Odsyłacz hasła przedmiotowego


Oglądasz Hasła przedmiotowe: Malarstwo -- renesans -- Włochy, ilość znalezionych obiektów: 220

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"Pan Terrificus" de Politien | Vladimir Juřen
Geneve: Droz, 1971
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After Raphael: painting in central Italy in the sixteenth century | Marcia B. Hall
Cambridge: Cambridge University Press, 1999
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Alberti Leon Battista | [C. Grayson]
[Roma]: [Istituto della enciclopedia italiana], [1960]
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All the painting of Masaccio | Text by Ugo Procacci; transl. by Paul Colacicchi
London: Oldbourne, 1962
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Allegorie et symbole dans la peinture de la renaissance italienne | Mikhail Alpatov
[Paris]: [Gallimard], 1971
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Amor sacro e profano: Modelle und Modellierungen der Liebe in Literatur und Malerei der italienischen Renaissance | hrsg. von Jörn Steigerwald und Valeska von Rosen
Wiesbaden: Harrassowitz, 2012
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An interpretation of Mantegna`s "Parnassus" | E. H. Gombrich
[London: The Warburg Institute], 1963
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Andrea Mantegna | Suzanne Borsch, Keith Christiansen, David Ekserdjian... [et al.]; Ed. by Jane Martineau
Milano: Olivetti/Electa, 1992
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Art, theory, and culture in sixteenth-century Italy: from techne to metatechne | Robert Williams
Cambridge -- New York, NY: Cambridge University Press, 1997
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Arte italiana del Medioevo e del Rinascimento. Volume 1: Pittura | Max Seidel
Venezia: Marsilio Editori, 2003
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Arte veneta: rivista di storia dell'arte | Direttori: Sergio Bettini, Rodolfo Pallucchini
Venezia: Alfieri, 1947-
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Artistic theory in Italy 1450-1600 | Anthony Blunt
Oxford: Oxford University Press, 1956
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Ausgewählte Schriften und Würdigungen | Aby M. Warburg; herausgegeben von Dieter Wuttke in Verbindung mit Carl Georg Heise
Baden-Baden: Valentin Koerner, 1979
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Beiträge zur Kunstgeschichte von Italien | Jacob Burckhardt
Stuttgart: Deutsche Verlags-Anstalt, 1930
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Bellini`s feast of the gods: a study in Venetian humanism | Edgar Wind
Cambridge: Harvard College Library, 1948
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Bild und Berührung: Skulptur und Malerei auf dem Altar der italienischen Frührenaissance | Iris Wenderholm
München -- Berlin: Deutscher Kunstverlag, 2006
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Cassone painting, humanism, and gender in early modern Italy | Cristelle L. Baskins
Cambridge, New York: Cambridge University Press, 1998
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Change in Piero della Francesca | by Creighton Gilbert
[New York]: Published for the Institute of Fine Arts, New York University [by] J. J. Augustin, Locust Valley, N.Y., [1968]
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Classical myths in Italian Renaissance painting | Luba Freedman
Cambridge: Cambridge University Press, 2011
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Conceptions religieuses dans la peinture de Piero della Francesca | Charles de Tolnay
Firenze: Sansoni, 1963
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Conferenze d'arte: [Pienza, Montepulciano, Val d'Orcia] | a cura di Gianni Mazzoni
Montepulciano: Editori del Grifo, 1994
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Correggio's frescoes in Parma Cathedral | Carolyn Smyth
Princeton, N.J.: Princeton University Press, 1997
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Cosme Tura of Ferrara: style, politics and the Renaissance city, 1450-1495 | Stephen J. Campbell
