Odsyłacz hasła przedmiotowego


Oglądasz Hasła przedmiotowe: Sztuka -- Stany Zjednoczone -- 20 w., ilość znalezionych obiektów: 55

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"Old Miami Beach": a case study in historic preservation, July 1976-July 1980 | H. Michael Raley, Linda G. Polansky and co-author and editor Aristides J. Millas
Miami Beach, FL: Miami Design Preservation League, 1994
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"Symbolic essence" and other writings on modern architecture and American culture | William H. Jordy; edited and with an introduction by Mardges Bacon for the Temple Hoyne Buell Center for the Study of American Architecture
New Haven, Conn. -- London: Yale University Press, 2005
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A transatlantic avant-garde: American artists in Paris, 1918-1939 | edited by Sophie Lévy; essays by Christian Derouet... [et al.]
Berkeley, Calif.: University of California Press -- Giverny: Musée d'Art Américain Giverny, 2003
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Abstract expressionism | David Anfam
London: Thames and Hudson, 1990
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After modern sculpture: art in the United States and Europe 1965-70 | Richard J. Williams
Manchester and New York: Manchester University Press, 2000
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Albers and Moholy-Nagy: from the Bauhaus to the new world | edited by Achim Borchardt-Hume
New Haven, Conn. -- London: Yale University Press, 2006
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American art deco | Alastair Duncan
New York: Abrams, 1986
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American art deco | Eva Weber
Leicester: Magna Books, 1992
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American art deco: architecture and regionalism | Carla Breeze
New York: W. W. Norton, 2003
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American art since 1900: a critical history | Barbara Rose
New York: Frederick A. Praeger, 1975
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American art since 1900: a critical history | Barbara Rose
New York: Frederick A. Praeger, 1968
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American artists, Jewish images | Matthew Baigell
Syracuse, N.Y.: Syracuse University Press, 2006
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Antifascism in American art | Cécile Whiting
New Haven, Conn. -- London: Yale University Press, 1989
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Art deco | Eva Weber
London: Arlington Press, 1989
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Art, politics and dissent: aspects of the art left in sixties America modernism in contemporary art | Francis Frascina
Manchester: Manchester University Press, 1999
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Arthur Dove | Barbara Haskell
San Francisco, Calif.: San Francisco Museum of Art -- Boston: Distributed by New York Graphic Society, 1974
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Avant-Garde painting & sculpture in America, 1910-1925
Wilmington: Delaware Art Museum, [1975]
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Beyond the plane: American constructions, 1930-1965 | Edited by Jennifer Toher
Trenton: New Jersey State Museum, 1983
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Color and fire: defining moments in studio ceramics, 1950-2000: selections from the Smits Collection and realated works at the Los Angeles County Museum of Art | Jo Lauria; with contributions by Gretchen Adkins... [et al.]
Los Angeles: LACMA in association with Rizzoli International Publications, 2000
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Deco delights: preserving the beauty and joy of Miami Beach architecture | Barbara Baer Capitman: photographs by Steven Brooke
New York: E.P. Dutton, 1988
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Dialogues: Duchamp, Cornell, Johns, Rauschenberg | Dorothy Kosinski
Dallas, TX: Dallas Museum of Art -- New Haven, Conn. -- London: Yale University Press, 2005
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Duchamp in context: science and technology in the Large glass and related works | Linda Dalrymple Henderson
Princeton, N.J.: Princeton University Press, 2005
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Exiles + emigrés: the flight of European artists from Hitler | Stephanie Barron with Sabine Eckmann; contributions by Matthew Affron [et al.]
