AZUM!

"Imago Pietatis": ein Beitrag zur Typengeschichte des "Schmerzensmanns" und der "Maria Mediatrix" | Erwin Panofsky

[Leipzig: E. A. Seemann, 1927]

"Virgo & Victrix: A Note on Dürer's Nemesis | Erwin Panofsky

[New York: Holt, Rinehart and Winston, 1962]

A mythological painting by Poussin in the Nationalmuseum Stockholm | Erwin Panofsky

Stockholm: [s.n.], 1960

Albrecht Dürer. Vol. 1: The life and art of Albrecht Dürer | Erwin Panofsky

Princeton, N.J.: Princeton University Press, 1945

Albrecht Dürer. Vol. 2: Handlist, concordances, and illustrations | Erwin Panofsky

Princeton, N.J.: Princeton University Press, 1945

Aufsätze zu Grundfragen der Kunstwissenschaft | Erwin Panofsky

Berlin: Bruno Hessling, 1974

Conrad Celtes and Kunz von der Rosen: two problems in portrait identification | Erwin Panofsky

[New York]: College Art Association of America, 1942

Das Leben und die Kunst Albrecht Dürers | Erwin Panofsky; Ins Deutsche übers. von Lise Lotte Möller

München: Rogner und Bernhard, 1977

Die deutsche Plastik des elften bis dreizehnten Jahrhunderts. [Bd.] 2: Tafelband | Erwin Panofsky

Firenze: Pantheon Casa Editrice -- München: Kurt Wolff, 1924

Dürer as a mathematician | Erwin Panofsky

New York: Simon and Schuster, [1966]

Dürer`s "St. Eustace" | Erwin Panofsky

[Princeton, N.J.]: Art Museum, Princeton University, 1950

Early Netherlandish painting: its origins and character. Vol. 1: Text | Erwin Panofsky

Cambridge. Mass.,: Harvard University Press, 1953

Early Netherlandish painting: its origins and character. Vol. 2: Plates | Erwin Panofsky

Cambridge, Mass.: Harvard University Press, 1953

Galileo as a critic of the arts | Erwin Panofsky

The Hague: Martinus Nijhoff, 1954

Gothic architecture and scholasticism | Erwin Panofsky

Latrobe, Pa.: Archabbey Press, 1951

Hercules am Scheidewege: und andere antike Bildstoffe in der neueren Kunst | Erwin Panofsky

Berlin: Gebr. Mann Verlag, 1997

Idea: a concept in art theory | Erwin Panofsky. Translated by Joseph J. S. Peake

Columbia: University of South Carolina Press, 1968

Idea: contributo alla storia dell`estetica | Erwin Panofsky; [presentazione e traduzione di Edmondo Cione]

Firenze: La Nuova Italia, 1952

In defense of the ivory tower | Erwin Panofsky

[East Lansing, Mich.: College of Arts and Letters, Michigan State University]: 1957

Introducing Benignus Campus with an excursus on three allegorical drawings probably copied after Antoine Caron | Erwin Panofsky

[Paris: Gazette des beaux-arts, 1959]

La construction de l`Argo en tant qu`alégorie platonicienne: l`iconographie d`un dessin mantegnesque vers 1500 | [Erwin Panofsky]

Budapest: Musée Hongrois des Beaux-Arts, 1962

La prospettiva come "forma simbolica" e altri scritti | Erwin Panofsky; a cura di Guido D. Neri; con una nota di Maria Dalai

Milano: Feltrinelli, 1961

Meaning in the visual arts: papers in and on art history | Erwin Panofsky

Garden City, N.Y.: Doubleday Anchor Books, 1955

Perspektywa jako "forma symboliczna" | Erwin Panofsky; przekł., wstęp, posł. i red. nauk. Grażyna Jurkowlaniec

Warszawa: Wydawnictwa Uniwersytetu Warszawskiego, 2008

Problems in Titian, mostly iconographic | Erwin Panofsky

New York: New York University Press, 1969

Rembrandt and das Judentum | Erwin Panofsky

Hamburg: [Hauswedell], 1973

Renaissance and renascences in western art. Vol. 1: Text | Erwin Panofsky

Stockholm: Almqvist & Wiksell, 1960

Renaissance and renascences in western art. Vol. 2: Plates | Erwin Panofsky

Stockholm: Almqvist & Wiksell, 1960

Saturn i melancholia: studia z historii, filozofii, przyrody, medycyny, religii oraz sztuki | Raymond Klibansky, Erwin Panofsky, Fritz Saxl; przekł. Anna Kryczyńska

Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, 2009

Sokrates in Hamburg oder Vom Schönen und Guten | A. F. Synkop [Erwin Panofsky]

Hamburg: Gesellschaft der Bücherfreunde, [1962]

Studia z historii sztuki | Erwin Panofsky; wybrał, oprac. i opatrzył posłowiem Jan Białostocki

Warszawa: Państwowy Instytut Wydawniczy, 1971

Studia z historii sztuki | Erwin Panofsky; wybrał, oprac. i opatrzył posłowiem Jan Białostocki

Warszawa: Państwowy Instytut Wydawniczy, 1971

Studia z historii sztuki | Erwin Panofsky; wybrał, oprac. i opatrzył posłowiem Jan Białostocki.

Warszawa: Państwowy Instytut Wydawniczy, 1971

Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance = (Studies in iconology) | Erwin Panofsky

Köln: DuMont Buchverlag, 1980

Studies in iconology: humanistic themes in the art of the renaissance | Erwin Panofsky

New York, Evanston, London: Icon Editions, Harper & Row, 1972

Studies in iconology: humanistic themes in the art of the renaissance | Erwin Panofsky

New York: Harper & Row, 1962

Style et matériau au cinema | Erwin Panofsky

[Paris: P.U.F.], 1973

The Codex Huygens and Leonardo da Vinci's art theory: the Pierpont Morgan Library Codex M.A. 1139 | Erwin Panofsky

Nendeln, Liechtenstein: Kraus Reprint, 1968

The iconography of Correggio`s Camera di San Paolo | Erwin Panofsky

London: Warburg Institute, University of London, 1961

Význam ve výtvarném uměni | Erwin Panofsky

Praha: Odeon, 1981

Max J. Friedländer: ter ere van zijn negentigste verjaardag, 5 juni 1957 | Erwin Panofsky [et al.]

's-Gravenhage: C. Boucher, [1957]

Pandora`s box: the changing aspects of a mythical symbol | Dora and Erwin Panofsky

New York: Harper & Row, 1965

Pandora`s box: the changing aspects of a mythical symbol | Dora and Erwin Panofsky

[New York]: Pantheon Books, 1956

Saturn and melancholy: studies in the history of natural philosophy, religion and art | Raymond Klibansky, Erwin Panofsky, and Fritz Saxl

New York: Basic Books, 1964

Saturn i melancholia: studia z historii, filozofii, przyrody, medycyny, religii oraz sztuki | Raymond Klibansky, Erwin Panofsky, Fritz Saxl; przekł. Anna Kryczyńska

Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, 2009

The iconography of the Galerie François Ier at Fontainebleau | Dora and Erwin Panofsky

[Paris: Gazette des beaux-arts],1958