AZUM!

A century of British painters | Richard and Samuel Redgrave

London: Phaidon Press, 1947

A passion for performance: Sarah Siddons and her portraitists | Robyn Asleson, editor; Shelley Benett, Mark Leonard [et al.]

Los Angeles: J. Paul Getty Museum, 1999

A passion for performance: Sarah Siddons and her portraits | Robyn Asleson, editor; Shelley Bennett, Mark Leonard, Shearer West

Los Angeles: The J. Paul Getty Museum, 1999

Art, artists and society: origins of a modern dilemma, painting in England and France, 1750-1850 | Geraldine Pelles

Englewood Cliffs: Prentice-Hall, 1963

Beauty, horror and immensity: picturesque landscape in Britain, 1750-1850 | Exhibition selected and catalogued by Peter Bicknell

Cambridge: Cambridge University Press, 1981

Color in Turner: poetry and truth | John Gage

New York: Frederick A. Praeger, 1969

Constable: paintings, watercolours & drawings | Leslie Parris, Ian Fleming-Williams, Conal Shields

London: Tate Gallery Publications Department, 1976

Constable: the natural painter | Graham Reynolds

New York: Schocken Books, 1969

David Wilkie: painter of everyday life | Nicholas Tromans

London: Dulwich Picture Gallery, 2002

Drawings & watercolours by Peter de Wint: a loan exhibition inaugurated at the Fitzwilliam Museum, Cambridge | Selected and catalogued by David Scrase

Cambridge: Cambridge University Press, 1979

Early English watercolours, and some cognate drawings by artists born not later than 1785 | lolo A. Williams, with an introduction to the reprint by Edward Croft-Murray and Malcolm Cormack

Bath: Kingsmead Reprints, 1970

Emblem and expression: meaning in English art of the eighteenth century | Ronald Paulson

Cambridge: Harvard University Press, 1975

Emblem and expression: meaning in english art of the eighteenth century | Ronald Paulson

London: Thames and Hudson, 1976

English neoclassical art: studies in inspiration and taste | David Irwin

London: Faber & Faber, 1966

Fourteen small pictures by Wilkie | Introduced & catalogued by Hamish Miles

London: The Fine Art Society, 1981

Fuseli studies | Frederick Antal

London: Routledge & Kegan Paul, 1956

Fuseli: The nightmare | Nicolas Powell

[New York: The Viking Press], 1973

George Stubbs 1724-1806 | Introduction by Judy Egerton

London: Tate Gallery, 1984

Gordale Scar: an essay in the sublime | Edward J. Nygren

London: Tate Gallery, 1982

Henry Fuseli 1741-1825 | [by] Gert Schiff; essay by Werner Hofmann

London: Tate Gallery, 1975

Italian landscape in eighteenth century England: a study chiefly of the influence of Claude Lorrain and Salvator Rosa on English taste, 1700-1800 | Elizabeth Wheeler Manwaring

New York: Russell & Russell, 1965

J. M. W. Turner (1775-1851): acquerelli e incisioni dalle collezioni della City Art Gallery di Manchester: Galleria nazionale d'arte moderna, Roma, Valle Giulia, 24 ottobre-30 novembre 1980 | catalogo a cura di Timothy Clifford

Roma: De Luca, 1980

J. M. W. Turner 1775-1851: akvareller og tegninger fra British Museum | ved Andrew Wilton; oversat og bearbejdet af Ulla Jahnsen og Annette Stabell ; indledning af David Loshak

Kobenhavn: Statens Museum for Kunst, Den kongelige Kobberstiksamling, 1976

J. M. W. Turner watercolors from the British Museum: catalogue of an exhibition at the Georgia Museum of Art, the University of Georgia, and the Museum of Fine Arts, Houston, 1982 | by Lindsay Stainton with an introduction by Richard S. Schneiderman

Athens, Ga.: Georgia Museum of Art, 1982

J. M. W. Turner, R.A., 1775-1851: a catalogue of drawings and watercolours in the Fitzwilliam Museum, Cambridge | Malcolm Cormack, keeper of paintings and drawings

