Oglądasz Seria A: , ilość znalezionych obiektów: 23

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Altarpieces and their viewers in the churches of Rome from Caravaggio to Guido Reni | Pamela M. Jones
Aldershot, U.K. -- Burlington, VT: Ashgate, 2008
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Apostolic iconography and Florentine confraternities in the age of reform | Douglas N. Dow
Farnham, England -- Burlington, VT: Ashgate, 2014
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Art and reform in late Renaissance: after Trent | edited by Jesse M. Locker
New York -- London: Routledge, 2019
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Art and the relic cult of St. Antoninus in Renaissance Florence | Sally J. Cornelison
Farnham, England -- Burlington, VT: Ashgate, 2012
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Art, piety and destruction in the Christian West, 1500-1700 | edited by Virginia Chieffo Raguin
Farnham, England -- Burlington, VT: Ashgate, 2010
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Early modern replicas of the Holy House of Loreto: translating space | Erin Giffin
London -- New York: Routledge, Taylor & Francis Group, 2025
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Federico Barocci: inspiration and innovation in early modern Italy | edited by Judith W. Mann
London -- New York: Routledge, 2018
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Flemish and Dutch artists in early modern England: collaboration and competition, 1460-1680 | Mary Bryan H. Curd
Farnham, England -- Burlington, VT: Ashgate, 2010
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Images of sex and desire in Renaissance art and modern historiography | edited by Angeliki Pollali and Berthold Hub
New York -- London: Routledge, 2018
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Inganno - the art of deception: imitation, reception, and deceit in early modern art | edited by Sharon Gregory and Sally Anne Hickson
Farnham, England -- Burlington, VT: Ashgate, 2012
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Leon Battista Alberti and Nicholas Cusanus: towards an epistemology of vision for Italian Renaissance art and culture | Charles H. Carman
Farnham, England -- Burlington, VT: Ashgate, 2014
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Performativity and performance in Baroque Rome | edited by Peter Gillgren and Marten Snickare
Farnham, England -- Burlington, VT: Ashgate, 2012
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Rethinking the High Renaissance: the culture of the visual arts in early sixteenth-century Rome | edited by Jill Burke
Farnham, England -- Burlington, VT: Ashgate, 2012
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Sense and the senses in early modern art and cultural practice | edited by Alice E. Sanger and Siv Tove Kulbrandstad Walker
Farnham, England -- Burlington, VT: Ashgate, 2012
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Seventeenth-century Flemish garland paintings: still life, vision, and the devotional image | Susan Merriam
Farnham, England -- Burlington, VT: Ashgate, 2012
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The "small landscape" prints in early modern Netherlands | Alexandra Onuf
London -- New York: Routledge, 2018
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The Bible and the printed image in early modern England: Little Gidding and the pursuit of scriptural harmony | Michael Gaudio
London -- New York: Routledge, 2018
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The enduring legacy of Venetian Renaissance art | edited by Andaleeb Badiee Banta
London -- New York: Routledge, 2016
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The ethics of ornament in early modern Naples: fashioning the Certosa di San Martino | J. Nicholas Napoli
Farnham, England -- Burlington, VT: Ashgate, 2015
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The late paintings of Velázquez: theorizing painterly performance | Giles Knox
Farnham, England -- Burlington, VT: Ashgate, 2009
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The realism of Piero della Francesca | Joost Keizer
London -- New York: Routledge, 2018
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The viewer and the printed image in late medieval Europe | David S. Areford
Farnham, England -- Burlington, VT: Ashgate, 2010
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Vasari and the Renaissance print | Sharon Gregory
Farnham, England -- Burlington, VT: Ashgate, 2012