New York Graphic Society, 1965
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American painting, from the Armory Show to the depression | by Milton W. Brown
Princeton: Princeton University Press, 1972
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American realism: twentieth-century drawings and watercolors from the Glenn C. Janss Collection | text by Alvin Martin; foreword by Henry T. Hopkins; introduction by Glenn C. Janss
[San Francisco]: San Francisco Museum of Modern Art -- New York: H.N. Abrams, 1985
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Arthur Dove | Barbara Haskell
San Francisco, Calif.: San Francisco Museum of Art -- Boston: Distributed by New York Graphic Society, 1974
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Artist and identity in twentieth-century America | Matthew Baigell
New York: Cambridge University Press, 2001
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Artists of Cincinnati and vicinity: eighteenth annual exhibition
[Cincinnati, Ohio]: [Cincinnati Art Museum], [1963]
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As painting: division and displacement | ed. by Philip Armstrong, Laura Lisbon, Stephen Melville
Cambridge, Massachusetts: The MIT Press, 2001
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Avant-Garde painting & sculpture in America, 1910-1925
Wilmington: Delaware Art Museum, [1975]
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Bay Area figurative art, 1950-1965 | Caroline A. Jones
San Francisco: San Francisco Museum of Modern Art -- Berkeley: University of California Press, 1990
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Beyond the plane: American constructions, 1930-1965 | Edited by Jennifer Toher
Trenton: New Jersey State Museum, 1983
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California Art Club, est.: 90th Annual Gold Medal Juried exhibition
Pasadena: Pasadena Historical Museum, 2000
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Charles Burchfield | by Matthew Baigell
New York: Watson-Guptil Publications, 1976
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G. Daniel Massad: silent history
New York: Forum Gallery, 2001
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Georgia O`Keeffe | By Lloyd Goodrich and Doris Bry
New York: Published for the Whitney Museum of American Art by Praeger, [1970]
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Grant Wood, the regionalist vision | Wanda M. Corn
New Haven: Published for the Minneapolis Institute of Arts by Yale University Press, 1983
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Hannelore Baron: collages & box construction
New York, Los Angeles: Barbara Mathes Gallery, Manny Silverman Gallery, 1995
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Hans Hofmann with selected writings by the artist | by William C. Seitz
New York: Museum of Modern Art, 1963
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Helen Frankenthaler. Prints: 1961-1979
New York: Published in association with Williams College, Artist-in-Residence Program [by] Harper & Row, 1980
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Idea - Form: looking at the creative proces
Northampton, Mass.: Smith College Museum of Art, 1999
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Illusions of Eden: visions of the American Heartland | edited by Robert Stearns; with contributions from Karal Ann Marling ... [et al.] ; Arts Midwest, Minneapolis, and the Ohio Arts Council, Columbus in partnership with the Columbus Museum of Art
Minneapolis, MN: Arts Midwest, 2000
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Images of America: precisionist painting and modern photography | Karen Tsujimoto
Seattle: Published for the San Francisco Museum of Modern Art by University of Washington Press, 1982
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Jasper Johns | Richard Francis
New York: Abbeville Press, 1984
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Jasper Johns | Max Kozloff
New York: Abrams, [1970]
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Lata siedemdziesiąte: nowe malarstwo amerykańskie: Biuro Wystaw Artystycznych (BWA) w Toruniu, Muzeum Narodowe w Warszawie, listopad 1980 - luty 1981 | wystawa przygotowana przez The New Museum w Nowym Jorku [et al.]; przy współpr. Ambasady Stanów Zjednoczonych Ameryki w Warszawie; [wstęp] Marcia Tucker; [tł. Agnieszka Morawińska]
Toruń: Biuro Wystaw Artystycznych -- Warszawa: Muzeum Narodowe, 1980
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Made in California: art, image, and identity, 1900-2000 | Stephanie Barron, Sheri Bernstein, Ilene Susan Fort [et al.]
Los Angeles: Los Angeles County Museum of Art -- Berkeley: University of California Press, 2000
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Mark Rothko: obrazy z National Gallery of Art w Waszyngtonie | koncepcja i red. naukowa: Marek Bartelik
Warszawa: Muzeum Narodowe, 2013
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Mary Ellen Doyle: works on paper
Washington, D.C.: Susan Conway Gallery, 1997
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Modern times: aspects of American art, 1907-1956 | Introduction by Douglas Dreishpoon
New York: Hirschl & Adler Galleries, 1986
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Modernism in dispute: art since the Forties | Paul Wood ... [and al.]