New Haven -- London: Yale University Press, 1997
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Cosme Tura: the life and art of a painter in Estense Ferrara | Joseph Manca
Oxford: Clarendon Press, 2000
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Da Cimabue a Morandi | Roberto Longhi; saggi di storia della pittura italiana scelti e ordinati da Gianfranco Contini
[Milano]: Arnoldo Mondadori, 1973
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Das Buch von der Malerei: nach dem Codex Vaticanus (Urbinas) 1270. Bd. 2, Text und übersetzung des V.-VIII. Theile | Lionardo da Vinci; Hrsg., übers. und erl. von Heinrich Ludwig
Wien: Wilhelm Braumüller, 1882
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Das Buch von der Malerei: nach dem Codex Vaticanus (Urbinas) 1270. Bd. 3, Commentar | Lionardo da Vinci; Hrsg., übers. und erl. von Heinrich Ludwig
Wien: Wilhelm Braumüller, 1882
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Das Buch von der Malerei: nach dem Codex Vaticanus (Urbinas) 1270. Bd. 1, Text und übersetzung des I.-IV.Theiles | Lionardo da Vinci; Hrsg., übers. und erl. von Heinrich Ludwig
Wien: Wilhelm Braumüller, 1882
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Dawni mistrzowie włoscy | Wiktor N. Łazariew
Warszawa: Państwowe Wydawnictwo Naukowe, 1979
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Defining the Renaissance virtuosa: women artists and the language of art history and criticism | Fredrika H. Jacobs
Cambridge -- New York: Cambridge University Press, 1997
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Della pittura | Leon Battista Alberti; edizione critica a cura di Luigi Malle
Firenze: G. C. Sansoni, 1950
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Denkwürdigkeiten des florentinischen Bildhauers | Lorenzo Ghiberti; zum erstenmal ins Deutsche übertragen von Julius Schlosser
Berlin: Verlag von Julius Bard, 1920
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Deux portraits du Felice Brancacci | par L. Vayer
Budapest: Akadémiai Kiadó, 1975
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Dialogue on the errors and abuses of painters | Giovanni Andrea Gilio; edited by Michael Bury, Lucinda Byatt, and Carol M. Richardson; translated by Michael Bury and Lucinda Byatt
Los Angeles: Getty Research Institute, 2018
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Die Kunst der Renaissance in Italien | Walter Paatz
Stuttgart: Kohlhammer, 1953
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Die Kunst der Renaissance in Italien | Jacob Burckhardt
Stuttgart: Deutsche Verlags-Anstalt, 1932
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Die klassische Kunst: eine Einführung in die italienische Renaissance | Heinrich Wölfflin
München: Bruckmann, 1912
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Domenico Ghirlandaio und die Malerei der Florentiner Renaissance | Ronald G. Kecks
München: Deutsche Kunstverlag, 2000
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Dzieło i twórca w koncepcji renesansu: u źródeł nowożytnego mitu sztuki | Zygmunt Waźbiński
Toruń: Wydawnictwo Uniwersytetu M. Kopernika, 1968
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Eine Auswahl aus seinen Schriften | Leonardo da Vinci; Hrsg. von Vladimiro Macchi
Berlin: Deutscher Verlag der Wissenschaften, 1954
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Epochen der Naturforschung: Leonardo, Kepler, Faraday | Hans Schimank
Berlin: Volksverband der Bücherfreunde, Wegweiser-Verlag, 1930
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Epochen und Werke: gesammelte Schriften zur Kunstgeschichte. Bd. 1 | Hans Sedlmayr
Wien: München, Herold, 1959
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Frame work: honour and ornament in Italian Renaissance art | Alison Wright
New Haven, Conn. -- London: Yale University Press, 2019
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Francesco di Giorgio, 1439-1501 | Allen Stuart Weller
Chicago: The University of Chicago Press, 1943
