Odsyłacz hasła przedmiotowego


Oglądasz Hasła przedmiotowe: Sztuka -- Europa -- 20 w., ilość znalezionych obiektów: 76

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50 jahre bauhaus: Ausstellung, 5. Mai - 28. Juli 1968, Stuttgart | [Katalogbearb.: Wulf Herzogenrath]
Stuttgart: Württembergischer Kunstverein, 1968
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50 years Bauhaus | [preparation of catalog, Wulf Herzogenrath]; sponsored by the Federal Republic of Germany, organized by the Weurttembergischer Kunstverein, Stuttgart, prepared in connection with the Bauhaus-Archiv, Darmstadt
Chicago: Illinois Institute of Technology, 1969
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A concise history of modern painting | Herbert Read
New York, Washington: Frederick A. Praeger, 1968
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A concise history of modern sculpture | Herbert Read
New York, Washington: Frederick A. Praeger, 1964
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After modern sculpture: art in the United States and Europe 1965-70 | Richard J. Williams
Manchester and New York: Manchester University Press, 2000
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Apollinaire i teoretycy kubizmu | Elżbieta Grabska
[Warszawa]: [Państwowe Wydawnictwo Naukowe], 1964
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Art and culture | Clement Greenberg
Boston: Beacon Press, 1961
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Art et mouvement: art optique et cinétique | [Avant-propos: Haim Gamzu; preface: Jean Cassou; essai: Frank Popper]
Tel Aviv: Musée de Tel Aviv, [1965]
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Aspekte heutiger "Kunst" | Eduard Hüttinger
Bern: Herbert Lang, 1974
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Awangarda w cieniu Jałty: sztuka w Europie Środkowo-Wschodniej w latach 1945-1989 | Piotr Piotrowski
Poznań: Dom Wydawniczy Rebis, 2005
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Beauty is nowhere: ethical issues in art and design | Jean Dubuffet ... [et al.]; edited and introduced [by] Richard Roth, Susan King Roth
Amsterdam: G+B Arts International, 1998
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Bestände Onnasch | Bernhard Kerber
Berlin: Onnasch, 1992
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Between worlds: a sourcebook of Central European avant-gardes, 1910-1930 | ed. by Timothy O. Benson, Eva Forgacs
Los Angeles: Los Angeles County Museum of Art -- Cambridge, Mass.: MIT Press, 2002
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Body and the East: from the 1960s to the present | oprac. Zdenka Badovinac
Cambridge, Massachusetts: The MIT Press, 1999
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Central European avant-gardes: exchange and transformation, 1910-1930 | ed. by Timothy O. Benson
Los Angeles: Los Angeles County Museum of Art -- Cambridge, Mass.: MIT Press, 2002
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Cobra 1948-51: Kunstverein in Hamburg, 25. September bis 7. November 1982 | [Ausstellung und Katalog, Uwe M. Schneede]
[Hamburg]: Der Kunstverein, [1982]
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Cobra: the last avant-garde movement of the twentieth century | Willemijn Stokvis
Aldershot: Lund Humphries, 2004
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Czas przełomu: sztuka awangardy w Europie Środkowej 1908-1928 = Years of disarray: art of the avant-garde in Central Europe 1908-1928 | Karel Srp, Lenka Bydžovská (red.); [teksty Karel Srp, Lenka Bydžovská, Agata Wąsowska-Pawlik, Monika Rydiger, Barbora Kundračikova]
[Řevnice]: Arbor vitae societas -- Kraków: Międzynarodowe Centrum Kultury, 2019
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Die Kunstgeschichte und die heutige Philosophie | Kurt Bauch
Bern: Francke, 1949
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Die Revolution der modernen Kunst | Hans Sedlmayr
Hamburg: Rowohlt, 1955
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Ekspresjonizm | John Willett
Warszawa: Wydawnictwa Artystyczne i Filmowe, 1976
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Expressionismus | Richard Hamann, Jost Hermand
Berlin: Akademie Verlag, 1975
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Expressionismus | Hermann Bahr
München: Delphin, 1920
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Expressionistische Buchillustration in Deutschland 1907-1927 | Lothar Lang
Leipzig: Edition Leipzig, 1975
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Futurism and the international avant-garde | by Anne d'Harnoncourt; with essay by Germano Celant
Philadelphia: Philadelphia Museum of Art, 1980
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Individuals against individualism: art colectives in Western Europe (1956-1969) | Jacopo Galimberti
Liverpool: Liverpool University Press, 2017
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Inventing Bergson: cultural politics and the Parisian avant-garde | Mark Antliff
Princeton, New Jersey: Princeton University Press, 1993
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Kandinsky und Mondrian, "Gekritzel" und "Schema" als graphische Sprachmittel | Werner Hofmann
[Darmstadt]: [Roetherdr.], [1964]
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Knaurs Lexikon moderner Kunst | Bearb. und hrsg. von Lothar-Günther Buchheim
München: Knaur, 1955
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Kubiści: rozważania estetyczne | Guillaume Apollinaire
Kraków: Wydawnictwo Literackie, 1959
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Kunst der sechziger Jahre: Sammlung Ludwig im Wallraf-Richartz-Museum, Köln | [Hrsg.: Gert von der Osten und Horst Keller]
Köln: Wallraf-Richartz-Museum, 1969
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Liber amicorum Steendrukkerij de Jong & Co., 1911-1971 | [The compilers named in the preface as Hein van Haaren, Paul Mertz and Dick Bruna]
[Hilversum: Steendrukkerij De Jong & Co., 1971]
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Malarstwo nowoczesne | Wacław Husarski
Warszawa: Księg. Bibljoteki Dzieł Wyborowych, [1925]
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Malerei des zwanzigsten Jahrhunderts | Joachim Büchner
Köln: DuMont, 1968
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Minimal art: a critical anthology | Edited by Gregory Battcock
New York: E. P. Dutton, 1968
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Modern artists on art: ten unabridged essays | Edited by Robert L. Herbert
Englewood Cliffs: Prentice-Hall, 1964
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Modern artists on art: ten unabridged essays | Ed. by Robert L. Herbert
Englewood Cliffs, N.J.: Prentice-Hall, [1964]
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Neo-avantgarde and culture industry: essays on European and American art from 1955 to 1975 | Benjamin H. D. Buchloh
Cambridge, Massachusetts: The MIT Press, 2000
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Obrazový prostor a světový názor | Luděk Novák
Praha: Ceskoslovenské Akademie Věd, 1960
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October: the second decade 1986-1996 | edited by Rosalind Krauss ... [et al.]
