AZUM!

Alexander and John Robert Cozens: the poetry of landscape | Kim Sloan

New Haven -- London: Published in association with the Art Gallery of Ontario by Yale University Press, 1986

Ausführliche Erklarung der Hogarthischen Kupferstiche | G. C. Lichtenberg

Erfurt: Richters, 1949

British landscape painting of the eighteenth century | Luke Herrmann

New York: Oxford University Press, 1974

Bulletin - National Gallery of Canada

Ottawa, Ont.: National Gallery of Canada, 1963-1977

Bulletin - The Museum of Fine Arts, Houston

Houston: The Museum of Fine Arts, 1930-

Discourses on art | Joshua Reynolds; ed. by Robert R. Wark

New Haven: Yale University Press, 1981

Discourses on art | Sir Joshua Reynolds

New Haven: Published for the Paul Mellon Centre for Studies in British Art (London) Ltd. by Yale University Press, 1975

Džozef Rajt: kuznica | A. Krol'

Leningrad: [s.n.], 1948

English art, 1714-1800 | Joseph Burke

London: Oxford University Press, 1976

Gainsborough | Ellis Waterhouse

London: Spring Books, 1958

Hanging the head: portraiture and social function in eighteenth-century England | Marcia Pointon

New Haven: London, 1993

Hogarth | André Blum

Paris: Alcan, 1931

Hogarth | Einführung und Auswahl von Konrad Haemmerling

Dresden: Sachsenverlag, 1950

Hogarth | by Lawrence Gowing; with a biographical essay by Ronald Paulson

London: Tate Gallery, 1971

Hogarth und seine Stellung in der europaischen Kunst | Frederick Antal

Dresden: Verlag der Kunst, 1966

John Singleton Copley, 1738-1815

Washington: [s.n.], 1965

John Singleton Copley. Vol. 2: In England, 1774-1815 | Jules David Prown

Cambridge, Published for the National Gallery of Art, Washington [by] Harvard University Press, 1966

Joshua Reynolds | Renate Prochno

Weinheim: VCH, Acta humaniora, 1990

Joshua Reynolds: Mythos und Metapher | Iris Wien

München: Wilhelm Fink Verlag, 2009

Kunst und Politik der Farbe: Gainsboroughs Portraitmalerei | Bettina Gockel

Berlin: Gebr. Mann Verlag, 1999

Malarstwo angielskie od Hogartha do Turnera: wystawa przygotowana przez British Council, 18 lutego - 19 marca 1967 | [tł. Jan Białostocki, Krystyna Secomska; oprac. graf. Danuta Książkiewicz i Jan Kuglin (jr.); Stanisław Lorentz: przedmowa; K. Garlick: wstęp]

Warszawa: Muzeum Narodowe w Warszawie, 1967

Richard Wilson: the landscape of reaction | David H. Solkin

London: The Tate Gallery, 1982

Sensation and sensibility: viewing Gainsborough's cottage door | edited by Ann Bermingham

New Haven, Conn.: Yale Center for British Art -- San Marino, Calif.: Huntington Library, Art Collections, & Botanical Gardens -- New Haven, Conn. -- London: Yale University Press, 2005

The British contribution to the neo-classical style in painting | Ellis K. Waterhouse

London: G. Cumberlege: British Academy, 1954

The artist and the state, 1777-1855: the politics of universal history in British and French painting | Daniel R. Guernsey

Aldershot, U.K. -- Burlington, VT: Ashgate, 2007

The drawings of George Romney: an exhibition held from May to September, 1962, at the Smith College Museum of Art, Northampton, Mass. | Introductory text by Patricia Milne-Henderson

Northampton, Mass.: Smith College Museum of Art, [1962]

The landscape paintings of Thomas Gainsborough: a critical text and catalogue raisonné. Vol. 1: Critical text | John Hayes

Ithaca, New York: Cornell University Press, 1982

The landscape paintings of Thomas Gainsborough: a critical text and catalogue raisonné. Vol. 2: Catalogue raisonné | John Hayes

Ithaca, New York: Cornell University Press, 1982

The life and art of Allan Ramsay | Alastair Smart

London: Routledge & Kegan Pul, 1952

Thomas Hudson, 1701-1779, portrait painter and collector: a bicentenary exhibition

London: Greater London Council, 1979

Three decades of British art, 1740-1770 | Ellis Kirkham Waterhouse

Philadelphia: American Philosophical Society, 1965

William Hogarth | Hrsg. von Jan Białostocki und Maria Smulikowska

Berlin: Kunst, 1972