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Gesammelte Schriften. Bd 2, Die Erneuerung der heidnischen Antike: kulturwissenschaftliche Beiträge zur Geschichte der europäischen Renaissance | A. Warburg; herausgegeben von der Bibliothek Warburg; unter Mitarbeit von Fritz Rougemont herausgegeben von Gertrud Bing
Leipzig, Berlin: B. G. Teubner, 1932
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Gesammelte Schriften. Bd. 1, Die Erneuerung der heidnischen Antike: kulturwissenschaftliche Beiträge zur Geschichte der europäischen Renaissance | A. Warburg; herausgegeben von der Bibliothek Warburg; unter Mitarbeit von Fritz Rougemont herausgegeben von Gertrud Bing
Leipzig, Berlin: B. G. Teubner, 1932
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Geschichte der Malerei. Bd. 1, Italien bis zu Ende der Renaissance | von Richard Muther
Berlin: Verlag von Neufeld & Henius, 1912
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Groundwork: a history of the Renaissance picture | David Young Kim
Princeton, N.J.: Princeton University Press, 2022
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I commentari | Lorenzo Ghiberti; a cura di Ottavio Morisani
Napoli: Riccardo Ricciardi, 1947
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Ideal und Typus in der italienischen Renaissancemalerei | E. H. Gombrich
Opladen: Westdeutscher Verlag, 1983
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Il Quattrocento in Italia | Renato De Fusco
Torino: Utet, 1984
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Istoriâ i legenda v živopisi ital'ânskogo Vozroždeniâ | M. Alpatov
[Moskva]: [Iskusstvo], [s.d.]
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Italian Renaissance portraits | Klara Gáras
Budapest: Corvina, 1966
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Italian paintings before 1600 in the Art Institute of Chicago: a catalogue of the collection | by Christopher Lloyd; with contributions by Margherita Andreotti, Larry J. Feinberg, and Martha Wolff; Martha Wolff, general editor
Chicago: The Art Institute of Chicago -- Princeton, N.J.: In association with Princeton University Press, 1993
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Italienische Bruderschaftsbanner des Mittelalters und der Renaissance | Andreas Dehmer
München-Berlin: Deutscher Kunstverlag, 2004
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Italienische Kunst, Studien und Betrachtungen | von Bernhard Berenson; aus dem englischen von Julius Zeitler
Leipzig: H. Seemann, 1902
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Jacopo Bassano and his public: moralizing pictures in a age of reform, ca. 1535-1600 | Bernard Aikema; translated [from the Dutch] by Andrew P. McCormick
Princeton, N.J: Princeton University Press, 1996
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La Renaissance que nous a léguée Vasari | Jean Rouchette
Paris: Les Belles Lettres, 1959
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La forme et l'intelligible: écrits sur la Renaissance et l'art moderne | Robert Klein; articles et essais réunis et présentés par André Chastel
Paris: Gallimard, 1970
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La peinture | Léonard de Vinci; textes traduits, réunis et annotés par André Chastel, avec la collaboration de Robert Klein
Paris: Hermann, 1964
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Le Titien - Marsyas écorché vif | Texte de Jaromír Neumann; traduit [z češ. do franc.] par Konstantin Jelínek
Prague: Artia, 1962
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Le origini religiose del paesaggio veneto | Eugenio Battisti
[Padova: Cedam, 1980]
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Le vite dei piú eccellenti pittori, scultori e architetti. Vol. 1 | Giorgio Vasari; a cura di Carlo L. Ragghianti
Milano - Roma: Rizzoli, [1947]
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Le vite dei piú eccellenti pittori, scultori e architetti. Vol. 2 | Giorgio Vasari; a cura di Carlo L. Ragghianti
Milano - Roma: Rizzoli, [s.d.]
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Le vite dei piú eccellenti pittori, scultori e architetti. Vol. 3 | Giorgio Vasari; a cura di Carlo L. Ragghianti
Milano - Roma: Rizzoli, [s.d.]
