AZUM!

After the end of art: contemporary art and the pale of history | Arthur C. Danto

Princeton, N.J.: Princeton University Press, 1997

Art and illusion: a study in the psychology of pictorial representation | E. H. Gombrich

Princeton: Princeton University Press, 1969

Art and the creative unconscious: four essays | Erich Neumann; translated from the German by Ralph Manheim

[New York]: Pantheon Books, [1959]

Christian iconography: a study of its origins | Andre Grabar

Princeton: Princeton University Press, 1968

European Literature and the Latin Middle Ages | Ernst Robert Curtius

New York: Pantheon Books, 1953

Mnemosyne: the parallel between literature and the visual arts | Mario Praz

Princeton: Princeton University Press, 1967

Only connect...: art and the spectator in the Italian Renaissance | John Shearman

Washington: National Gallery of Art -- Princeton, N.J.: Published by Princeton University Press, 1992

Pandora`s box: the changing aspects of a mythical symbol | Dora and Erwin Panofsky

[New York]: Pantheon Books, 1956

Pictures of nothing: abstract art since Pollock | Kirk Varnedoe

Princeton, N.J. -- Woodstock, U.K.: Princeton University Press -- Washington: Published in association with the National Gallery of Art, 2006

Samothracian reflections: aspects of the revival of the Antique | Phyllis Williams Lehmann, Karl Lehmann

Princeton: Princeton University Press, 1973

The gothic cathedral: origins of Gothic architecture and the Medieval concept of order | Otto von Simson; with an appendix on the proportions of the south tower of Chartres Cathedral by Ernst Levy

[New York]: Pantheon Books, 1956

The great mother: an analysis of the archetype | Erich Neumann

Princeton: Princeton University Press, 1974

The hero with a thousand faces | Joseph Campbell

Princeton: Princeton University Press, 1973

The mediation of ornament | Oleg Grabar

Washington: National Gallery of Art -- Princeton, N.J.: Published by Princeton University Press, 1992

The nude: a study in ideal form | by Kenneth Clark

Garden City, New York: Doubleday Anchor Books, 1956

The portrait in the Renaissance | John Pope-Hennessy

[New York: Bollingen Foundation -- distributed by] Pantheon Books, [1966]

The survival of the pagan gods: the mythological tradition and its place in Renaissance humanism and art | Jean Seznec

New York: Pantheon Books, 1953

Chinese painting and its audiences | Craig Clunas

Princeton, NJ -- Oxford: Princeton University Press, 2017

From drawing to painting: Poussin, Watteau, Fragonard, David, & Ingres | Pierre Rosenberg

Princeton, N.J.: Princeton University Press, 2000

Nicolas Poussin. [1], Text | Anthony Blunt

London: Phaidon Press -- New York: Bollingen Foundation, 1967

Nicolas Poussin. [2], Plates | Anthony Blunt

London: Phaidon Press -- New York: Bollingen Foundation, 1967

Restoration: the fall of Napoleon in the course of European art, 1812-1820 | Thomas Crow

Princeton, NJ -- Oxford: Princeton University Press, 2018

The Sack of Rome, 1527 | André Chastel; translated from the French by Beth Archer

Princeton, N.J.: Princeton University Press, 1983

The nude: a study in ideal form | by Kenneth Clark

Garden City, New York: Doubleday Anchor Books, 1956

Visionary and dreamer; two poetic painters: Samuel Palmer and Edward Burne-Jones | David Cecil

[Princeton]: Princeton University Press, [1969]