AZUM!

"Ekphrasis" and the Renaissance of painting: observations on Alberti`s third book | David Rosand

New York: Italica Press, 1987

"Świety Sebastian - depulsor pestilitatis". Obraz Antonella da Messina w Galerii Drezdeńskiej | Marek Rostworowski

[Warszawa: Państwowe Wydawnictwo Naukowe, 1969]

A la recherche des oeuvres de Zanetto Bugatto: une nouvelle piste | Charles Sterling

[Milano: Electa, 1984]

Alesso Baldovinetti und die Florentiner Malerei der Frührenaissance | Arne Huebscher

Münster: Rhema, 2020

Alfonso II and the artistic renewal of Naples 1485-1495 | George L. Hersey

New Haven: Yale University Press, 1969

All the painting of Masaccio | Text by Ugo Procacci; transl. by Paul Colacicchi

London: Oldbourne, 1962

Antonello da Messina | edited by Caterina Cardona, Giovanni Carlo Federico Villa

Milan: Skira editore, 2019

Antonello da Messina / mit 59 Abbildungen und 3 Farbentafeln | Jan Lauts

Wien: A. Schroll & Co., [1940]

Antonello in Sicilia | a cura di Marziano Bernardi

Torino: Radio Italiana, 1957

Antonio Pisanello | Bernhard Degenhart

Wien: Anton Schroll, [1941]

Architekturen des Sehens: Bauten in Bildern des Quattrocento | Johannes Grave

München: Wilhelm Fink Verlag, 2015

Ars nova translata: altniederländische Malerei in Neapel und der Krone Aragon | Adrian Bremenkamp

München: Hirmer Verlag, 2021

Art et civilisation de la Renaissance en Italie | André Chastel

[Paris]: [College de France], [1971-1972]

Bellini`s feast of the gods: a study in Venetian humanism | Edgar Wind

Cambridge: Harvard College Library, 1948

Benozzo Gozzoli | par G. J. Hoogewerff

Paris: Alcan, 1930

Bernardo da Parenzo, un peintre vagabond : étude sur la fin du Quattrocento a Padoue | Zygmunt Wazbinski

Venezia: Istituto veneto di scienze, lettere ed arti, 1963

Botticelli past and present | edited by Ana Debenedetti and Caroline Elam

London: UCL Press: in association with the Victoria and Albert Museum, 2019

Carlo Crivelli | Ronald Lightbown

New Haven, Conn. -- London: Yale University Press, 2004

Carlo Crivelli in Palazo Ducale | Rodolfo Pallucchini

München: Bruckmann, 1961

Carlo Crivelli und seine Schule | von Franz Drey

München: F. Bruckman, 1927

Cassone painting, humanism, and gender in early modern Italy | Cristelle L. Baskins

Cambridge, New York: Cambridge University Press, 1998

Castelvecchio in Verona

Milan: Electa, 1995

Change in Piero della Francesca | by Creighton Gilbert

[New York]: Published for the Institute of Fine Arts, New York University [by] J. J. Augustin, Locust Valley, N.Y., [1968]

Conceptions religieuses dans la peinture de Piero della Francesca | Charles de Tolnay

Firenze: Sansoni, 1963

Cosme Tura | Eugenio Riccomini

Milano: Fratelli Fabbri Editori, 1965

Cosme Tura of Ferrara: style, politics and the Renaissance city, 1450-1495 | Stephen J. Campbell

New Haven -- London: Yale University Press, 1997

Cosme Tura: the life and art of a painter in Estense Ferrara | Joseph Manca

Oxford: Clarendon Press, 2000

Cristelle L. Baskins, "Cassone painting, humanism, and gender in early modern Italy", New York: Cambridge University Press, 1998: [review] | Jerzy Mizołek

[Oxford]: [Oxford University Press], 2002

Della pittura | Leon Battista Alberti; edizione critica a cura di Luigi Malle

Firenze: G. C. Sansoni, 1950

Deux portraits du Felice Brancacci | par L. Vayer

Budapest: Akadémiai Kiadó, 1975

Die Meisterbilder von Fra Angelico (1387-1455): Eine Auswahl von 60 Reproductionen nach Original-Aufnahmen

Leipzig: Weicher, 1908

Die religiösen Gemälde Sandro Botticellis: Malerei als pia philosophia | Damian Dombrowski

Berlin -- München: Deutscher Kunstverlag, 2010

Divine and demonic imagery at Tor de'Specchi, 1400-1500: religious women and art in fifteenth-century Rome | Suzanne M. Scanlan