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Lectures. Vol. 1 | F. Saxl
London: Warburg Institute, University of London, 1957
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Lectures. Vol. 2 | F. Saxl
London: Warburg Institute, University of London, 1957
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Leon Battista Alberti on painting | Kenneth Clark
[London]: [G. Cumberlege], 1944
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Leonarda da Vinci "Traktat o malarstwie" | Maria Rzepińska
Wrocław: Zakład Narodowy im. Ossolińskich, 1984
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Leonardo da Vinci, 1452-1519: the complete paintings and drawings | Frank Zöllner
Köln -- London: Taschen, c2003
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Leonardo da Vinci: Der Wendepunkt der Renaissance | Woldemar von Seidlitz; Ausgabe letzter Hand besorgt von Kurt Zoege von Manteuffel
Wien: Phaidon-Verlag, 1935
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Leonardo e i maghi: polemiche e rivalita | Ernst H. Gombrich
[Firenze]: Giunti Barbera, 1984
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Leonardo on painting: an anthology of writings by Leonardo da Vinci with a selection of documents relating to his career as an artist | edited by Martin Kemp; selected and translated by Martin Kemp and Margaret Walker
New Haven -- London: Yale University Press, 1989
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Light and color in the Italian Renaissance theory of art | Moshe Barasch
New York: New York University Press, 1978
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Léonard de Vinci par lui-meme | Textes choisis, traduits et présentés par André Chastel; précédé de La vie de Léonard par Vasari
Paris: Les Editions Nagel, 1952
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Malerei der Renaissance in Italien: die Malerei der Früh- und Hochrenaissance in Oberitalien | von Erich v. d. Bercken; unter Mitw. von August L. Mayer
Berlin-Neubabelsberg: Akademische Verlagsgesellschaft Athenaion, 1927
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Malerei der Renaissance in Italien: die Malerei des 14. bis 16. Jahrhunderts in Mittel- und Unteritalien | von Konrad Escher
Berlin-Neubabelsberg: Akademische Verlagsgesellschaft Athenaion, 1922
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Masaccio | Alessandro Parronchi
Firenze: Sadea: Sansoni, 1966
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Masaccio et les débuts de la renaissance: avec 61 planches | par Jacques Mesnil
La Haye: M. Nijhoff, 1927
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Masaccio's Trinity | edited by Rona Goffen
Cambridge: Cambridge University Press, 1998
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Masaccios "Zinsgroschen" | Herbert von Einem
Köln [etc.]: Westdeutscher Verlag, 1967
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Meaning in the visual arts: papers in and on art history | Erwin Panofsky
Garden City, N.Y.: Doubleday Anchor Books, 1955
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Means and ends: reflections on the history of fresco painting | E. H. Gombrich
London: Thames and Hudson, 1976
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Michelangelo | by Anthony Bertram
London, New York: Studio Publications, [1949]
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Michelangelo and the language of art | David Summers
Princeton: Princeton University Press, 1981
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Michelangelo: the painter | Luciano Bellosi
New York: Grosset & Dunlap, 1971
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New light on old masters: studies in the art of the Renaissance | E. H. Gombrich
London: Phaidon, [1986]
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Norm and form: studies in the art of the Renaissance | by E. H. Gombrich
London: Phaidon Press, 1966
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O malarstwie | Leone Battista Alberti; oprac. Maria Rzepińska
Wrocław: Zakład Narodowy im. Ossolińskich, 1963
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On early Renaissance color theory and practice | James S. Ackerman
Roma: American Academy in Rome, 1980
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On painting | Leon Battista Alberti; translated with introd. and notes by John R. Spencer
New Haven: Yale University Press, 1956
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On painting and On sculpture: The Latin texts of De pictura and De statua | Leon Battista Alberti; edited with translations, introduction and notes by Cecil Grayson
