Oglądasz Autor: Ernst Hans Gombrich, ilość znalezionych obiektów: 75

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A classical "Rake's progress" | E. H. Gombrich
[London: Warburg Institute, University of London], 1952
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A classical quotation in Michael Angelo's "Sacrifice of Noah" | E. Gombrich
[London]: [The Warburg Institute], [1937/1938]
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Aby Warburg: an intelectual biography | by E.H. Gombrich; with a memoir on the history of the library by F. Saxl
London: The Warburg Institute, 1970
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Action and expression in western art | E. H. Gombrich
Cambridge: Cambridge University Press, 1972
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Alberto Avogadro's descriptions of the Badia of Fiesole and of the Villa of Careggi | Ernst H. Gombrich
Padova: Editrice Antenore, [1962]
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An interpretation of Mantegna`s "Parnassus" | E. H. Gombrich
[London: The Warburg Institute], 1963
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Art and illusion: a study in the psychology of pictorial representation | E. H. Gombrich
[New York]: Pantheon Books, [1960]
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Art and illusion: a study in the psychology of pictorial representation | E. H. Gombrich
Princeton: Princeton University Press, 1969
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Art and self-transcendence | E. H. Gombrich; ed. by Arne Tiselius and Sam Nilsson
Stockholm: New York: Almqvist & Wiksell, 1970
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Art and the language of the emotions | E. H. Gombrich
[London: Williams and Norgate -- New York: Johnson Reprint], 1962
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Art history and the social sciences | by E. H. Gombrich
Oxford: Clarendon Press, 1975
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Bosch's 'Garden of Earthly delights': a progress report | E. H. Gombrich
London: The Warburg Institute, 1969
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Botticelli's Mythologies: a study in the neoplatonic symbolism of his circle | by E. H. Gombrich
London: The Warburg Institute, 1945
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Canons and values in the visual arts: a correspondence | E. H. Gombrich and Quentin Bell
Chicago: The University of Chicago Press, 1976
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Conseils de Léonard sur les esquisses de tableaux | E. Gombrich
Paris -- Alger: [Imprimerie E. Imbert], 1954
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Eine verkannte Karolingische Pyxis im Wiener Kunsthistorischen Museum | von Ernst Gombrich
Wien: Schroll & Co., 1933
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Experiment and experience in the arts | E. H. Gombrich
[London: Science Reviews, 1980]
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Goethe's 'Zueignung' and Benivieni's 'Amore' | Ernst Gombrich
[London]: [The Warburg Institute University of London], 1937-8
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Huizinga`s "Homo ludens" | E. H. Gombrich
[Utrecht: Nederlands Historisch Genootschap], 1973
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Ideal und Typus in der italienischen Renaissancemalerei | E. H. Gombrich
Opladen: Westdeutscher Verlag, 1983
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Ideals and idols: essays on values in history and in art | E. H. Gombrich
Oxford: Phaidon, 1979
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In search of cultural history | E. H. Gombrich
Oxford: Clarendon Press, 1969
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Kunst und Fortschritt: Wirkung und Wandlung einer Idee | Ernst H. Gombrich
Köln: DuMont Buchverlag, 1978
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Kunstgeschichte und Kunsttheorie im 19. Jahrhundert (Probleme der Kunstwissenschaft, 1) | by E. H. Gombrich
[New York: College Art Association of America, 1964]
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Leonardo e i maghi: polemiche e rivalita | Ernst H. Gombrich
[Firenze]: Giunti Barbera, 1984
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Leonardo's grotesque heads: prolegomena to their study | Ernst Gombrich
Roma: Istituto Poligrafico dello Stato, 1954
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Light, form and texture in XVth century painting | E. H. Gombrich
[London: Published for the Society by George Bell], 1964
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Means and ends: reflections on the history of fresco painting | E. H. Gombrich
London: Thames and Hudson, 1976
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Meditations on a hobby horse and other essays on the theory of art | by E. H. Gombrich
[London]: Phaidon, [1963]
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Moment and movement in art | E. H. Gombrich
[London: The Warburg Institute], 1964
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Nature and art as needs of the mind | E. H. Gombrich
Liverpool: Liverpool University Press, 1981
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New light on old masters: studies in the art of the Renaissance | E. H. Gombrich
London: Phaidon, [1986]
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Norm and form: studies in the art of the Renaissance | by E. H. Gombrich
London: Phaidon Press, 1966
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Norma e forma | E. H. Gombrich
