AZUM!

Bild und Erkenntnis: Formen und Funktionen des Bildes in Wissenschaft und Technik | Andreas Beyer, Markus Lohoff (Hrsg.)

München -- Berlin: Deutscher Kunstverlag, 2005

Considerazioni intorno a recenti ricerche su Leonardo da Vinci | Luigi Enrico Heydenreich

Firenze: Centro nazionale di studi sul Rinascimento, 1942

Das Titelbild zur "Fabrica" Vesals und seine kunstgeschichtlichen Voraussetzung | Walter Artelt

Copenhagen: Munksgaard, 1950

Das technische Bild: Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder | Horst Bredekamp, Brigit Schneider, Vera Dünkel (Hg.)

Berlin: Akademie Verlag, 2008

Die Welt im Bild: Weltentwürfe in Kunst, Literatur und Wissenschaft seit der Frühen Neuzeit | herausgegeben von Ulrike Gehring

München: Wilhelm Fink Verlag, 2010

Dürer as a mathematician | Erwin Panofsky

New York: Simon and Schuster, [1966]

Early Renaissance "Naturalism" and scientific illustration | James S. Ackerman

Uppsala: Almqvist & Wiksell, 1985

Erkenntnis, Erfindung, Konstruktion: Studien zur Bildgeschichte von Naturwissenschaften und Technik vom 16. zum 19. Jahrhundert | Hans Holländer (Herausgeber)

Berlin: Gebr. Mann, cop. 2000

Exploring the invisible: art, science, and the spiritual | Lynn Gamwell

Princeton, N.J. -- Woodstock, U.K.: Princeton University Press, 2004

Florentine painters and the origins of modern science | Creighton Gilbert

[Milano]: [Artipo], 1966

La Lalde del sole di L. da Vinci: 12. Lettura Vinciana: Vinci, Biblioteca Leonardiana, 15 aprile 1972 | Cesare Vasoli

Firenze: G. Barbera, 1973

Leonardiana nel 450 anniversario della morte | B. Suchodolski [et al.]

Wrocław: Zakład Narodowy im. Ossolińskich. Wydawnictwo PAN, 1971

Leonardo | Ludwig H. Heydenreich

Berlin: Rembrandt-Verlag, 1943

Leonardo da Vinci | scritti di Enrico Carusi ... [et al.] ..

Roma: Istituto della Enciclopedia italiana, 1934

Leonardo da Vinci artista-scienziato: sedici figure e diciotto tavole fuori testo | Roberto Marcolongo

Milano: Hoepli, 1939

Leonardo da Vinci jako prekursor nauk technicznych | Eugeniusz Olszewski

[Warszawa: Państ. Wydaw. Naukowe, 1969]

Leonardo da Vinci on "The hard teeth of the years" | Elmer Belt

London: [s.n.], 1956

Leonardo da Vinci's studies of the aging process | Elmer Belt

[Cleveland, OH: Advanstar Communications], 1952

Leonardo da Vinci, the scientist | Ludwig Heinrich Heydenreich

[S.l.]: [International Business Machines Corporation], [1951]

Leonardo da Vinci: "Leonardo, discipline of experience" ; Cod. Atl. 191 r | Elmer Belt

[Menasha, Wis.]: [s.n.], 1957

Leonardo da Vinci: an exhibition of his scientific achievements | Arranged by Panold Masters, Ltd., Inc.; with an introduction by Dr. L. H. Heydenreich

[Los Angeles: Los Angeles Museum of Art, 1949]

Leonardo da Vinci: zur fünfhundertsten Wiederkehr seines Geburtstages, 1452/1952: [Ausstellung, Deutsche Akademie der Künste, Berlin, Ende April bis Mitte Juni 1952 | Ausstelungsleitung und Katalog, G. Pommeranz-Liedtke

Berlin: Staatliche Kommission für Kunstangelegenheiten, Deutsche Akademie der Künste, Staatliche Museen, 1952

Leonardo the Florentine (1452-1519) | Elmer Belt

[Baltimore: Williams and Wilkins Co.], 1965

Leonardo the anatomist | by Elmer Belt, M.D

Lawrence: University of Kansas Press, 1955

Licht und Wasser: zur Dynamik naturphilosophischer Leitbilder im Werk Leonardo da Vincis | von Frank Fehrenbach

Tübingen: E. Wasmuth, 1997

Léonard de Vinci et l'expérience scientifique au XVIe siecle / [Colloque international du Centre national de la recherche scientifique], Paris, 4-7 juillet 1952 | [préparé par A. Koyré]

Paris: Centre national de la recherche scientifique: Presses universitaires de France, 1953

Manuscripts of Leonardo da Vinci: their history, with a description of the manuscript editions in facsimile | (Catalogue by Kate Trauman Steinitz, with the assistance of Margot Archer)

Los Angeles: Elmer Belt Library of Vinciana, 1948

Media art histories | edited by Oliver Grau

Cambridge, Mass. -- London: The MIT Press, 2007

Neuroarthistory: from Aristotle and Pliny to Baxandall and Zeki | John Onians

New Haven, Conn. -- London: Yale University Press, 2007

Ogrody filozofii: humanistyczny ogród jako miejsce pracy naukowej | Małgorzata Szafrańska

Kraków: Ogród Botaniczny - Instytut Botaniki. Uniwersytet Jagielloński, 2008

Origins, imitation, conventions: representation in the visual arts | James S. Ackerman

Cambridge, Mass. -- London: MIT Press, 2002

Research in the humanities: ideals and idols | E. H. Gombrich

[Boston, Mass.]: American Academy of Arts and Sciences, 1973

Seen/unseen: art, science, and intuition from Leonardo to the Hubble telescope | Martin Kemp

Oxford -- New York: Oxford University Press, 2006

Spectacular bodies: the art and science of the human body from Leonardo to now | Martin Kemp, Marina Wallace

London: Hayward Gallery -- Los Angeles: University of California Press, 2000

The Codex Leicester by Leonardo da Vinci ... which will be sold at Christie's Great Rooms on Friday, 12 December 1980 .. | [introduction by Carlo Pedretti]

London: Christie, Manson & Woods, [1980]

The Madrid manuscripts of Leonardo da Vinci | Carlo Pedretti

[S.l.]: [s.n.], [1967?]

The Universe: a convergence of art, music and science | edited by Jay Belloli

Pasadena, Calif.: Armory Center for The Arts, 2001

The drawings of Leonardo da Vinci | with an introd. and notes by A. E. Popham

New York: Harcourt, Brace & World, 1945

The human animal in Western art and science | Martin Kemp

Chicago -- London: The University of Chicago Press, 2007

The iconology of abstraction: non-figurative images and the modern world | edited by Krešimir Purgar

New York -- London: Routledge, Taylor & Francis Group, 2021

The mastery of nature: aspects of art, science, and humanism in the Renaissance | Thomas DaCosta Kaufmann

Princeton, N.J.: Published by Princeton University Press, 1993

The resources of Leonardo da Vinci: papers delivered at Southern Illinois University November 12th - 15th, 1952 | ed. by Georg Kimball Plochmann

Carbondale, Ill: [Southern Illinois University Press], 1953.

Villard's legacy: studies in medieval technology, science and art in memory of Jean Gimpel | ed. by Marie-Therese Zenner

Aldershot: Ashgate, 2004