AZUM!

Beauty, horror and immensity: picturesque landscape in Britain, 1750-1850 | Exhibition selected and catalogued by Peter Bicknell

Cambridge: Cambridge University Press, 1981

Color in Turner: poetry and truth | John Gage

New York: Frederick A. Praeger, 1969

Constable: paintings, watercolours & drawings | Leslie Parris, Ian Fleming-Williams, Conal Shields

London: Tate Gallery Publications Department, 1976

Constable: the natural painter | Graham Reynolds

New York: Schocken Books, 1969

Drawings & watercolours by Peter de Wint: a loan exhibition inaugurated at the Fitzwilliam Museum, Cambridge | Selected and catalogued by David Scrase

Cambridge: Cambridge University Press, 1979

Early English watercolours, and some cognate drawings by artists born not later than 1785 | lolo A. Williams, with an introduction to the reprint by Edward Croft-Murray and Malcolm Cormack

Bath: Kingsmead Reprints, 1970

Gordale Scar: an essay in the sublime | Edward J. Nygren

London: Tate Gallery, 1982

Italian landscape in eighteenth century England: a study chiefly of the influence of Claude Lorrain and Salvator Rosa on English taste, 1700-1800 | Elizabeth Wheeler Manwaring

New York: Russell & Russell, 1965

J. M. W. Turner (1775-1851): acquerelli e incisioni dalle collezioni della City Art Gallery di Manchester: Galleria nazionale d'arte moderna, Roma, Valle Giulia, 24 ottobre-30 novembre 1980 | catalogo a cura di Timothy Clifford

Roma: De Luca, 1980

J. M. W. Turner 1775-1851: akvareller og tegninger fra British Museum | ved Andrew Wilton; oversat og bearbejdet af Ulla Jahnsen og Annette Stabell ; indledning af David Loshak

Kobenhavn: Statens Museum for Kunst, Den kongelige Kobberstiksamling, 1976

J. M. W. Turner watercolors from the British Museum: catalogue of an exhibition at the Georgia Museum of Art, the University of Georgia, and the Museum of Fine Arts, Houston, 1982 | by Lindsay Stainton with an introduction by Richard S. Schneiderman

Athens, Ga.: Georgia Museum of Art, 1982

J. M. W. Turner, R.A., 1775-1851: a catalogue of drawings and watercolours in the Fitzwilliam Museum, Cambridge | Malcolm Cormack, keeper of paintings and drawings

Cambridge -- New York: Published for the Museum [by] Cambridge University Press, 1975

J. M. W. Turner: France - Italy - Germany - Switzerland | Andrew Wilton

New York: George Braziller, 1982

J. M. W. Turner: der Maler des Lichts | Hrsg. von Henning Bock und Ursula Prinz

Berlin: Gebr. Mann, 1972

J. M. W. Turner: his life and work | A critical biography by Jack Lindsay

New York: Icon Editions, Harper & Row, 1966

J. M. W. Turner: the foundations of genius: the Taft Museum, Cincinnati, Ohio, September 18-November 2, 1986 | by Eric Shanes

Cincinnati: Taft Museum, [1986]

John Constable, R. A., (1776-1837): an exhibition: paintings, drawings, watercolors, mezzotints | [Essays by Graham Reynolds, Charles Rhyne, and Julius Meier-Graefe]

New York, NY: Salander-O'Reilly Galleries, [1988]

John Constable: Salisbury Cathedral from the Bishop's Grounds=John Constable: la cathédrale de Salisbury vue des jardins de l'éveché | Graham Reynolds

Ottawa: The National Gallery of Canada, 1977

John Constable: a selection of paintings from the collection of mr. and mrs. Paul Mellon

Waszyngton: National Gallery of Art, 1969

Landscape in Britain c.1750-1850 | Leslie Parris

London: Tate Gallery, 1973

Landscapes of taste: the art of Humphry Repton's Red Books | André Rogger

London -- New York: Routledge, 2007

Literary landscapes, Turner and Constable | Ronald Paulson

New Haven: Yale University Press, 1982

Presences of nature: British landscape, 1780-1830 | Louis Hawes

New Haven: Yale Center for British Art, 1982

Romantic art in Britain: paintings and drawings 1760-1860 | Catalogue [by] Frederick Cummings [and] Allen Staley. Essays [by] Robert Rosenblum, Frederick Cummings [and] Allen Staley

[Philadelphia]: Philadelphia Museum of Art, 1968

Studies in eighteenth-century British art and aesthetics | Edited by Ralph Cohen

Berkeley: University of California Press, 1985

The Tate Gallery Constable Collection | A catalogue by Leslie Parris

London: The Tate Gallery Publications Department, 1981

The Turner Collection in the Clore Gallery: an illustrated guide

London: Tate Gallery, 1987

The dark side of the landscape: the rural poor in English painting 1730-1840

Cambridge: Cambridge University Press, 1983

The great age of British watercolours, 1750-1880 | Andrew Wilton, Anne Lyles

Munich: Prestel, 1993

The pursuit of hapiness: a view of life in Georgian England | J. H. Plumb; catalogue entries by Edward J. Nygren and Nancy L. Pressly

New Haven: Yale Center for British Art, 1977

The pursuit of happiness: a view of life in Georgian England: an exhibition selected from the Paul Mellon Collection, Yale Center for British Art, New Haven, April 19 to September 18, 1977 | J. H. Plumb; catalogue entries by Edward J. Nygren and Nancy L. Pressly

New Haven, Connecticut: Yale Center for British Art, 1977

The tempting prospect: a social history of English watercolours | Michael Clarke

London: British Museum Publications, 1981

The third decade: Turner watercolours 1810-1820 | Diane Perkins

London: The Tate Gallery, 1989

Turner and the sublime | Andrew Wilton

London: British Museum Publications, 1980

Turner exhibition

[Tokyo]: [Nihon Keizai Shinbunsha], 1986

Turner in Indiana: pencil sketches, watercolor drawings and some oils and engraved works of Joseph Mallord William Turner, R.A., P.P., 1775-1851

Indianapolis, Indiana: Kurt F. Pantzer, 1963

Turner on landscape: the Liber Studiorum | Gerald Wilkinson

London: Barrie & Jenkins, 1982

Turner, 1775-1851 | Introduction by Martin Butlin, Andrew Wilton

London: Tate Gallery Publications Department, 1974

Turner: Rain, steam and speed | John Gage

New York: The Viking Press, 1972

Turner: imagination and reality | Lawrence Gowing

New York: Museum of Modern Art, 1966

Turner`s picturesque views in England and Wales, 1825-1838 | Eric Shanes

New York: Icon Editions, Harper & Row, 1979

Von Gainsborough bis Turner: englische Aquarelle aus der Whitworth Art Gallery in Manchester; Ausstellung im Herzog-Anton-Ulrich-Museum Braunschweig, 21. November 1996 bis 26. Januar 1997 | Nugent Charles

Braunschweig: Herzog-Anton-Ulrich-Museum, 1996

Works of splendor and imagination: the exhibition watercolor, 1770-1870 | by Jane Bayard

New Haven: Yale Center for British Art, 1981