Torino: Edizioni di "Filosofia", 1963
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On physiognomic perception | E. H. Gombrich
[Boston, Mass.: American Academy of Arts and Sciences], 1960
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Personification | E. H. Gombrich
[Cambridge -- New York: Cambridge University Press, 1976]
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Pisma o sztuce i kulturze | E. H. Gombrich; wybór i oprac. Richard Woodfield; przekł. Dorota Folga-Januszewska [et al.]; red. nauk. Dorota Folga-Januszewska
Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, [2011]
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Portrait painting and portrait photography | E. H. Gombrich
London: Lund Humphries, [1945]
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Psycho-analysis and the history of art | E. H. Gombrich
[London: Bailliere, Tindall],1954
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Raffaello: nel V Centerario della Nascita | Ernst Hans Gombrich
[Roma: Il Veltro Editrice], 1983
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Raphael: a quincentennial address | E. H. Gombrich
London, Boston: Routledge & K. Paul, 1984
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Raphael`s Madonna della Sedia | E. H. Gombrich
London: Oxford University Press, 1956
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Reflections on the history of art: views and reviews | E. H. Gombrich
Oxford: Phaidon, [1987]
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Rembrandt now | E. H. Gombrich
New York: [A. W. Ellsworth, 1970]
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Renaissance and Golden Age | E. H. Gombrich
[London: The Warburg Institute], 1961
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Research in the humanities: ideals and idols | E. H. Gombrich
[Boston, Mass.]: American Academy of Arts and Sciences, 1973
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Ritualized gesture and expression in art | by E. H. Gombrich
[London: The Royal Society of London], 1966
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Sigmund Freud und die Theorie der Künste. Festwortrag zum 125. Geburtstag Sigmund Freuds | Sir Ernst Gombrich
[Wien: Sigmund Freud-Gesellschaft], 1981
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Symbolic images: studies in the art of the Renaissance | by E. H. Gombrich
London: Phaidon Press, 1972
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The Sala dei Venti in the Palazzo del Te | by E. H. Gombrich
[London: The Warburg Institute], 1950
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The debate on primitivism in ancient rhetoric | E. H. Gombrich
[London: The Warburg Institute], 1966
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The earliest description of Bosch`s "Garden of delight" | E. H. Gombrich
[London: The Warburg Institute], 1967
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The essential Gombrich: selected writings on art and culture | edited by Richard Woodfield
London: Phaidon Press, 1996
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The evidence of images | E. H. Gombrich
Baltimore: Johns Hopkins Press, 1969
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The heritage of Apelles: studies in the art of the Renaissance | by E. H. Gombrich
London: Phaidon Press, 1976
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The ideas of progress and their impact on art | by E. H. Gombrich
[New York]: Cooper Union School of Art and Architecture, [1971]
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The leaven of criticism in Renaissance art | E. H. Gombrich
Baltimore: The Johns Hopkins Press, [1968]
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The mask and the face: the perception of physiognomic likeness in life and in art | E. H. Gombrich
Baltimore: Johns Hopkins University Press, [1972]
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The museum: past, present and future | E. H. Gombrich
[Chicago: University of Chicago Press], 1977
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The sense of order: a study in the psychology of decorative art | E. H. Gombrich
[London]: Phaidon Press, [1979]
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The story of art | E. H. Gombrich
London: Phaidon Press, 1950
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The visual image | by E. H. Gombrich
[New York: Scientific American], 1972
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Topos and topicality in Renaissance art | by E. H. Gombrich
London: The Society for Renaissance Studies, 1975
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Tributes: interpreters of our cultural tradition | E. H. Gombrich
[London]: Phaidon, [1984]
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Visual discovery through art | by E. H. Gombrich
[New York: Art Digest], 1965
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Vom Wert der Kunstwissenschaft für die Symbolforschung | E. H. Gombrich
Berlin: Walter de Gruyter, 1966
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Zmysł porządku: o psychologii sztuki dekoracyjej | E. H. Gombrich; red. nauk. Dorota Folga-Januszewska
Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, 2009
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Zum Werke Giulio Romanos. 2: Versuch einer Deutung | von Ernst Gombrich
Wien: A. Schroll, 1935
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Zur Psychologie des Bilderlesens | E. H. Gombrich
[Stuttgart: Georg Thieme, 1967]