Amsterdam: Amsterdam University Press, 2018

Domenico Ghirlandaio und die Malerei der Florentiner Renaissance | Ronald G. Kecks

München: Deutsche Kunstverlag, 2000

Domenico Ghirlandaio: artist and artisan | Jean K. Cadogan

New Haven -- London: Yale University Press, 2000

Dominican women and Renaissance art: the Convent of San Domenico of Pisa | Ann Roberts

Aldershot, U.K. -- Burlington, VT: Ashgate, 2008

Due dipinti, la filologia e un nome: il Maestro delle tavole Barberini | Federico Zeri

[Torino]: G. Einaudi, 1961

Dwie włoskie karty "Tarocchi" w zbiorach Muzeum Narodowego w Warszawie | Stanisława Sawicka

[Warszawa: Muzeum Narodowe, 1957]

Et pro remedio animae et pro memoria: bürgerliche repraesentatio in der Cappella Tornabuoni in S. Maria Novella | Josef Schmid

München-Berlin: Deutscher Kunstverlag, 2002

Etudes savoyardes I: Au temps du duc Amédée | Charles Sterling

Paris: L'Oeil, 1969

Exposition de l'oeuvre de Pisanello: medailles, dessins, peintures / organisée avec le concours du Musée du Louvre, de Musées étrangers et de collections particuliéres | [catalogue établi par Pierre Pradel; introduction Jean Babelon]

[Paris]: Éditions des Bibliothéques nationales de France, 1932

Florenckie Cassone ze scenami mitologicznymi w Muzeum Narodowym w Warszawie | Jerzy Miziołek

Warszawa: [IS PAN], 1998

Fra Angelico | by Laurence Kanter and Pia Palladino; with contributions by Magnolia Scudieri... [et al.]

New York: Metropolitan Museum of Art -- New Haven, Conn. -- London: Yale University Press, 2005

Fra Angelico | par Édouard Schneider

Paris: Librairie Plon, 1938

Fra Angelico | by Germain Bazin; translated from the French by Marc Logé; [edited by Andre Gloeckner]

London, New York: W. Heinemann, in association with Hyperion Press, [1949]

Fra Angelico at San Marco | William Hood

New Haven, Conn. -- London: Yale University Press, 1993

Fra Carnevale: un artista rinascimentale da Filippo Lippi a Pierro della Francesca; Milano, Pinacoteca di Brera, 13 ottobre 2004-9 gennaio 2005; New York, The Metropolitan Museum of Art, 1 febbraio-1 maggio 2005 | coordinamento editoriale Carlotta Sembenelli

Milano: Edizioni Olivares, 2004

From Filippo Lippi to Piero della Francesca: Fra Carnevale and the making of a Renaissance master | ed. by Keith Christiansen

New York: Metropolitan Museum of Art -- Milan: Edizioni Olivares -- New Haven, Conn. -- London: Yale University Press, 2005

From Flanders to Florence: the impact of Netherlandish painting 1400-1500 | Paula Nuttall

New Haven, Conn. -- London: Yale University Press, 2004

Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento | Eckart Marchand

Münster: Lit Verlag, 2004

Giordano Orsinis uomini famosi in Rom: Helden der Weltgeschichte im Frühhumanismus | Annelies Amberger

München/Berlin: Deutscher Kunstverlag, 2003

Giovannino Battista: a supplement | Marilyn Aronberg Lavin

[New York]: College Art Association of America, 1961

Goldgrund und Perspektive: Fra Angelico im Glanz des Quattrocento | Saskia C. Quené

Berlin -- München: Deutscher Kunstverlag, 2022

Ground plan and elevation in Masaccio's "Trinity" fresco | H. W. Woldemar Janson

[London]: Phaidon Press, [1967]

How Fra Angelico and Signorelli saw the end of the world | Creighton E. Gilbert

University Park: The Pennsylvania State University Press, 2003

In a new light: Giovanni Bellini's St. Francis in the desert | Susannah Rutherglen and Charlotte Hale; foreword by Keith Christiansen; contributions by Denise Allen [et al.]; with the assistance of Katie Steiner

New York: The Frick Collection -- London: In association with D Giles Limited, 2015

International Gothic art in Italy | Liana Castelfranco Vegas

[Leipzig): Edition Leipzig, 1966

Istoriâ i legenda v živopisi ital'ânskogo Vozroždeniâ | M. Alpatov

[Moskva]: [Iskusstvo], [s.d.]

