AZUM!

"Pathos Formula": some reflections on the structure of a concept | Moshe Barasch

Jerusalem: Hebrew University of Jerusalem, Institute of Languages, Literatures & Arts, 1985

An unknown work of medieval sculpture in Acre | Moshe Barasch

Jerusalem: Magnes Press, Hebrew University, 1972

Character and physiognomy: Bocchi on Donatello`s St. George: a Renaissance text on expresion in art | Moshe Barasch

[Philadelphia, Pa]: [Journal of the History of Ideas], 1975

Crusader figural sculpture in the Holy Land: twelfth century examples from Acre, Nazareth and Belvoir Castle | Moshe Barasch

[Ramat Gan]: Massada Press, [1971]

Das Bild des Unsichtbaren: zu den frühen Christusbildern | Moshe Barasch

[Leiden]: [Brill], 1983

Das Gottesbild: Studien zur Darstellung des Unsichtbaren | Moshe Barasch

München: Wilhelm Fink, 1998

Gestures of despair in medieval and early Renaissance art | Moshe Barasch

New York: New York University Press, 1976

Licht und Farbe in der italienischen Kunsttheorie des Cinquecento | Moshe Barasch

Firenze: Sansoni, 1960

Light and color in the Italian Renaissance theory of art | Moshe Barasch

New York: New York University Press, 1978

The David Mosaic of Gaza | Moshe Barasch

[Tel-Aviv]: Tel-Aviv University, 1980

The tossed-back head: the ambiguity of a gesture in Renaissance art | Moshe Barasch

Würzburg: [Königshausen und Neumann], 1983

Theories of art: from Plato to Winckelmann | Moshe Barasch

New York -- London: New York University Press, 1985