Los Angeles: Los Angeles County Museum of Art -- New York.: Harry N. Abrams, 1997
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Façade of Ocean Drive, between 5th and 15 St. = Fachada de Ocean Drive, entre las calles 5 y 15, Miami Beach, Florida | University of Miami. School of Architecture, Miami Beach (Fla.); Miami Design Preservation League
[Miami Beach, Fla.]: City of Miami Beach: Miami Design Preservation League: Fábrika Ciudad, [2001]
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Idea - Form: looking at the creative proces
Northampton, Mass.: Smith College Museum of Art, 1999
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Imagining America: icons of 20th-century American art | John Carlin and Jonathan Fineberg
New Haven, Conn. -- London: Yale University Press, 2005
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Knowledge: aspects of conceptual art | Frances Colpitt, Phyllis Plous
Santa Barbara: University Art Museum -- Seattle: Distributed by the University of Washington Press, 1992
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Language as object: Emily Dickinson and contemporary art | Ed. by Suzan Danly
Amherst, Mass.: Mead Art Museum, Amherst College, 1997
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Los Angeles: the architecture of four ecologies | Banham Reyner
Harmondsworth, Middlesex: Penguin Books, 1971
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Louise Bourgeois: geometria pożądania = Louise Bourgeois: geometry of desire | [red. Jolanta Pieńkos]
Warszawa: Zachęta Państwowa Galeria Sztuki, 2003
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Made in California: art, image, and identity, 1900-2000 | Stephanie Barron, Sheri Bernstein, Ilene Susan Fort [et al.]
Los Angeles: Los Angeles County Museum of Art -- Berkeley: University of California Press, 2000
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Mark Power: beauty & the beast
Washington: Corcoran Gallery of Art, 1979
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Minimalism | ed. by James Meyer
London: Phaidon Press Limited, 2002
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Modernism in dispute: art since the Forties | Paul Wood ... [and al.]
London: Open University Press, 1993
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Nationalism in the visual arts | edited by Richard A. Etlin
Washington: National Gallery of Art -- Hanover, N.H. -- London: Distributed by the University Press of New England, 1991
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Neo-avantgarde and culture industry: essays on European and American art from 1955 to 1975 | Benjamin H. D. Buchloh
Cambridge, Massachusetts: The MIT Press, 2000
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Pictures of nothing: abstract art since Pollock | Kirk Varnedoe
Princeton, N.J. -- Woodstock, U.K.: Princeton University Press -- Washington: Published in association with the National Gallery of Art, 2006
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Pop art | Lucy R. Lippard with contributions by Lawrence Alloway, Nancy Marmer, Nicolas Calas
New York: Frederick A. Prager, 1966
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Pop art: a critical history | edited by Steven Henry Madoff
Berkeley: University of California Press, 1997
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Pop art: contemporary art perspectives: Princeton University Art Museum | preface by John Wilmerding; introduction by Hal Foster; essays by Johanna Burton [et al.]
Princeton, New Jersey: Princeton University Art Museum -- New Haven, Conn. -- London: Distributed by Yale University Press, 2007
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Realism - photorealism | Essays, catalogue and selections by John Arthur
Tulsa, Okla.: Philbrook Art Center, 1980
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Sandy Skoglund: reality under siege: a retrospective
New York: Smith College Museum of Art in association with H. N. Abrams, 1998
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Still working: underknown artists of age in America | Edited by Stuart Shedletsky
New York: Parsons School of Design, in association with University of Washington Press, Seattle, 1994
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The American century: art & culture, 1900-1950. Part 1: 1900-1950 | Barbara Haskell
New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1999
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The American century: art & culture, 1900-1950. Part 2: 1950-2000 | Lisa Phillips
New York: Whitney Museum of American Art in association with W. W. Norton & Company, 1999
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The artist`s voice: talks with seventeen artists | by Katharine Kuh
New York: Harper & Row, 1962
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The great American thing: modern art and national identity, 1915-1935 | Wanda M. Corn
Berkeley, CA: University of California Press, 1999
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The great American thing: modern art national identity, 1915-1935 | Wanda M. Corn
Berkeley: University of California Press,1999
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The modern eye: Stieglitz, MoMA, and the art of the exhibition, 1925-1934 | Kristina Wilson
New Haven, Conn. -- London: Yale University Press, 2009
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The new humanism: art in a time of change | Barry Schwartz
New York, Washington: Praeger Publishers, 1974
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The widening circle: consequences of modernism in contemporary art | Barry Schwabsky
Cambridge: Cambridge University Press, 1997
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Tropical deco: the architecture and design of old Miami Beach | Laura Cerwinske; photography by David Kaminsky
New York, N.Y.: Rizzoli, 1981
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Vance Kirkland - malarstwo = Vance Kirkland - painting | teksty Ferdynand B. Ruszczyc i in
Warszawa: Muzeum Narodowe, 1998