Jacopo del Sellaio's domestic panels with the fable of Cupid and Psyche | Jerzy Miziołek

Washington: [The Gallery], 2002

L'oeil du quattrocento: l'usage de la peinture dans l'Italie de la Renaissance | Michael Baxandall; traduit de l'anglais par Yvette Delsaut

Paris: Gallimard, 1985

La "Resurrezione di Cristo" di Piero della Francesca | Károly Tolnay

Firenze: Valmartina Editore, 1953

Le "Si come gli piace" de Cennino Cennini | André Chastel

[Milano]: [Electa], [1977]

Leon Battista Alberti on painting | Kenneth Clark

[London]: [G. Cumberlege], 1944

Leonardo da Vinci: origins of a genius | David Alan Brown

New Haven, Conn. -- London: Yale University Press, 1998

Les fresques de Piero della Francesca a Arezzo: semantique et stilistique | Michel Alpatov

Roma: de Luca Editore, 1963

Malerei am Hofe der Este: Cosme Tura, Francesco del Cossa, Ercole de' Roberti | Katja Conradi

Hildesheim -- Zürich -- New York: Georg Olms Verlag, 1997

Masaccio | Alessandro Parronchi

Firenze: Sadea: Sansoni, 1966

Masaccio e le origini del Rinascimento | a cura di Luciano Bellosi; con la collaborazione di Laura Cavazzini e Aldo Galli

Milano: Skira editore, 2002

Masaccio et les débuts de la renaissance: avec 61 planches | par Jacques Mesnil

La Haye: M. Nijhoff, 1927

Masaccio's Trinity | edited by Rona Goffen

Cambridge: Cambridge University Press, 1998

Men or supermen?: The Italian portrait in the fifteenth century | by L. M. Sleptzoff

[Jerusalem: Magnes Press, Hebrew University, 1978]

Mostra di quattro maestri del primo Rinascimento: Firenze, Palazzo Strozzi, 22 aprile-12 luglio 1954 | Premessa: Mario Salmi

Firenze: [Giuntina], [1954]

O malarstwie | Leone Battista Alberti; oprac. Maria Rzepińska

Wrocław: Zakład Narodowy im. Ossolińskich, 1963

Obraz Bicciego di Lorenzo "Pielgrzymi u grobu świętego Mikołaja" w Zbiorach wawelskich | Maria Michalska

Kraków: [Ministerstwo Kultury i Sztuki, Centralny Zarząd Muzeów i Ochrony Zabytków], 1960

Odyseja na cassoni Apollonia di Giovanni: o początkach obrazowania poematu Homera w sztuce włoskiego renesansu | Jerzy Miziołek

Gdańsk: Nadbałtyckie Centrum Kultury: Wydaw. Uniwersytetu Gdańskiego, 2000

On painting | Leon Battista Alberti; translated with introd. and notes by John R. Spencer

New Haven: Yale University Press, 1956

Once again Piero della Francesca's Montefeltro altarpiece | Millard Meiss with Theodore G. Jones

[New York]: College Art Association of America, 1966

Painted glories: the Brancacci Chapel in Renaissance Florence | Nicholas A. Eckstein

New Haven, Conn. -- London: Yale University Press, 2014

Painting and experience in fifteenth century Italy: a primer in the social history of pictorial style | Michael Baxandall

Oxford: Clarendon Press, 1972

Painting architecture in early Renaissance Italy: innovation and persuasion at the intersection of art and architectural practice | Livia Lupi

Turnhout, Belgium: Brepols, 2024

Painting under pressure: fame, reputation and demand in Renaissance Florence | Michelle O'Malley

New Haven, Conn. -- London: Yale University Press, 2013

Paolo Uccello: der Florentiner Meister und sein Werk | von Wilhelm Boeck

Berlin: G.Grote, 1939

Piero Della Francesca's Baptism of Christ | Marilyn Aronberg Lavin; with an appendix by B. A. R. Carter

New Haven, Conn. -- London: Yale University Press, 1981

Piero della Francesca

Bergamo: Istituto italiano d'arti grafiche, [1956]

Piero della Francesca's Montefeltro altarpiece: a pledge of fidelity | Marilyn Aronberg Lavin

[New York]: College Art Association of America, 1969

Piero della Francesca: the Legend of the true Cross in the Church of San Francesco in Arezzo | edited by Anna Maria Maetzke, Carlo Bertelli; texts by Marilyn Aronberg Lavin [et al.]

