AZUM!

A note on the Mérode Altarpiece | Meyer Schapiro

[New York]: College Art Association of America, 1959

A note on the wall strips of Saxon churches | Meyer Schapiro

Urbana, Ill.: The Society of Architectural Historians, 1959

A relief in Rodez and the beginnings of Romanesque sculpture in Southern France | Meyer Schapiro

Princeton, N.J.: Princeton University Press, 1963

Diderot on the artist and society | by Meyer Schapiro

[Geneve: Droz 1964]

Leonardo and Freud: an art-historical study | Meyer Schapiro

Philadelphia [etc.]: Journal of the History of Ideas, Inc., 1956

Mr. Berenson`s values | by Meyer Schapiro

[London: Encounter], 1961

On some problems in the semiotics of visual art | Meyer Schapiro

[Berlin]: Mouton, 1969

On some problems in the semiotics of visual art | Meyer Schapiro

[The Hague]: Mouton, 1970

On the aesthetic attitude in Romanesque art | Meyer Schapiro

[London]: [Luzac], [1947]

Paul Cézanne | Meyer Schapiro

Köln: Dumont, [1957]

Picasso's "Woman with a fan": on transformation and self-transformation | Meyer Schapiro

Mainz: Philipp von Zabern, 1976

Style | Meyer Schapiro

Chicago: University of Chicago Press, 1953

The Beatus Apocalypse of Gerona | Meyer Schapiro

New York: Art Foundation Press Inc., 1963

The Parma Ildefonsus: a Romanesque illuminated manuscript from Cluny and related works | by Meyer Schapiro

New York: College Art Association of America, 1964

The apples of Cezanne: an essay on the meaning of still-life | by Meyer Schapiro

[New York: The Macmillan Company, 1968]

The bowman and the bird on the Ruthwell Cross and other works: the interpretation of secular themes in early mediaeval religious art | Meyer Schapiro

[New York]: College Art Association of America, 1963

The miniatures of the Florence Diatessaron (Laurentian ms Or. 81): their place in late Medieval art and supposed connection with early Christian and Insular art | Meyer Schapiro

[New York]: College Art Association of America, 1973

The still life as a personal object: a note on Heidegger and van Gogh | Meyer Schapiro

New York: Springer, 1968

Two romanesque drawings in Auxerre and some iconographic problems | by Meyer Schapiro

Princeton: University Press, 1954

Two slips of Leonardo and a slip of Freud | Meyer Schapiro

[New York]: [National Psychological Association for Psychoanalysis], 1956

Words and pictures: on the lieral and the symbolic in the illustration of a text | Meyer Schapiro

The Hague: Mouton, 1973