London: Phaidon, 1972
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Orfeusz - dziecko. Uwagi o włoskim obrazie z kolekcji Lanckorońskich w zbiorach wawelskich | Jerzy Miziołek
Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 1998
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Painting of the late Renaissance in Rome and Florence. Vol. 1, From the high Renaissance to mannerism, 1520-1570 | Hermann Voss; revised and translated by Susanne Pelzel
San Francisco: Alan Wofsy Fine Arts, 1997
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Per la storia delle grottesche: la riscoperta della Domus Aurea | Nicole Dacos
[Roma]: La libreria dello Stato, 1966
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Piero Della Francesca's Baptism of Christ | Marilyn Aronberg Lavin; with an appendix by B. A. R. Carter
New Haven, Conn. -- London: Yale University Press, 1981
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Pisanello: painter to the Renaissance court | Luke Syson, Dillian Gordon
London: National Gallery Company, 2001
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Pisma wybrane, t. 2 | Leonardo da Vinci
Warszawa: Wyd. J. Mortkowicza, 1930
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Pisma wybrane. T. 1 | Leonardo da Vinci; wybór, układ, przekł. i wstęp Leopolda Staffa
Warszawa: Wyd. J. Mortkowicza, 1930
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Pittura senese | Giulietta Chelazzi Dini, Alessandro Angelini, Bernardina Sani
Milano: Federico Motta Editore, 1997
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Politien et la théorie des arts figuratifs | Vladimir Juřen
Geneve: Droz, 1975
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Portrait d'un amateur d'art de la Renaissance | Zygmunt Wazbinski
[Venezia]: [Arte veneta], 1968
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Problems in Titian, mostly iconographic | Erwin Panofsky
New York: New York University Press, 1969
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Problemy kvatročento i tvorčestvo Mazaččo | T. P. Tat'âna Petrovna
[Leningrad]: Iz. Leningradskogo Universiteta, 1975
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Przestrzeń i linia w teorii malarskiej Leonarda da Vinci | Maria Rzepińska
[Wrocław]: [Zakład im. Ossolińskich - Wydaw. PAN], [1971]
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Racar = Revue d'art canadienne = Canadian art review
[Ottawa]: Society for the Promotion of Art History Publications in Canada, 1985
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Raffaello: nel V Centerario della Nascita | Ernst Hans Gombrich
[Roma: Il Veltro Editrice], 1983
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Ragionamenti: sopra le invenzioni da lui dipinte. Vol. 4 | Giorgio Vasari; a cura di Carlo L. Ragghianti
Milano - Roma: Rizzoli, [1949]
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Raphael: a quincentennial address | E. H. Gombrich
London, Boston: Routledge & K. Paul, 1984
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Raphael`s Madonna della Sedia | E. H. Gombrich
London: Oxford University Press, 1956
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Reden und Aufsätze | Friedrich Rintelen
Basel: Benno Schwabe, 1927
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Rembrandt and the Italian Renaissance | Kenneth Clark
New York: W. W. Norton, 1968
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Renesans w sztuce włoskiej: architektura, rzeźba, malarstwo, rysunek | red. Rolf Toman
Köln: Könemann Verlagsgesellschaft, 2000
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Renesans we Włoszech | Heinrich Decker; [przy oprac. tekstów wprowadzających i koment. współdziałał Gustav Künstler; tł. Edda Werfel]; wstęp do wyd. pol. Władysław Tomkiewicz
Warszawa: Arkady, 1969
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Rinascimento e barocco | Eugenio Battisti
Torino: Einaudi, 1960
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Samothracian reflections: aspects of the revival of the Antique | Phyllis Williams Lehmann, Karl Lehmann
Princeton: Princeton University Press, 1973
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Scritti d`arte del Cinquecento. Vol. 1 | a cura di Paola Barocchi
Milano - Napoli: Riccardo Ricciardi, 1971
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Scritti d`arte del Cinquecento. Vol. 2 | Paola Barocchi
Milano - Napoli: Riccardo Ricciardi, 1973
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Sleep in Venice: ancient myths and Renaissance proclivities | Millard Meiss
[Philadelphia]: [American Philosophical Society], 1966