Milan: Skira editore, 2001

Pisanello: actes du colloque organisé au Musée du Louvre par le Service culturel les 26, 27 et 28 juin 1996. T. 2 | établis par Dominique Cordellier et Bernadette Py

Paris: La Documentation française, 1998

Pisanello: actes du colloque organisé au Musée du Louvre par le Service1 culturel les 26, 27 et 28 juin 1996. T. 1 | établis par Dominique Cordellier et Bernadette Py

Paris: La Documentation française, 1998

Pisanello: painter to the Renaissance court | Luke Syson, Dillian Gordon

London: National Gallery Company, 2001

Portrait d'un amateur d'art de la Renaissance | Zygmunt Wazbinski

[Venezia]: [Arte veneta], 1968

Portret v ferrarskoj živopisi rannego Vozroždeniâ | V. Grašenkov

Moskva: Iz. "Nauka", 1966

Porträtprobleme in Masaccios Kunst | Lajos Vayer

Graz: Akademische Druck und Verlagsanstalt, 1972

Problemy kvatročento i tvorčestvo Mazaččo | T. P. Tat'âna Petrovna

[Leningrad]: Iz. Leningradskogo Universiteta, 1975

Renaissance weddings and the Antique: Italian domestic paintings from the Lanckoroński Collection | Jerzy Miziołek

Roma: "L'Erma" Di Bretschneider, 2018

Samothracian reflections: aspects of the revival of the Antique | Phyllis Williams Lehmann, Karl Lehmann

Princeton: Princeton University Press, 1973

Sassetta: the Borgo San Sepolcro altarpiece. 1 | edited by Machtelt Israëls

Florence: Villa I Tatti, the Harvard University Center for Italian Renaissance Studies -- Leiden: Primavera Press, 2009

Sassetta: the Borgo San Sepolcro altarpiece. 2 | edited by Machtelt Israëls

Florence: Villa I Tatti, the Harvard University Center for Italian Renaissance Studies -- Leiden: Primavera Press, 2009

Sceny z życia Scypiona Afrykańskiego: dwa malowidła północnowłoskie ze zbiorów Zamku Królewskiego na Wawelu | Jerzy Miziołek

Warszawa: Instytut Archeologii UW, 1999

Severoital'ânskij i venecianskij portretnyj risunok pozdnego Kvattročento | V. N. Grašenkov

[Moskva: Iz. Instituta Istorii Iskusstv AN SSSR, 1960]

The Cambridge companion to Piero della Francesca | ed. by Jeryldene M. Wood

Cambridge: Cambridge University Press, 2002

The enigma of Piero: Piero della Francesca | Carlo Ginzburg; translated by Martin Ryle and Kate Soper; with an introduction by Peter Burke

London -- New York: Verso, 2000

The portrayal of love: Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent | by Charles Dempsey

Princeton, N.J.: Princeton University Press, 1992

The realism of Piero della Francesca | Joost Keizer

London -- New York: Routledge, 2018

Toskańskie malarstwo cassonowe z kolekcji Karola Lanckorońskiego w zbiorach Zamku Królewskiego na Wawelu. Studium wstępne | Jerzy Miziołek

Kraków: PZS, 1997/1998

Trois tableaux d'Antonello da Messina | Marek Rostworowski

Antwerpen: Koninklijk Museum voor Schone Kunsten te Antwerpen, 1964

Un tondo del Pintoricchio | Edoardo Arslan

Baden-Baden: Holle, 1962

Verrocchio: sculptor and painter of Renaissance Florence | edited by Andrew Butterfield; with essays by John K. Delaney, Charles Dempsey, Gretchen A. Hirschauer, Alison Luchs, Lorenza Melli, Dylan Smith, Elizabeth Walmsley

Washington: National Gallery of Art -- Princeton, N.J. -- Oxford: in assotiation with Princeton University Press, 2019

Wandmalerei der Frührenaissance in Italien. Bd. 1, Anfänge und Entfaltung, 1400-1470 | Steffi Roettgen; mit Aufnahmen von Antonio Quattrone

München: Hirmer Verlag, 1996

Young Bellini | Daniel Wallace Maze

New Haven, Conn. -- London: Yale University Press, 2021

Zentralperspektive in der florentinischen Kunstpraxis des 15. Jahrhunderts | Monique Dubois

Petersberg: Michael Imhof Verlag, 2010

Éclosion de la Renaissance: Italie: 1400-1460 | Ludwig H. Heydenreich; [traduit par Marianne Duval-Valentin et Daniele Cohn]

[Paris]: Gallimard, 1972