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Oglądasz Autor dodatkowy: , ilość znalezionych obiektów: 28

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Altarpieces and their viewers in the churches of Rome from Caravaggio to Guido Reni | Pamela M. Jones
Aldershot, U.K. -- Burlington, VT: Ashgate, 2008
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Apostolic iconography and Florentine confraternities in the age of reform | Douglas N. Dow
Farnham, England -- Burlington, VT: Ashgate, 2014
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Art and the relic cult of St. Antoninus in Renaissance Florence | Sally J. Cornelison
Farnham, England -- Burlington, VT: Ashgate, 2012
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Art, piety and destruction in the Christian West, 1500-1700 | edited by Virginia Chieffo Raguin
Farnham, England -- Burlington, VT: Ashgate, 2010
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Creating distinctions in Dutch genre painting: repetition and invention | Angela K. Ho
Amsterdam: Amsterdam University Press, 2017
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Flagellant confraternities and Italian art, 1260-1610: ritual and experience | Andrew H. Chen
Amsterdam: Amsterdam University Press, 2018
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Flemish and Dutch artists in early modern England: collaboration and competition, 1460-1680 | Mary Bryan H. Curd
Farnham, England -- Burlington, VT: Ashgate, 2010
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Godefridus Schalcken: a Dutch painter in late seventeenth-century London | Wayne Franits
Amsterdam: Amsterdam University Press, 2018
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Inganno - the art of deception: imitation, reception, and deceit in early modern art | edited by Sharon Gregory and Sally Anne Hickson
Farnham, England -- Burlington, VT: Ashgate, 2012
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Performativity and performance in Baroque Rome | edited by Peter Gillgren and Marten Snickare
Farnham, England -- Burlington, VT: Ashgate, 2012
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Picturing commerce in and from the East Asian maritime circuits, 1550-1800 | edited by Tamara H. Bentley
Amsterdam: Amsterdam University Press, 2019
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Rethinking the High Renaissance: the culture of the visual arts in early sixteenth-century Rome | edited by Jill Burke
Farnham, England -- Burlington, VT: Ashgate, 2012
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Sartorial politics in early modern Europe: fashioning women | edited by Erin Griffey
Amsterdam: Amsterdam University Press, 2019
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Sense and the senses in early modern art and cultural practice | edited by Alice E. Sanger and Siv Tove Kulbrandstad Walker
Farnham, England -- Burlington, VT: Ashgate, 2012
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Seventeenth-century Flemish garland paintings: still life, vision, and the devotional image | Susan Merriam
Farnham, England -- Burlington, VT: Ashgate, 2012
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The enduring legacy of Venetian Renaissance art | edited by Andaleeb Badiee Banta
London -- New York: Routledge, 2016
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The ethics of ornament in early modern Naples: fashioning the Certosa di San Martino | J. Nicholas Napoli
Farnham, England -- Burlington, VT: Ashgate, 2015
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The late paintings of Velázquez: theorizing painterly performance | Giles Knox
Farnham, England -- Burlington, VT: Ashgate, 2009
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The life and work of Rosalba Carriera (1673-1757): the queen of pastel | Angela Oberer
Amsterdam: Amsterdam University Press, 2020
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The pictorial art of El Greco: transmaterialities, temporalities, and media | Livia Stoenescu
Amsterdam: Amsterdam University Press, 2019
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The viewer and the printed image in late medieval Europe | David S. Areford
Farnham, England -- Burlington, VT: Ashgate, 2010
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Vasari and the Renaissance print | Sharon Gregory
Farnham, England -- Burlington, VT: Ashgate, 2012
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Women artists and patrons in the Netherlands, 1500-1700 | edited by Elizabeth Sutton
Amsterdam: Amsterdam University Press, 2019