AZUM!

Art, agency and living presence: from the animated image to the excessive object | Caroline van Eck

Boston -- Berlin -- Munich: Walter de Gruyter -- Leiden: Leiden University Press, 2015

Book of architecture containing the general principles of the art and the plans, elevations and sections of some of the edifices built in France and in foreign countries | Germain Boffrand; edited and introduced by Caroline van Eck

Aldershot: Ashgate, 2002

British architectural theory 1540-1750: an anthology of texts | ed. by Caroline van Eck

Aldershot: Ashgate, 2003

François Blondel: architecture, erudition, and the scientific revolution | Anthony Gerbino

London -- New York: Routledge, 2010

Il marmo spirante: sculpture and experience in seventeenth-century Rome | Joris van Gastel

Berlin: Akademie Verlag -- Leiden: Leiden University Press, 2013

Landscapes of taste: the art of Humphry Repton's Red Books | André Rogger

London -- New York: Routledge, 2007

Painting the sacred in the age of romanticism | Cordula Grewe

Farnham, England -- Burlington, VT: Ashgate, 2009

Presence: the inherence of the prototype within images and other objects | edited by Robert Maniura and Rupert Shepherd

Aldershot, U.K. -- Burlington, VT: Ashgate, 2006

The art of religion: Sforza Pallavicino and art theory in Bernini's Rome | Maarten Delbeke

Farnham, England -- Burlington, VT: Ashgate, 2012

The beholder: the experience of art in early modern Europe | edited by Thomas Frangenberg and Robert Williams

Aldershot, U.K. -- Burlington, VT: Ashgate, 2006

The city rehearsed: object, architecture, and print in the worlds of Hans Vredeman de Vries | Christopher P. Heuer

London -- New York: Routledge, 2009

The look of Van Dyck: the Self-portrait with a sunflower and the vision of the painter | John Peacock

Aldershot, U.K. -- Burlington, VT: Ashgate, 2006

Time and place: the geohistory of art | ed. by Thomas DaCosta Kaufmann and Elizabeth Pilliod

Aldershot, U.K. -- Burlington, VT: Ashgate, 2005