Oglądasz Seria A: , ilość znalezionych obiektów: 5

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Imago Dei: the Byzantine apologia for icons | Jaroslav Pelikan
New Haven, Conn. -- London: Yale University Press, 1990
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The Sack of Rome, 1527 | André Chastel; translated from the French by Beth Archer
Princeton, N.J.: Princeton University Press, 1983
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The nude: a study in ideal form | by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
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The villa: form and ideology of country houses | James S. Ackerman
London: Thames and Hudson, 1990
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Visionary and dreamer; two poetic painters: Samuel Palmer and Edward Burne-Jones | David Cecil
[Princeton]: Princeton University Press, [1969]



Oglądasz Seria B: , ilość znalezionych obiektów: 6

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Art and illusion: a study in the psychology of pictorial representation | E. H. Gombrich
Princeton: Princeton University Press, 1969
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Only connect...: art and the spectator in the Italian Renaissance | John Shearman
Washington: National Gallery of Art -- Princeton, N.J.: Published by Princeton University Press, 1992
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Pictures of nothing: abstract art since Pollock | Kirk Varnedoe
Princeton, N.J. -- Woodstock, U.K.: Princeton University Press -- Washington: Published in association with the National Gallery of Art, 2006
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The mediation of ornament | Oleg Grabar
Washington: National Gallery of Art -- Princeton, N.J.: Published by Princeton University Press, 1992
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The nude: a study in ideal form | by Kenneth Clark
Garden City, New York: Doubleday Anchor Books, 1956
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The portrait in the Renaissance | John Pope-Hennessy
[New York: Bollingen Foundation -- distributed by] Pantheon Books, [1966]