Cambridge -- New York: Published for the Museum [by] Cambridge University Press, 1975

J. M. W. Turner: France - Italy - Germany - Switzerland | Andrew Wilton

New York: George Braziller, 1982

J. M. W. Turner: der Maler des Lichts | Hrsg. von Henning Bock und Ursula Prinz

Berlin: Gebr. Mann, 1972

J. M. W. Turner: his life and work | A critical biography by Jack Lindsay

New York: Icon Editions, Harper & Row, 1966

J. M. W. Turner: the foundations of genius: the Taft Museum, Cincinnati, Ohio, September 18-November 2, 1986 | by Eric Shanes

Cincinnati: Taft Museum, [1986]

James Barry: the artist as hero | William L. Pressly

London: Tate Gallery, 1983

James Ward, 1769-1859

London: Art Council of Great Britain, 1960

John Constable, R. A., (1776-1837): an exhibition: paintings, drawings, watercolors, mezzotints | [Essays by Graham Reynolds, Charles Rhyne, and Julius Meier-Graefe]

New York, NY: Salander-O'Reilly Galleries, [1988]

John Constable: Salisbury Cathedral from the Bishop's Grounds=John Constable: la cathédrale de Salisbury vue des jardins de l'éveché | Graham Reynolds

Ottawa: The National Gallery of Canada, 1977

John Constable: a selection of paintings from the collection of mr. and mrs. Paul Mellon

Waszyngton: National Gallery of Art, 1969

Landscape in Britain c.1750-1850 | Leslie Parris

London: Tate Gallery, 1973

Literary landscapes, Turner and Constable | Ronald Paulson

New Haven: Yale University Press, 1982

Mr Stubbs the horse painter | Constance-Anne Parker

London: J. A. Allen, 1971

Presences of nature: British landscape, 1780-1830 | Louis Hawes

New Haven: Yale Center for British Art, 1982

Raeburn bi-centenary exhibition

Edinburgh: National Gallery of Scotland, 1956

Representations of revolution (1789 - 1820) | Ronald Paulson

New Haven: Yale University Press, 1983

Robert Fagan an Irish Bohemian in Italy | Raleigh Trevelyan

[London: Apollo], 1972

Romantic art in Britain: paintings and drawings 1760-1860 | Catalogue [by] Frederick Cummings [and] Allen Staley. Essays [by] Robert Rosenblum, Frederick Cummings [and] Allen Staley

[Philadelphia]: Philadelphia Museum of Art, 1968

Romantic horizons: aspects of the sublime in English poetry and painting, 1770-1850 | James B. Twitchell

Columbia: University of Missouri Press, 1983

Rowlandson: a new interpretation | Ronald Paulson

New York: Oxford University Press, 1972

Selection II: British watercolors and drawings from the museum`s collection

[Providence, Rhode Island: 1972]

Sir David Wilkie of Scotland, 1785-1841 | Organized by William J. Chiego; Catalogue by H. A. D. Miles and David Blayney Brown [et al.]

Raleigh: North Carolina Museum of Art, 1987

Sporting art: England 1700-1900 | Stella A. Walker

New York: Clarkson N. Potter, 1972

Stubbs | Basil Taylor

New York: Harper & Row, 1971

Studies in eighteenth-century British art and aesthetics | Edited by Ralph Cohen

Berkeley: University of California Press, 1985

Ten British pictures | by Robert R. Wark

San Marino: The Huntington Library, 1971

The Bonington circle: English watercolour and Anglo-French landscape | Marcia Pointon

Brigton: The Hendon Press, 1985

The Emma Holt bequest, Sudley: illustrated catalogue and history of the house

Liverpool: Published by order of the City Council, 1964

The Fuseli circle in Rome: early romantic art of the 1770s | by Nancy L. Pressly

New Haven: Yale Center for British Art, 1979

The Tate Gallery Constable Collection | A catalogue by Leslie Parris

London: The Tate Gallery Publications Department, 1981

The Turner Collection in the Clore Gallery: an illustrated guide

London: Tate Gallery, 1987

The art of discrimination: Thomson`s "The Seasons" and the language of criticism | Ralph Cohen

