AZUM!

A century of British painters | Richard and Samuel Redgrave

London: Phaidon Press, 1947

A passion for performance: Sarah Siddons and her portraitists | Robyn Asleson, editor; Shelley Benett, Mark Leonard [et al.]

Los Angeles: J. Paul Getty Museum, 1999

Ausführliche Erklarung der Hogarthischen Kupferstiche | G. C. Lichtenberg

Erfurt: Richters, 1949

Bodybuilding: reforming masculinities in British art 1750-1810 | Martin Myrone

New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2005

Conflicting visions: war and visual culture in Britain and France c. 1700-1830 | edited by John Bonehill and Geoff Quilley

Aldershot, U.K. -- Burlington, VT: Ashgate, 2005

Hogarth und seine Stellung in der europaischen Kunst | Frederick Antal

Dresden: Verlag der Kunst, 1966

James Barry: the artist as hero | William L. Pressly

London: Tate Gallery, 1983

Joshua Reynolds | Walter Armstrong

München: Kunstanstalten, [1907]

Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848 | edited by Sarah Monks, John Barrell and Mark Hallett

Farnham, England -- Burlington, VT: Ashgate, 2013

Regency design 1790-1840: gardens, buildings, interiors, furniture | John Morley

New York: H.N. Abrams, 1993

Romantic art in Britain: paintings and drawings 1760-1860 | Catalogue [by] Frederick Cummings [and] Allen Staley. Essays [by] Robert Rosenblum, Frederick Cummings [and] Allen Staley

[Philadelphia]: Philadelphia Museum of Art, 1968

Romantizm v anglijskom iskusstve | E. A. Nekrasova

Moskva: Iskusstvo, 1975

Studies in eighteenth-century British art and aesthetics | Edited by Ralph Cohen

Berkeley: University of California Press, 1985

The art of William Blake: bicentennial exhibition

Washington: Smithsonian Institution, 1957

The art of discrimination: Thomson`s "The Seasons" and the language of criticism | Ralph Cohen

Berkeley: University of California Press, 1964

The illuminated Blake: all of William Blake's illuminated works with a plate-by-plate commentary | annotated by David V. Erdman

Garden City, N.Y: Anchor Press/Doubleday, 1974

The image of antiquity: ancient Britain and the romantic imagination | Sam Smiles

New Haven -- London: Yale University Press, 1994

The larger Blake-Varley sketchbook: which will be sold at Christie's Great Rooms...

London: Christie, Manson & Woods, 1989

The pursuit of happiness: a view of life in Georgian England: an exhibition selected from the Paul Mellon Collection, Yale Center for British Art, New Haven, April 19 to September 18, 1977 | J. H. Plumb; catalogue entries by Edward J. Nygren and Nancy L. Pressly

New Haven, Connecticut: Yale Center for British Art, 1977

The stranger from paradise: a biography of William Blake | G.E. Bentley, Jr

New Haven, Conn. -- London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2003

Vystavka proizvedenij anglijskogo iskusstva

Moskva: Iskusstvo, 1956

William Blake | Kathleen Raine

London: Thames and Hudson, 1970

William Blake at the Huntington | Robert N. Essick

New York: H. N. Abrams in association with the Henry E. Huntington Library and Art Gallery, 1994

William Blake's theory of art | Morris Eaves

Princeton, N.J.: Princeton University Press, [1982]

William Blake: his art and times | Bindman David

London: Thames and Hudson, 1982