Odsyłacz hasła przedmiotowego


Oglądasz Hasła przedmiotowe: Ikonografia antyczna, ilość znalezionych obiektów: 38

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"Pathos Formula": some reflections on the structure of a concept | Moshe Barasch
Jerusalem: Hebrew University of Jerusalem, Institute of Languages, Literatures & Arts, 1985
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"Recorded from dark recollection" | William S. Heckscher
New York: New York University Press, 1961
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"Virgo & Victrix: A Note on Dürer's Nemesis | Erwin Panofsky
[New York: Holt, Rinehart and Winston, 1962]
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Barockthemen: eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts. Bd. 2 | A. Pigler
Budapest: Ungarischen Akademie der Wissenschaften -- Berlin: Henschel, 1956
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Canova's tomb and the cult of genius | Philipp Fehl
Firenze: Casa Editrice le Monnier, 1982
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Das Pathos und der Dämon: über Aby Warburg | S. Radnóti
Budapest: Akadémiai Kiadó, 1985
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De gedaanteverwisselingen van Damocles | J. Bruyn
['s-Gravenhage]: [Daamen], 1964
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Dedal i Ikar dwa humanistyczne ideały moralne | Zygmunt Waźbiński
[Warszawa]: [Państwowe Wydawnictwo Naukowe], 1968
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Diane de Poitiers et le mythe de Diane | Françoise Bardon
Paris: Presses Universitaires de France, 1963
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Dionysiake - telete: Archäologische Untersuchungen zum Dionysoskult in hellenistischer und römischer Zeit | Friedrich Matz
Mainz: Akademie der Wissenschaften und der Literatur -- in Kommission bei F. Steiner, Wiesbaden, 1964
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Dämonie des Blickes | Dagobert Frey
Mainz: Verlag der Akademie der Wissenschaften und der Literatur, Wiesbaden: Franz Steiner, 1953
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Dürer's Nemesis | Hans Kauffmann
[Berlin: de Gruyter, 1951]
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Einführung in die antike Ikonographie | Patrick Schollmeyer
Darmstadt: Wissenschaftliche Buchgesellschaft, 2012
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Hercules Florentinus | Leopold D. Ettlinger
[Florenz]: [Kunsthistorisches Institut in Florenz], 1972
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Hercules am Scheidewege: und andere antike Bildstoffe in der neueren Kunst | Erwin Panofsky
Berlin: Gebr. Mann Verlag, 1997
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Le festin des dieux: essai sur l`humanisme dans les arts plastiques | Henry Bardon
Paris: Presses Universitaires de France, 1960
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Les énigmes de l'art. [Vol.] 3: L'héritage antique | Guy de Tervarent
Paris: Éditions d'art et d'histoire, 1946
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My Laocoön: alternative claims in the interpretation of artworks | Richard Brilliant
Berkeley, London: University of California Press, 2000
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Neid und Unwissenheit als Widersacher der Kunst | A. Pigler
Budapest: Akadémiai Kiadó, 1954
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Notes on Abraham Bloemaert's drawing of the Golden Age | J. Bolten
Amsterdam: Erasmus, 1984
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On the iconography of the Nymph of the Fountain by Lucas Cranach the Elder | Michael Liebmann
[London]: [The Warbuirg Institute University of London], 1968
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Pagan mysteries in the Renaissance | Edgar Wind
New Haven: Yale University Press, 1958
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Pandora`s box: the changing aspects of a mythical symbol | Dora and Erwin Panofsky
[New York]: Pantheon Books, 1956
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Pastor Fido-voorstellingen in de Nederlandse kunst van de zeventiende eeuw | J. G. van Gelder
's-Gravenhage: Netherlands Institute for Art History, 1978
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Saturn and melancholy: studies in the history of natural philosophy, religion and art | Raymond Klibansky, Erwin Panofsky, and Fritz Saxl
New York: Basic Books, 1964
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Taste and the antique: the lure of classical sculpture, 1500-1900 | Francis Haskell & Nicholas Penny
New Haven: Yale University Press, 1981
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Tempel der zanggodinnen: vertoond in LX heerlyke kunststukken, behelzende alle de voornaemste geschiedenissen van de fabel-oudheid | getekend en in 't koper gebragt door Bernard Picart le Romain en andere braeve meesters
Amsterdam: Chatelain, [ca 1970]
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The Cremonese Ceiling Examined in Its Original "Studiolo" Setting | Marcin Fabiański
Venezia-Wien: IRSA -- Firenze: Licosa, 1988
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The finding of Erichthonius: an ancient theme in baroque art | Wolfgang Stechow
[Princeton]: [Princeton University Press], [1963?]
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The half-open door a common symbolic motif within Roman sepulchral sculpture | Britt Haarlov
Odense: Odense University Press, 1977
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The rapes of Lucretia: a myth and its transformations | Ian Donaldson
Oxford: Clarendon Press, 1982