Berkeley: University of California Press, 1964

The beautiful, the sublime, & the picturesque in eighteenth-century British aesthetic theory | Walter John Hipple, Jr

Carbondale: Southern Illinois University Press, 1957

The dark side of the landscape: the rural poor in English painting 1730-1840

Cambridge: Cambridge University Press, 1983

The great age of British watercolours, 1750-1880 | Andrew Wilton, Anne Lyles

Munich: Prestel, 1993

The life and art of Henry Fuseli | Peter Tomory

New York, Washington: Praeger Publishers, 1972

The life and art of James Barry | William L. Pressly

New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1981

The poetical circle: Fuseli and the British: Henry Fuseli and James Barry, William Blake, John Brown, John Flaxman, James Jefferys, John Hamilton Mortimer, George Romney, Alexander Runciman: Australia-New Zealand, April-November 1979 | Introduction by Peter Tomory

Florence: Centro Di, 1979

The pursuit of hapiness: a view of life in Georgian England | J. H. Plumb; catalogue entries by Edward J. Nygren and Nancy L. Pressly

New Haven: Yale Center for British Art, 1977

The pursuit of happiness: a view of life in Georgian England: an exhibition selected from the Paul Mellon Collection, Yale Center for British Art, New Haven, April 19 to September 18, 1977 | J. H. Plumb; catalogue entries by Edward J. Nygren and Nancy L. Pressly

New Haven, Connecticut: Yale Center for British Art, 1977

The tempting prospect: a social history of English watercolours | Michael Clarke

London: British Museum Publications, 1981

The third decade: Turner watercolours 1810-1820 | Diane Perkins

London: The Tate Gallery, 1989

This reproduction in reduced format of William Blake`s water-colour designs for the poems of Thomas Gray | introduction and commentary by Geoffrey Keynes

London: Trianon Press, for the William Blake Trust, 1971

Turner and the sublime | Andrew Wilton

London: British Museum Publications, 1980

Turner exhibition

[Tokyo]: [Nihon Keizai Shinbunsha], 1986

Turner in Indiana: pencil sketches, watercolor drawings and some oils and engraved works of Joseph Mallord William Turner, R.A., P.P., 1775-1851

Indianapolis, Indiana: Kurt F. Pantzer, 1963

Turner on landscape: the Liber Studiorum | Gerald Wilkinson

London: Barrie & Jenkins, 1982

Turner, 1775-1851 | Introduction by Martin Butlin, Andrew Wilton

London: Tate Gallery Publications Department, 1974

Turner: Rain, steam and speed | John Gage

New York: The Viking Press, 1972

Turner: imagination and reality | Lawrence Gowing

New York: Museum of Modern Art, 1966

Turner`s picturesque views in England and Wales, 1825-1838 | Eric Shanes

New York: Icon Editions, Harper & Row, 1979

Turner`s sketches and drawings | A. J. Finberg

New York: Schocken Books, 1968

Von Gainsborough bis Turner: englische Aquarelle aus der Whitworth Art Gallery in Manchester; Ausstellung im Herzog-Anton-Ulrich-Museum Braunschweig, 21. November 1996 bis 26. Januar 1997 | Nugent Charles

Braunschweig: Herzog-Anton-Ulrich-Museum, 1996

Watercolours by Thomas Girtin | exhibition and catalogue prepared by Francis Hawcroft

London: Victoria and Albert Museum, 1975

William Wordsworth and the age of English romanticism | Jonathan Wordsworth, Michael C. Jaye, Robert Woof

New Brunswick: Rutgers University Press -- Grasmere, England: The Wordsworth Trust, 1987

Works of splendor and imagination: the exhibition watercolor, 1770-1870 | by Jane Bayard

New Haven: Yale Center for British Art, 1981