AZUM!

"Edle Einfalt". Zur Geschichte eines kunsttheoretischen Topos | Wolfgang Stammler

[Berlin: E. Schmidt, 1962]

1789: Les emblemes de la raison | Jean Starobinski

Paris: Flammarion, 1979

Antiquity restored: essays on the afterlife of the Antique | Seymour Howard

Vienna: IRSA, 1990

Art and imago: essays on art as a species of autobiography | Seymour Howard

London: Pindar Press, 1997

Beauty of the Invisible: Winckelmann and the Aesthetics of Imperceptibility | Barbara Maria Stafford

[München: Deutscher Kunstverlag, 1980]

Eine vergessene Kunstlehre: Winckelmanns "Versuch einer Allegorie" | Horst Rüdiger

[Berlin: Mann, 1977]

Espana entre el Mediterraneo y el Atlantico: actas del XXIII Congreso Internacional de Historia del Arte: Granada, 1973. Vol. 3

Granada: Universidad de Granada, Departamento de Historia del Arte, 1978

L'antichita come futuro: studio sull'estetica del neoclassicismo europeo | Rosario Assunto

Milano: Mursia, 1973

L'art néo-classique | François-Georges Pariset

Paris: Presses Universitaires de France, 1974

Neo-classicism | Hugh Honour

Harmondsworth: Penguin, 1968

Neo-classicism: style and motif | by Henry Hawley; with an essay by Rémy G. Saisselin

[Cleveland]: Cleveland Museum of Art: distributed by H. N. Abrams, New York, [1964]

Neoclassicism and romanticism, 1750-1850: sources and documents. Vol. 1, Enlightenment/Revolution | Lorenz Eitner

Englewood Cliffs, N.J. -- London: Prentice-Hall, [1970]

Neoclassicism and romanticism, 1750-1850: sources and documents. Vol. 2, Restoration/twilight of humanism | Lorenz Eitner

Englewood Cliffs, N.J. -- London: Prentice-Hall, [1970]

[London]: The Arts Council of Great Britain, 1972

The eye of Thomas Jefferson | William Howard Adams, Editor

Washington: National Gallery of Art, 1976

Transformations in late eighteenth century art | by Robert Rosenblum

Princeton: Princeton University Press, 1967