AZUM!

Alesso Baldovinetti und die Florentiner Malerei der Frührenaissance | Arne Huebscher

Münster: Rhema, 2020

Die Malerei der Spätrenaissance in Rom und Florenz / mit 247 Abbildungen. Erste Band | Hermann Voss

Berlin: G. Grote, 1920

Florentine painters and the origins of modern science | Creighton Gilbert

[Milano]: [Artipo], 1966

Florentine painting and its social background: the bourgeois republic before Cosimo de' Medici's advent to power / XIV and early XV centuries | Frederick Antal

London: K. Paul, [1947]

From Flanders to Florence: the impact of Netherlandish painting 1400-1500 | Paula Nuttall

New Haven, Conn. -- London: Yale University Press, 2004

Frühe italienische Malerei in Altenburg: beschreibender Katalog der Gemälde des 13. bis 16. Jahrhunderts im Staatlichen Lindenau-Museum | Robert Oertel

Berlin: Henschel, 1961

Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento | Eckart Marchand

Münster: Lit Verlag, 2004

Painting in Florence and Siena after the Black Death: the arts, religion and society in the mid-fourteenth century | by Millard Meiss

New York: Harper & Row, 1964

Painting of the late Renaissance in Rome and Florence. Vol. 1, From the high Renaissance to mannerism, 1520-1570 | Hermann Voss; revised and translated by Susanne Pelzel

San Francisco: Alan Wofsy Fine Arts, 1997

Painting under pressure: fame, reputation and demand in Renaissance Florence | Michelle O'Malley

New Haven, Conn. -- London: Yale University Press, 2013

Plautilla Nelli (1524-1588): the painter-prioress of Renaissance Florence | edited by Jonathan K. Nelson

Florence: Syracuse University in Florence -- Syracuse, N.Y.: Distributed by Syracuse University Press, 2008

Re-membering masculinity in early modern Florence: widowed bodies, mourning and portraiture | Allison Levy

Aldershot, U.K. -- Burlington, VT: Ashgate, 2006

Suor Plautilla Nelli (1523-1588): the first woman painter of Florence: proceedings of the symposium, Florence - Fiesole May 27, 1998 | edited by Jonathan Nelson

Fiesole: Cadmo, 2000

Tradition and innovation in Florentine Trecento painting: Giovanni Bonsi - Tommaso del Mazza | by Richard Offner with Klara Steinweg; continued under the direction of Miklós Boskovits and Mina Gregori

Florence: Guinti, 2000

Venice and the emergence of the high Renaissance in Florence: observations and questions | Craig Hugh Smyth

Florence: La nuova Italia, 1979

Vom Schreinerwerk zum Gemälde: Florentiner Altarwerke der ersten Hälfte des Quattrocento: eine Untersuchung zu Konstruktion, Material und Rahmenform | Christoph Merzenich

Berlin: Gebr. Mann, 2001