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Starye italjanskije mastera | V. N. Lazarev
Moskva: Iskusstvo, 1972
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Studien zur toskanischen Kunst: Festschrift für Ludwig Heinrich Heydenreich zum 23. März 1963 | [Hrsg. von Wolfgang Lotz und Lise Lotte Möller]
München: Prestel-Verlag, 1964
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Studies in Renaissance & Baroque art presented to Anthony Blunt on his 60th birthday | edited by Michael Kitson and John Shearman
London, New York: Phaidon, 1967
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Studies in iconology: humanistic themes in the art of the renaissance | Erwin Panofsky
New York, Evanston, London: Icon Editions, Harper & Row, 1972
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Studies in iconology: humanistic themes in the art of the renaissance | Erwin Panofsky
New York: Harper & Row, 1962
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Studies in late medieval and Renaissance painting in honor of Millard Meiss. Vol. 1, Text | edited by Irving Lavin and John Plummer
New York: New York University Press, 1977
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Studies in late medieval and Renaissance painting in honor of Millard Meiss. Vol. 2, Plates | edited by Irving Lavin and John Plummer
New York: New York University Press, 1977
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Symbolic images: studies in the art of the Renaissance | by E. H. Gombrich
London: Phaidon Press, 1972
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The Figino, or, On the purpose of painting: art theory in the late Renaissance | Gregorio Comanini; translated, with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino
Toronto: University of Toronto Press, 2001
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The Italian painters of the Renaissance | Bernard Berenson
New York: Meridian Books, 1957
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The Palazzo del Te in Mantua: images of love and politics | Egon Verheyen
Baltimore: The Johns Hopkins University Press, 1977
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The Piccolomini Library in the cathedral of Siena | Piero Misciattelli; translation by Lilian E. Hunter
Siena: G. Bentivaglio, 1924
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The Salvator Mundi of Leonardo da Vinci | Joanne Snow-Smith
Seattle: Henry Art Gallery, University of Washington, 1982
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The Sistine Chapel before Michelangelo: religious imagery and papal primacy | L. D. Ettlinger
Oxford: The Clarendon Press, 1965
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The art of Giovanni Antonio da Pordenone: between dialect and language. Vol. 1, Text | Charles E. Cohen
Cambridge: Cambridge University Press, 1996
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The art of Giovanni Antonio da Pordenone: between dialect and language. Vol. 2, Catalogue | Charles E. Cohen
Cambridge: Cambridge University Press, 1996
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The culture of High Renaissance: ancients and moderns in sixteenth-century Rome | Ingrid D. Rowland
Cambridge: Cambridge University Press, 1998
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The flowering of Florence: botanical art for the Medici | Lucia Tongiorgi Tomasi, Gretchen A. Hirschauer
Washington: National Gallery of Art, 2002
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The heritage of Apelles: studies in the art of the Renaissance | by E. H. Gombrich
London: Phaidon Press, 1976
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The iconography of Correggio`s Camera di San Paolo | Erwin Panofsky
London: Warburg Institute, University of London, 1961
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The leaven of criticism in Renaissance art | E. H. Gombrich
Baltimore: The Johns Hopkins Press, [1968]
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The painter's reflection: self-portraiture in Renaissance Venice, 1458-1625 | Katherine T. Brown
Firenze: L. S. Olschki Editore, 2000
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The paintings in the Studiolo of Isabella d`Este at Mantua | Egon Verheyen
New York: Published by New York University Press for the College Art Association of America, 1971
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The perfect genre: drama and painting in Renaissance Italy | Kristin Phillips-Court
Farnham, England -- Burlington, VT: Ashgate, 2011
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The poetics of portraiture in the Italian Renaissance | Jodi Cranston