Cambridge, Mass. -- London: MIT Press, 1997
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Painting in the twentieth century. Vol. 2, A pictoral survey | Werner Haftmann
New York: Praeger, 1965
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Performance, Ritual, Proceß: Handbuch der Aktionskunst in Europa | Elisabeth Jappe
München-New York: Prestel-Verlag, 1993
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Pożegnanie z krytyką | Mieczysław Porębski
Kraków: Wydawnictwo Literackie, 1966
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Praktyka muzealna i myślenie historyczne w rozwoju szkoły wiedeńskiej | Jan Białostocki
[Wrocław]: Ossolineum, 1986
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Primary documents: a sourcebook for Eastern and Central European art since the 1950s | ed. by Laura Hoptman, Tomáš Pospiszyl
New York: Museum of Modern Art -- Cambridge, Mass.: MIT Press, 2002
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Przedmowa | Jan Białostocki
[Warszawa: Państwowe Wydawnictwo Naukowe, 1971]
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Pyramidal influence in art
Dayton, Ohio: Fine Arts Gallery, Wright State University, 1980
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Północ - Południe: transkulturowe wizje | kurator wyst. Elżbieta Kościelak
Wrocław: Fundacja Śródziemnomorska, 1999
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Realism, rationalism, surrealism: art between the wars | Briony Fer, David Batchelor, Paul Wood
New Haven: Yale University Press, in association with the Open University, 1993
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Rondó: válogatás közép- és kelet-európai müvészek alkotásaiból = Rondo: a selection of works by Central and Eastern European artists | a katalógust szerk. Zólyom Franciska
Budapest: Kortárs Művészeti Múzeum - Ludwig Múzeum Budapest, 1999
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Skulptur des Expressionismus: [Josef-Haubrich-Kunsthalle Köln, 12. Juli 1984 - 26. August 1984] | Hrsg. von Stephanie Barron mit Beiträgen von Karin Breuer...[et al.]
München: Prestel, 1984
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Surrealism, politics and culture | ed. by Raymond Spiteri, Donald LaCoss
Aldershot, U.K. -- Burlington, VT: Ashgate, 2003
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Synchronizacja w Sieci: Centra Sztuki Współczesnej Sorosa: cztery modele: Budapeszt, Kijów, Tallin, Warszawa | Karolina Łabowicz-Dymanus
Warszawa: Instytut Sztuki Polskiej Akademii Nauk, 2016
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Sztuka jako kompensacja | Jan Białostocki
[Warszawa]: [Państwowe Wydawnictwo Naukowe], 1972
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Sztuka lat 1905-1923: malarstwo, rzeźba, grafika, krytyka artystyczna: materiały z konferencji naukowej, Toruń, 21-23 września 2005 | pod red. Małgorzaty Geron i Jerzego Malinowskiego; Zakład Historii Sztuki Nowoczesnej i Koło Naukowe Doktorantów Wydziału Sztuk Pięknych Uniwersytetu Mikołaja Kopernika
Toruń: Wydawnictwo Interdyscyplinarnego Koła Naukowego Doktorantów Uniwersytetu Mikołaja Kopernika, 2006
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Tendenzen der Zwanziger Jahre | [Gesamtred.: Stephan Waetzoldt; Verena Haas]
Berlin: Reimer, 1977
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The European avant-gardes: art in France and western Europe, 1904-c. 1945 | Christopher Green; general editor, Irene Martin
London: New York: Zwemmer -- Distributed in the USA and Canada by Antique Collectors' Club, 1995
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The language of twentieth-century art: a conceptual history | Paul Crowther
London: Yale University Press, 1997
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The wake of art: criticism, philosophy and the ends of taste | Arthur C. Danto essays; selected and with critical introduction Gregg Horowitz, Tom Huhn.
Amsterdam: G+B Arts International, 1998
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The widening circle: consequences of modernism in contemporary art | Barry Schwabsky
Cambridge: Cambridge University Press, 1997
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Totalitarian art and modernity | edited by Mikkel Bolt Rasmussen & Jacob Wamberg
Aarhus: Aarhus University Press -- Hightown, Lancaster: Gazelle Book Services Ltd. [UK distributor] -- Oakville, CT: David Book Company [US distributor], 2010
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Un iconoclasme moderne: theorie et pratiques contemporaines du vandalisme artistique | Dario Gamboni
Zurich: Institut suisse pour l'étude de l'art -- Lausanne: Les Éditions d'en-bas, 1983
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Ungegenständliche Malerei: 1900-1945 in der Schweiz: Begleitbroschüre zur didaktischen Dokumentationsausstellung | Lukas Gloor
Zürich: [Schweizerisches Institut für Kunstwissenschaft], 1980
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Wegbereiter moderner Formgebung: von Morris bis Gropius | Nikolaus Pevsner
Hamburg: Rowohlt, 1957