London: Open University Press, 1993
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Modernism's masculine subjects: Matisse, the New York school, and post-painterly abstraction | Marcia Brennan
Cambridge, Mass. -- London: The MIT Press, 2004
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New York cubists: works by A. E. Gallatin, George L. K. Morris, and Charles G. Shaw from the thirties and forties
New York: Hirschl & Adler Galleries, 1988
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New York paintings and sculpture: 1940-1970 | by Henry Geldzahler; foreword by Thomas P. F. Hoving
New York: E. P. Dutton, [1969]
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Off the wall: Robert Rauschenberg and the art world of our time | by Calvin Tomkins
New York: Penguin Books, 1981
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Oscar Bluemner: landscapes of sorrow and joy | Jeffrey R. Hayes
Washington: Corcoran Gallery of Art, 1988
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Page Allen: recent work
Santa Fe: Owings-Dewey Fine Art, 1999
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Painting after Pollock: structures of influence | Jeanne Siegel
Amsterdam: G&B Arts, cop. 1999
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Painting at Northwestern: Conger, Paschke, Valerio
Evanston, Ill.: Mary and Leigh Block Gallery, Northwestern University, 1986
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Passing in the outsider lane: art from the heart of twenty-one self-taught artists | Dan Prince
Boston, Mass.: Journey Editions, 1995
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Philip Guston: selected works on paper and canvas 1951-1978
Los Angeles: Manny Silverman Gallery, 1998
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Pollock | Alberto Busignani
Feltham: Hamlyn, 1971
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Pop art | Lucy R. Lippard with contributions by Lawrence Alloway, Nancy Marmer, Nicolas Calas
New York: Frederick A. Prager, 1966
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Pop art: a critical history | edited by Steven Henry Madoff
Berkeley: University of California Press, 1997
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Raimonds Staprans | Foreword by Paul J. Karlstrom; Essay by Peter Mendenhall
Pasadena: Mendenhall Gallery, 1997
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Reading abstract expressionism: context and critique | edited and with an introduction by Ellen G. Landau
New Haven, Conn. -- London: Yale University Press, 2005
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Realism - photorealism | Essays, catalogue and selections by John Arthur
Tulsa, Okla.: Philbrook Art Center, 1980
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Realists at work | John Arthur
New York: Watson-Guptill Publ., 1983
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Reframing abstract expressionism: subjectivity and painting in the 1940s | Michael Leja
New Haven, Conn. -- London: Yale University Press, 1993
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Richard Bunkall: paintings and sculpture
Pasadena: Mendenhall Gallery, 1997
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Richard Diebenkorn | Gerald Nordland
New York: Rizzoli, 1987
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Richard Diebenkorn: paintings and drawings, 1943-1980 | with essays by Robert T. Buck, Jr. ... [et al.]
New York: Rizzoli -- Buffalo, N.Y.: Albright-Knox Art Gallery, 1980
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Robert Rauschenberg
Washington: National Collection of Fine Arts, Smithsonian Institution, 1976
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Search for the real and other essays | by Hans Hofmann; edited by Sara T. Weeks and Bartlett H. Hayes, Jr
Cambridge: The M.I.T. Press, 1979
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Still working: underknown artists of age in America | Edited by Stuart Shedletsky
New York: Parsons School of Design, in association with University of Washington Press, Seattle, 1994
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Stuart Davis | edited by Diane Kelder
New York: Praeger Publishers, 1971
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Synchromism and American color abstraction, 1910-1925 | Gail Levin
New York: Georg Braziller, 1978
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Texas painting and sculpture in the collection of the Dallas Museum of Fine Arts
Dallas: Dallas Museum of Fine Arts, [1952]
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The American century: art & culture, 1900-1950. Part 1: 1900-1950 | Barbara Haskell
New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1999
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The American century: art & culture, 1900-1950. Part 2: 1950-2000 | Lisa Phillips
New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1999
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The Lane Collection: 20th-century paintings in the American tradition | by Theodore E. Stebbins, Jr., and Carol Troyen
Boston: Museum of Fine Arts, 1983
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The Southwest: painting and sculpture
Houston: Museum of Fine Arts, 1962
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The artist's reality: philosophies of art | Mark Rothko; edited and with an introduction by Christopher Rothko
New Haven, Conn. -- London: Yale University Press, 2004
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The artist`s voice: talks with seventeen artists | by Katharine Kuh
New York: Harper & Row, 1962
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The great American thing: modern art national identity, 1915-1935 | Wanda M. Corn
Berkeley: University of California Press,1999
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The new American painting / organized by the International Program of the Museum of Modern Art, New York, under the auspices of the International Council at the Museum of Modern Art, New York | With an introduction by Alfred H. Barr, Jun., and statements by the artists
London: Arts Council of Great Britain, 1959
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The new humanism: art in a time of change | Barry Schwartz
New York, Washington: Praeger Publishers, 1974
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The shape of content | Ben Shahn
Cambridge, Mass.: Harvard University Press, 1972
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The triumph of American painting: a history of abstract expressionism | Irving Sandler
New York -- Washington: Praeger Publishers, 1970
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Three artists (three women): modernism and the art of Hesse, Krasner, and O`Keeffe | Anne Middleton Wagner
Berkeley, Los Angeles, London: University of California Press, 1996
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Vance Kirkland - malarstwo = Vance Kirkland - painting | teksty Ferdynand B. Ruszczyc i in
Warszawa: Muzeum Narodowe, 1998
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Willem de Kooning | by Thomas B. Hess
New York: Museum of Modern Art, 1968
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Willem de Kooning | Texts by Dore Ashton and Willem de Kooning
[Northampton, Mass.]: Smith College Museum of Art, 1965