Cambridge -- New York: Cambridge University Press, 2000
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The portrayal of love: Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent | by Charles Dempsey
Princeton, N.J.: Princeton University Press, 1992
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The religious art of Jacopo Bassano: painting as visual exegesis | Paolo Berdini
Cambridge: Cambridge University Press, 1997
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The renewal of pagan antiquity: contributions to the cultural history of the European Renaissance | A. Warburg; introduction by Kurt W. Forster; translation by David Britt
Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999
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The sacred image in the age of art: Titian, Tintoretto, Barocci, El Greco, Caravaggio | Marcia B. Hall
New Haven, Conn. -- London: Yale University Press, 2011
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The vision of landscape in Renaissance Italy | by A. Richard Turner
Princeton, N.J.: Published for the Dept. of Art and Archaeology, Princeton University [by] Princeton University Press, 1966
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Titian and the altarpiece in Renaissance Venice | Patricia Meilman
Cambridge: Cambridge University Press, 2000
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Tizian: Leben und Werke. Bd. 1-2 | von J. A. Crowe & G. B. Cavalcaselle
Leipzig: Verlag von S. Hirzel, 1877
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Tizian: leben und werk. [Bd.1], Textband | Hans Tietze
Vienna: Phaidon, 1936
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Tizian: leben und werk. [Bd.2], Tafelband | Hans Tietze
Vienna: Phaidon, 1936
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Tizian: sechzig Bilder | mit einl. Text von Carl v. Lorck
Königsberg: Kanter-Verlag, 1939
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Traité de la peinture | Léonard da Vinci; traduit et reconstruit pour la premiere fois a partir de tous les manuscrits par André Chastel; [avec la collaboration de Robert Klein]
[Paris]: Club des Libraires De France, 1960
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Traktat o malarstwie | Leonardo da Vinci
Wrocław: Zakład Narodowy im. Ossolińskich, 1961
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Trattato della pittura di Leonardo da Vinci. Vol. 1 | pref. di Angelo Borzelli
Lanciano: G. Carabba, 1913
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Trattato della pittura di Leonardo da Vinci. Vol. 2 | pref. di Angelo Borzelli
Lanciano: G. Carabba, 1913
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Treatise on painting: [Codex urbinas latinus 1270]. Vol. 1,Translation | Leonardo da Vinci; translated and annotated by A. Philip McMahon; with an introduction by Ludwig H. Heydenreich
Princeton: Princeton University Press, 1956
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Treatise on painting: [Codex urbinas latinus 1270]. Vol. 2, Facsimile | Leonardo da Vinci; translated and annotated by A. Philip McMahon; with an introduction by Ludwig H. Heydenreich
Princeton: Princeton University Press, 1956
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Umanesimo a Siena: letteratura, arti figurative, musica; Siena, 5-8 Giugno 1991: atti del Convegno | a cura di Elisabetta Cioni e Daniela Fausti con introduzione di Roberto Guerrini
Siena: La Nuova Italia, 1994
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Vasari i jego dzieje "sztuk rysunku": uwagi nad genezą nowożytnej biografiki artystycznej | Zygmunt Waźbiński
Toruń: Uniwersytet Mikołaja Kopernika, 1972
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Vasari i nowożytna historiografia sztuki: antologia | wstęp, komentarze, wybór i przekł. tekstów [z łac. i wł.] Zygmunt Waźbiński
Wrocław: Ossolineum, 1975
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Wandmalerei der Frührenaissance in Italien | Irina Danilowa; [durchgesehen von Edith Neubauer]
Dresden: Verlag der Kunst, 1983
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Wergiliusz z syringą: uwagi o renesansowej ikonografii poety | Jerzy Miziołek
Warszawa: Instytut Sztuki Polskiej Akademii Nauk, 1998
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Zum Verhältnis von Bild und Text in der Renaissance | Georg Kauffmann
Opladen: Westdeutscher Verlag, 1980
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Éclosion de la Renaissance: Italie: 1400-1460 | Ludwig H. Heydenreich; [traduit par Marianne Duval-Valentin et Daniele Cohn]
[Paris]: Gallimard, 1972